{"id":26906,"date":"2024-05-04T19:00:15","date_gmt":"2024-05-04T18:00:15","guid":{"rendered":"https:\/\/www.johncoulthart.com\/feuilleton\/?p=26906"},"modified":"2024-05-04T18:49:45","modified_gmt":"2024-05-04T17:49:45","slug":"weekend-links-724","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2024\/05\/04\/weekend-links-724\/","title":{"rendered":"Weekend links 724"},"content":{"rendered":"

\"ravilious.jpg\"<\/a><\/p>\n

Dr Faustus Conjuring Mephistopheles (1928) by Eric Ravilious<\/a>.<\/em><\/p>\n

\u2022 Materialising in July from a cloud of sulphurous smoke: The Devil Rides In \u2013 Spellbinding Satanic Magick & The Rockult 1967\u20131974<\/em><\/a>. Cherry Red Records, home of the well-sourced, well-researched multi-disc compilation, might have been channelling my inner desires with this one, a Sabbath-esque soundtrack to the Occult Revival. I ordered it faster than you can say “Hail Satan!”<\/p>\n

\u2022 A Series of Headaches: Shakespeare’s First Folio meets the London Review of Books<\/em><\/a>. “In this film, letterpress printer Nick Hand pulls apart the whole process, from making ink from crushed oak galls to heaving the levers of a replica Jacobean press, and shows how we produced our own (almost) authentic version of the LRB<\/em> circa 1623.”<\/p>\n

\u2022 Alan Moore will be subject to greater attention than usual in October. In addition to the forthcoming Moon and Serpent Bumper Book of Magic<\/em><\/a>, the month will also see the publication of The Great When<\/em>, the first novel in his Long London<\/em> series. Bloomsbury<\/a> now has cover art to go with their description of the novel.<\/p>\n

\u2022 Mad Dogs & Englishmen: Faust On Virgin Records<\/a>: An extract from Neu Klang: The Definitive Story of Krautrock<\/em><\/a> by Cristoph Dallach, “the first comprehensive oral history of the diverse and radical movement in German music during the late 60s and 1970s.”<\/p>\n

\u2022 Alien life is no joke: Adam Frank<\/a> on combating “the giggle factor” in the search for extraterrestrial life.<\/p>\n

\u2022 At Colossal: Lauren Fensterstock\u2019s Cosmic Mosaics Map Out the Unknown in Crystal and Gems<\/a>.<\/p>\n

\u2022 New music: Ritual (evocation)<\/em><\/a> by Jon Hopkins; Time Is Glass<\/em><\/a> by Six Organs Of Admittance.<\/p>\n

\u2022 At Unquiet Things: The Gentle, Jubilant Visual Poetry of Tino Rodriguez<\/a>.<\/p>\n

\u2022 At Retro-Forteana: Colin Wilson, Philosopher of the Paranormal<\/a>.<\/p>\n

\u2022 DJ Food on Jeff Keen\u2019s Amazing Rayday Comic collages<\/a>.<\/p>\n

At Dennis Cooper’s: Alan Clarke<\/a> Day.<\/p>\n

\u2022 Krautrock<\/em><\/a> (1973) by Faust | Krautrock<\/em><\/a> (1973) by Conrad Schnitzler | The Kraut<\/em><\/a> (2007) by Stars Of The Lid<\/p>\n","protected":false},"excerpt":{"rendered":"

Dr Faustus Conjuring Mephistopheles (1928) by Eric Ravilious. \u2022 Materialising in July from a cloud of sulphurous smoke: The Devil Rides In \u2013 Spellbinding Satanic Magick & The Rockult 1967\u20131974. Cherry Red Records, home of the well-sourced, well-researched multi-disc compilation, might have been channelling my inner desires with this one, a Sabbath-esque soundtrack to the … Continue reading “Weekend links 724”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,1029,21,3,16,44,13,41,15,19,10],"tags":[13450,1115,103,4201,2793,13449,13447,2935,781,1742,13451,9273,13448,3932,5595,13452],"class_list":["post-26906","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-collage","category-fantasy","category-music","category-occult","category-painting","category-science","category-sculpture","category-technology","category-television","category-typography","tag-adam-frank","tag-alan-clarke","tag-alan-moore","tag-colin-wilson","tag-conrad-schnitzler","tag-cristoph-dallach","tag-eric-ravilious","tag-faust-group","tag-jeff-keen","tag-jon-hopkins","tag-lauren-fensterstock","tag-london-review-of-books","tag-nick-hand","tag-six-organs-of-admittance","tag-stars-of-the-lid","tag-tino-rodriguez"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-6ZY","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/26906","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=26906"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/26906\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=26906"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=26906"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=26906"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}