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Composition: Cones and Spirals (1929) by Edward Alexander Wadsworth.<\/em><\/p>\n \u2022 “Repeating items over and over, called maintenance rehearsal<\/em>, is not the most effective strategy for remembering. Instead, actors engage in elaborative rehearsal<\/em>, focusing their attention on the meaning of the material and associating it with information they already know.” John Seamon<\/a> on the vicissitudes of memory, and how actors remember their lines.<\/p>\n \u2022 “Mary McCarthy described it as ‘Faberg\u00e9 gem, a clockwork toy, a chess problem, an infernal machine, a trap to catch reviewers, a cat-and-mouse game, and do-it-yourself novel’, among other things.” Mary Gaitskill<\/a> on the pleasures and difficulties of Nabokov’s greatest novel, Pale Fire<\/em>. Also a reminder that I ought to read it again.<\/p>\n \u2022 New music: Movement, Before All Flowers<\/em><\/a> by Max Richter; A Thread, Silvered And Trembling<\/em><\/a> by Drew McDowall; Unspeakable Visions<\/em><\/a> by Michel Banabila.<\/p>\n \u2022 Among the new titles at Standard Ebooks, the home of free, high-quality, public-domain texts: Ulysses<\/em><\/a> by James Joyce.<\/p>\n \u2022 The latest cartographical design from Herb Lester Associates is Facts Concerning HP Lovecraft and His Environs<\/em><\/a>.<\/p>\n \u2022 At the Daily Heller: A look back at the craze for poster stamps<\/a>.<\/p>\n \u2022 Mix of the week: A tuning mix for The Wire<\/em> by Tashi Wada<\/a>.<\/p>\n \u2022 At Dennis Cooper’s: Michael Lonsdale<\/a> Day.<\/p>\n \u2022 Annie Hogan\u2019s favourite music<\/a>.<\/p>\n \u2022 Clockworks<\/em><\/a> (1975) by Laurie Spiegel | Tin Toy Clockwork Train<\/em><\/a> (1985) by The Dukes Of Stratosphear | Clockwork Horoscope<\/em><\/a> (2008) by Belbury Poly<\/p>\n","protected":false},"excerpt":{"rendered":" Composition: Cones and Spirals (1929) by Edward Alexander Wadsworth. \u2022 “Repeating items over and over, called maintenance rehearsal, is not the most effective strategy for remembering. Instead, actors engage in elaborative rehearsal, focusing their attention on the meaning of the material and associating it with information they already know.” John Seamon on the vicissitudes of … Continue reading “Weekend links 728”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,4,29,7,22,3,44,13,15],"tags":[13476,3319,7609,13470,13474,1687,135,13471,3853,13472,12244,10927,13473,13475,1146,807],"class_list":["post-26991","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-design","category-electronica","category-film","category-horror","category-music","category-painting","category-science","category-technology","tag-annie-hogan","tag-belbury-poly","tag-drew-mcdowall","tag-edward-alexander-wadsworth","tag-herb-lester-associates","tag-hp-lovecraft","tag-james-joyce","tag-john-seamon","tag-laurie-spiegel","tag-mary-gaitskill","tag-max-richter","tag-michael-lonsdale","tag-michel-banabila","tag-tashi-wada","tag-the-dukes-of-stratosphear","tag-vladimir-nabokov"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-71l","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/26991","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=26991"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/26991\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=26991"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=26991"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=26991"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}