{"id":26870,"date":"2024-04-20T19:00:58","date_gmt":"2024-04-20T18:00:58","guid":{"rendered":"https:\/\/www.johncoulthart.com\/feuilleton\/?p=26870"},"modified":"2024-04-20T18:55:27","modified_gmt":"2024-04-20T17:55:27","slug":"weekend-links-722","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2024\/04\/20\/weekend-links-722\/","title":{"rendered":"Weekend links 722"},"content":{"rendered":"

\"robinson.jpg\"<\/a><\/p>\n

Desert Sunrise (no date) by Kay Robinson.<\/em><\/p>\n

\u2022 RIP Richard Horowitz<\/a>, a composer and musician whose soundtrack work makes the headlines but who I’ve always known best via his appearances on albums by Jon Hassell and others, and his collaborations with his partner, Sussan Deyhim. Majoun<\/em><\/a> (1996) is my favourite among the Horowitz and Deyhim albums but it’s one of those releases that received little attention at the time and hasn’t been reissued since. Related: Revisiting Morocco, Magic, Majoun, Horowitz and Deyhim<\/a>: Robert Phoenix talks to Horowitz and Deyhim for the final issue of Mondo 2000<\/em>. | Desert Equations (For Brion Gysin)<\/em><\/a> (1986).<\/p>\n

\u2022 “A typeface is like an orchestra, and the type designer is its conductor.” Dr Nadine Chahine<\/a> on the music of type design.<\/p>\n

\u2022 At Colossal: Flip through more than 5,000 pages of this sprawling 19th-century atlas of natural history<\/a>.<\/p>\n

\u2022 At Unquiet Things: Become one with the moss, mushrooms, and magic in the art of Brett Manning<\/a>.<\/p>\n

\u2022 At Public Domain Review: Annie Besant and Charles Leadbeater\u2019s Occult Chemistry<\/em><\/a> (1908).<\/p>\n

\u2022 New music: Reality Engine<\/em><\/a> by 36, and Transformation Sonor<\/em><\/a> by Hannes Strobl.<\/p>\n

\u2022 Photos of undersea life for the Smithsonian Magazine Photo Contest<\/a>.<\/p>\n

\u2022 Mix of the week: DreamScenes \u2013 April 2024<\/a> at Ambientblog.<\/p>\n

\u2022 At Dennis Cooper’s: Book<\/a>.<\/p>\n

\u2022 The Blue Flame<\/em><\/a> (1981) by David Byrne (with Richard Horowitz) | Ravinia\/Vancouver<\/em><\/a> (1987) by Jon Hassell (with Richard Horowitz) | Bade Saba (The Wind Of Saba)<\/a><\/em> (2000) by Sussan Deyhim (with Richard Horowitz)<\/p>\n","protected":false},"excerpt":{"rendered":"

Desert Sunrise (no date) by Kay Robinson. \u2022 RIP Richard Horowitz, a composer and musician whose soundtrack work makes the headlines but who I’ve always known best via his appearances on albums by Jon Hassell and others, and his collaborations with his partner, Sussan Deyhim. Majoun (1996) is my favourite among the Horowitz and Deyhim … Continue reading “Weekend links 722”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,29,48,3,16,44,12,13,41,10],"tags":[13429,3153,13427,13428,1855,13430,212,13424,13426,1640,13425,1639],"class_list":["post-26870","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-electronica","category-illustrators","category-music","category-occult","category-painting","category-photography","category-science","category-sculpture","category-typography","tag-36-musician","tag-annie-besant","tag-brett-manning","tag-charles-leadbeater","tag-david-byrne","tag-hannes-strobl","tag-jon-hassell","tag-kay-robinson","tag-nadine-chahine","tag-richard-horowitz","tag-robert-phoenix","tag-sussan-deyhim"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-6Zo","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/26870","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=26870"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/26870\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=26870"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=26870"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=26870"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}