{"id":26955,"date":"2024-05-15T16:30:28","date_gmt":"2024-05-15T15:30:28","guid":{"rendered":"https:\/\/www.johncoulthart.com\/feuilleton\/?p=26955"},"modified":"2024-05-15T15:51:28","modified_gmt":"2024-05-15T14:51:28","slug":"four-short-films-by-vince-collins","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2024\/05\/15\/four-short-films-by-vince-collins\/","title":{"rendered":"Four short films by Vince Collins"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/05\/collins0.jpg\" alt=\"collins0.jpg\" \/><\/p>\n<p>The expressions &#8220;psychedelic&#8221; and &#8220;surreal&#8221; are often so casually applied that they lose any useful definition, but in the case of these early films by American animator Vince Collins &#8220;psychedelic surrealism&#8221; is an accurate description. All have somehow managed to evade my weirdness radar until now, despite being superior examples of the endlessly mutating dream-landscape which animation can do so well. The last of them, <em>Malice in Wonderland<\/em>, is a breathless run through Lewis Carroll scenarios which Collins made in collaboration with his wife, Miwako Collins. That punning title has been overused <a href=\"https:\/\/www.discogs.com\/search?q=malice+in+wonderland&amp;type=all\" target=\"_blank\" rel=\"noopener\">in the music world<\/a> but the pair ought to be given sole ownership of it, their bad-trip film is the most grotesquely nightmarish reworking of Alice themes that I&#8217;ve seen.<\/p>\n<p><a href=\"https:\/\/www.youtube.com\/@VinceCollins\/videos\" target=\"_blank\" rel=\"noopener\">Vince Collins&#8217; YouTube channel<\/a> contains many more recent works done with computer animation. The hand-drawn films are more to my taste but it&#8217;s good to see him still being active and creative.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/05\/collins1.jpg\" alt=\"collins1.jpg\" \/><\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=l5Y9B0Npizs\" target=\"_blank\" rel=\"noopener\"><em>Gilgamish<\/em><\/a> (1973).<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/05\/collins2.jpg\" alt=\"collins2.jpg\" \/><\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=Xs1q6JL8JbI\" target=\"_blank\" rel=\"noopener\"><em>Euphoria<\/em><\/a> (1974).<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/05\/collins3.jpg\" alt=\"collins3.jpg\" \/><\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=Era_8CuPLYc\" target=\"_blank\" rel=\"noopener\"><em>Fantasy<\/em><\/a> (1976).<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/05\/collins4.jpg\" alt=\"collins4.jpg\" \/><\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=R2BAeh8wZLI\" target=\"_blank\" rel=\"noopener\"><em>Malice in Wonderland<\/em><\/a> (1982). (Or avoid YouTube&#8217;s adults-only policy by going <a href=\"https:\/\/archive.org\/details\/MaliceInWonderland\" target=\"_blank\" rel=\"noopener\">here<\/a>.)<\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2024\/03\/11\/the-groovy-video-look\/\">The groovy video look<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The expressions &#8220;psychedelic&#8221; and &#8220;surreal&#8221; are often so casually applied that they lose any useful definition, but in the case of these early films by American animator Vince Collins &#8220;psychedelic surrealism&#8221; is an accurate description. All have somehow managed to evade my weirdness radar until now, despite being superior examples of the endlessly mutating dream-landscape &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2024\/05\/15\/four-short-films-by-vince-collins\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Four short films by Vince Collins&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[52,7,22,17,18],"tags":[12130,114,13464,13463],"class_list":["post-26955","post","type-post","status-publish","format-standard","hentry","category-animation","category-film","category-horror","category-psychedelia","category-surrealism","tag-alice-in-wonderland","tag-lewis-carroll","tag-miwako-collins","tag-vince-collins"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-70L","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/26955","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=26955"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/26955\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=26955"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=26955"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=26955"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}