{"id":26898,"date":"2024-05-01T16:30:17","date_gmt":"2024-05-01T15:30:17","guid":{"rendered":"https:\/\/www.johncoulthart.com\/feuilleton\/?p=26898"},"modified":"2024-05-01T15:51:06","modified_gmt":"2024-05-01T14:51:06","slug":"max-ernst-estampes-et-livres-illustres","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2024\/05\/01\/max-ernst-estampes-et-livres-illustres\/","title":{"rendered":"Max Ernst, estampes et livres illustr\u00e9s"},"content":{"rendered":"

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And speaking of Max Ernst… These are pages from a catalogue for a exhibition of Ernst’s prints and book illustrations<\/a> held at the Biblioth\u00e8que Nationale in Paris in 1975. Ernst was such a versatile and prolific artist that any collection can only show a small sample of the available work which here ranges from Dadaist collages and Surrealist frottages<\/em>, to pages from his three collage novels plus later works like Wunderhorn<\/em> which featured illustrations based on the writings of Lewis Carroll. Some of the captions erroneously assign collages from Une semaine de bont\u00e9<\/em> to La femme 100 t\u00eates<\/i>, not the kind of thing you expect from a national library. Several of the images towards the end are from Maximiliana or the Illegal Practice of Astronomy<\/em>, an art-book that Ernst created in 1964 which features the curious hieroglyphic figures that proliferate in his drawings and paintings from this period. Peter Schamoni made a short film about the project which may be viewed here<\/a>.<\/p>\n

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Elsewhere on { feuilleton }
\n\u2022 The Surrealism archive<\/a><\/p>\n

Previously on { feuilleton }
\n\u2022 Max Ernst by Peter Schamoni<\/a>
\n\u2022 The nightingale echo<\/a>
\n\u2022 Max Ernst\u2019s favourites<\/a>
\n\u2022 Max Ernst album covers<\/a>
\n\u2022 Maximiliana oder die widerrechtliche Aus\u00fcbung der Astronomie<\/a>
\n\u2022 Max and Dorothea<\/a>
\n\u2022 Dreams That Money Can Buy<\/a>
\n\u2022 La femme 100 t\u00eates by Eric Duvivier<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

And speaking of Max Ernst… These are pages from a catalogue for a exhibition of Ernst’s prints and book illustrations held at the Biblioth\u00e8que Nationale in Paris in 1975. Ernst was such a versatile and prolific artist that any collection can only show a small sample of the available work which here ranges from Dadaist … Continue reading “Max Ernst, estampes et livres illustr\u00e9s”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,1029,18],"tags":[114,112,6668],"class_list":["post-26898","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-collage","category-surrealism","tag-lewis-carroll","tag-max-ernst","tag-peter-schamoni"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-6ZQ","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/26898","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=26898"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/26898\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=26898"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=26898"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=26898"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}