{"id":27047,"date":"2024-06-19T16:30:38","date_gmt":"2024-06-19T15:30:38","guid":{"rendered":"https:\/\/www.johncoulthart.com\/feuilleton\/?p=27047"},"modified":"2024-06-19T22:52:41","modified_gmt":"2024-06-19T21:52:41","slug":"the-art-of-hannes-bok-1914-1964","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2024\/06\/19\/the-art-of-hannes-bok-1914-1964\/","title":{"rendered":"The art of Hannes Bok, 1914\u20131964"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/06\/bok01.jpg\" alt=\"bok01.jpg\" \/><\/p>\n<p><em>Altars of Patagonia (1946)<\/em><\/p>\n<p>Like the huge cache of <a href=\"https:\/\/archive.org\/details\/finlay-v-06-amazing-stories\/Finlay%20v01%20Weird%20Tales\/\" target=\"_blank\" rel=\"noopener\">Virgil Finlay art<\/a> that turned up at the Internet Archive a couple of years ago, the pictures here are from <a href=\"https:\/\/archive.org\/details\/bok-v-01\/Bok%20v01\/mode\/2up\" target=\"_blank\" rel=\"noopener\">a two-volume collection<\/a> made by an enthusiast gathering together yet more illustrations from the pulp magazines of the 1940s and 50s. Hannes Bok (real name Wayne Francis Woodard) wasn&#8217;t as prolific as Virgil Finlay, but the careers of the two men intersected in the pages of <em>Weird Tales<\/em> where they both used stipple shading to compensate for the poor reproduction of pulp paper. Bok&#8217;s work tended to be more stylised than Finlay&#8217;s, with a quirkiness that makes his art easy to spot once you&#8217;ve seen a few examples.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/06\/bok02.jpg\" alt=\"bok02.jpg\" \/><\/p>\n<p><em>Boomerang (1947)<\/em><\/p>\n<p>The two volumes contain a total of over 300 illustrations so any selection will only be a small sampling. Many of the drawings were new to me. The first volume is mostly work from magazines such as <em>Weird Tales<\/em> and the minor SF mags; the second includes book covers, calendar illustrations and other work. As with the Finlay collections, both volumes are available in a range of file formats which include cbz files, a format I prefer to pdf for browsing image-heavy documents. For more about cbr\/cbz files, see the end of <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2022\/04\/11\/virgil-finlays-magazine-illustrations\/\">this post<\/a>.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/06\/bok03.jpg\" alt=\"bok03.jpg\" \/><\/p>\n<p><em>Cross of Mercrux (1942)<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/06\/bok04.jpg\" alt=\"bok04.jpg\" \/><\/p>\n<p><em>Daughter of Darkness (1941)<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/06\/bok05.jpg\" alt=\"bok05.jpg\" \/><\/p>\n<p><em>Dimensional Doors (1944)<\/em><\/p>\n<p><!--more--><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/06\/bok06.jpg\" alt=\"bok06.jpg\" \/><\/p>\n<p><em>Gravity Trap (1949)<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/06\/bok07.jpg\" alt=\"bok07.jpg\" \/><\/p>\n<p><em>Haunted Hour (1941)<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/06\/bok08.jpg\" alt=\"bok08.jpg\" \/><\/p>\n<p><em>He Wasn&#8217;t There (1941)<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/06\/bok09.jpg\" alt=\"bok09.jpg\" \/><\/p>\n<p><em>Hell on Earth (1942)<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/06\/bok10.jpg\" alt=\"bok10.jpg\" \/><\/p>\n<p><em>Into the Darkness (1940)<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/06\/bok11.jpg\" alt=\"bok11.jpg\" \/><\/p>\n<p><em>Kazam Collects (1941)<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/06\/bok13.jpg\" alt=\"bok13.jpg\" \/><\/p>\n<p><em>Mandala (1956)<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/06\/bok14.jpg\" alt=\"bok14.jpg\" \/><\/p>\n<p><em>Masquerade (1942)<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/06\/bok15.jpg\" alt=\"bok15.jpg\" \/><\/p>\n<p><em>Mr. Packer Goes to Hell (1941)<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/06\/bok16.jpg\" alt=\"bok16.jpg\" \/><\/p>\n<p><em>Passage to Sharanee (1942)<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/06\/bok17.jpg\" alt=\"bok17.jpg\" \/><\/p>\n<p><em>Pickman&#8217;s Model (1950)<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/06\/bok18.jpg\" alt=\"bok18.jpg\" \/><\/p>\n<p><em>Planet Leave (1941)<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/06\/bok19.jpg\" alt=\"bok19.jpg\" \/><\/p>\n<p><em>Reader, I Hate You (1943)<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/06\/bok20.jpg\" alt=\"bok20.jpg\" \/><\/p>\n<p><em>Red Coral (1951)<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/06\/bok21.jpg\" alt=\"bok21.jpg\" \/><\/p>\n<p><em>Seven Out of Time (1949)<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/06\/bok22.jpg\" alt=\"bok22.jpg\" \/><\/p>\n<p><em>Tarrano the Conqueror (1941)<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/06\/bok23.jpg\" alt=\"bok23.jpg\" \/><\/p>\n<p><em>The Coat (1952)<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/06\/bok24.jpg\" alt=\"bok24.jpg\" \/><\/p>\n<p><em>The Fox Woman and the Blue Pagoda (1946)<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/06\/bok25.jpg\" alt=\"bok25.jpg\" \/><\/p>\n<p><em>The Sorcerer&#8217;s Ship (1942)<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/06\/bok26.jpg\" alt=\"bok26.jpg\" \/><\/p>\n<p><em>The Unfinished (1951)<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/06\/bok27.jpg\" alt=\"bok27.jpg\" \/><\/p>\n<p><em>Voice in the Void (1942)<\/em><\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/themed-archive-pages\/the-illustrators-archive\/\">The illustrators archive<\/a><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2022\/04\/11\/virgil-finlays-magazine-illustrations\/\">Virgil Finlay\u2019s magazine illustrations<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2020\/10\/28\/the-cthulhu-mythos-in-the-pulps\/\">The Cthulhu Mythos in the pulps<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2020\/07\/09\/the-fantastic-fiction-of-hannes-bok\/\">The Fantastic Fiction of Hannes Bok<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2016\/11\/24\/things\/\">Things<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Altars of Patagonia (1946) Like the huge cache of Virgil Finlay art that turned up at the Internet Archive a couple of years ago, the pictures here are from a two-volume collection made by an enthusiast gathering together yet more illustrations from the pulp magazines of the 1940s and 50s. Hannes Bok (real name Wayne &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2024\/06\/19\/the-art-of-hannes-bok-1914-1964\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;The art of Hannes Bok, 1914\u20131964&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,30,42,21,22,48,43,38,20],"tags":[2150,1895,2396],"class_list":["post-27047","post","type-post","status-publish","format-standard","hentry","category-art","category-black-white","category-books","category-fantasy","category-horror","category-illustrators","category-magazines","category-pulp","category-science-fiction","tag-hannes-bok","tag-virgil-finlay","tag-weird-tales"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-72f","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/27047","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=27047"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/27047\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=27047"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=27047"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=27047"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}