{"id":26847,"date":"2024-04-13T19:00:56","date_gmt":"2024-04-13T18:00:56","guid":{"rendered":"https:\/\/www.johncoulthart.com\/feuilleton\/?p=26847"},"modified":"2024-04-13T18:51:13","modified_gmt":"2024-04-13T17:51:13","slug":"weekend-links-721","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2024\/04\/13\/weekend-links-721\/","title":{"rendered":"Weekend links 721"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/04\/reigl.jpg\" alt=\"reigl.jpg\" \/><\/p>\n<p><em>Incomparable Pleasure (1952\u20133) by <a href=\"https:\/\/surrealism.website\/Judit_Reigl.html\" target=\"_blank\" rel=\"noopener\">Judit Reigl<\/a>.<\/em><\/p>\n<p>\u2022 Steven Heller\u2019s Font of the Month is <a href=\"https:\/\/ilovetypography.com\/2024\/04\/12\/steven-hellers-font-of-the-month-atol\/\" target=\"_blank\" rel=\"noopener\">Atol<\/a>. Heller&#8217;s other haunt, The Daily Heller, looked this week at the incredible calligraphy and illuminated graphics of <a href=\"https:\/\/www.printmag.com\/daily-heller\/the-daily-heller-heralding-arthur-szyks-lettering\/\" target=\"_blank\" rel=\"noopener\">Arthur Szyk<\/a>.<\/p>\n<p>\u2022 <a href=\"https:\/\/www.michaelhoppengallery.com\/exhibitions\/235-okashi\/\" target=\"_blank\" rel=\"noopener\"><em>Okashi<\/em><\/a>, an exhibition of Japanese art and photography at the Michael Hoppen Gallery in London. Hoppen talks about the exhibition <a href=\"https:\/\/www.anothermag.com\/art-photography\/15559\/exhibition-presents-extreme-vision-of-japanese-visual-culture-michael-hoppen\" target=\"_blank\" rel=\"noopener\">here<\/a>.<\/p>\n<p>\u2022 At Unquiet Things: A Vibrant Rascality of Shenanigans: The Fantasticalicizm of <a href=\"https:\/\/unquietthings.com\/a-vibrant-rascality-of-shenanigans-the-fantasticalicizm-of-anna-mond\/\" target=\"_blank\" rel=\"noopener\">Anna Mond<\/a>.<\/p>\n<p>\u2022 At Public Domain Review: Signs and Wonders: <a href=\"https:\/\/publicdomainreview.org\/collection\/celestial-phenomena-16th-century-germany\" target=\"_blank\" rel=\"noopener\">Celestial Phenomena in 16th-Century Germany<\/a>.<\/p>\n<p>\u2022 New music: <a href=\"https:\/\/scanner.bandcamp.com\/album\/alchemeia\" target=\"_blank\" rel=\"noopener\"><em>Alchemia<\/em><\/a> by Scanner, and <a href=\"https:\/\/phantomlimblabel.bandcamp.com\/album\/disconnect\" target=\"_blank\" rel=\"noopener\"><em>Disconnect<\/em><\/a> by KRM And KMRU.<\/p>\n<p>\u2022 Mix of the week: <a href=\"https:\/\/igloomag.com\/features\/artificial-owl-mix-niko-dalagelis\" target=\"_blank\" rel=\"noopener\">Artificial Owl Recordings Mix<\/a> by Niko Dalagelis.<\/p>\n<p>\u2022 At Bandcamp: <a href=\"https:\/\/daily.bandcamp.com\/lists\/johann-johannsson-album-guide\" target=\"_blank\" rel=\"noopener\">J\u00f3hann J\u00f3hannsson\u2019s Luminous Sounds<\/a>.<\/p>\n<p>\u2022 DJ Food found some <a href=\"http:\/\/www.djfood.org\/victor-moscoso-poster-originals\/\" target=\"_blank\" rel=\"noopener\">Victor Moscoso poster originals<\/a>.<\/p>\n<p>\u2022 At Dennis Cooper&#8217;s: <a href=\"https:\/\/denniscooperblog.com\/luis-bunuel-day\/\" target=\"_blank\" rel=\"noopener\">Luis Bu\u00f1uel<\/a> Day.<\/p>\n<p>\u2022 <a href=\"https:\/\/meow.camera\/\" target=\"_blank\" rel=\"noopener\">Meow.camera<\/a><\/p>\n<p>\u2022 <a href=\"https:\/\/jonhassell.bandcamp.com\/track\/alchemistry-the-living-city-1\" target=\"_blank\" rel=\"noopener\"><em>Alchemistry<\/em><\/a> (1991) by Jon Hassell | <a href=\"https:\/\/www.youtube.com\/watch?v=lJkDJ72OwO0\" target=\"_blank\" rel=\"noopener\"><em>Surrealchemist<\/em><\/a> (1992) by Stereolab | <a href=\"https:\/\/www.youtube.com\/watch?v=c1Ge1a1HfHE\" target=\"_blank\" rel=\"noopener\"><em>Alchemagenta<\/em><\/a> (1996) by Zoviet France<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Incomparable Pleasure (1952\u20133) by Judit Reigl. \u2022 Steven Heller\u2019s Font of the Month is Atol. Heller&#8217;s other haunt, The Daily Heller, looked this week at the incredible calligraphy and illuminated graphics of Arthur Szyk. \u2022 Okashi, an exhibition of Japanese art and photography at the Michael Hoppen Gallery in London. Hoppen talks about the exhibition &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2024\/04\/13\/weekend-links-721\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Weekend links 721&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,4,29,21,7,3,44,12,17,18,10],"tags":[13414,13412,7864,212,13411,13415,3639,13413,13416,8497,2407,691,13417],"class_list":["post-26847","post","type-post","status-publish","format-standard","hentry","category-art","category-design","category-electronica","category-fantasy","category-film","category-music","category-painting","category-photography","category-psychedelia","category-surrealism","category-typography","tag-anna-mond","tag-arthur-szyk","tag-johann-johannsson","tag-jon-hassell","tag-judit-reigl","tag-krm-and-kmru","tag-luis-bunuel","tag-michael-hoppen","tag-niko-dalagelis","tag-scanner-musician","tag-stereolab","tag-victor-moscoso","tag-zoviet-france"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-6Z1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/26847","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=26847"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/26847\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=26847"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=26847"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=26847"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}