{"id":2681,"date":"2007-12-29T02:39:41","date_gmt":"2007-12-29T02:39:41","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=2681"},"modified":"2015-01-11T04:14:21","modified_gmt":"2015-01-11T03:14:21","slug":"james-bond-postage-stamps","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/12\/29\/james-bond-postage-stamps\/","title":{"rendered":"James Bond postage stamps"},"content":{"rendered":"<p><img decoding=\"async\" alt=\"stamps1.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2007\/12\/stamps1.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"stamps3.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2007\/12\/stamps3.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"stamps2.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2007\/12\/stamps2.jpg\" \/><\/p>\n<p>Proving once again the centrality of James Bond to contemporary British identity, the Royal Mail releases these stamps on January 8th, 2008, the 100th anniversary of Ian Fleming&#8217;s birth. If a sexist state assassin seems an awkward choice of cultural ambassador, Alan Moore and Kevin O&#8217;Neill present a more iconoclastic view of the super spy in the <a href=\"http:\/\/www.amazon.com\/League-Extraordinary-Gentlemen-Black-Dossier\/dp\/140120306X\/\" target=\"_blank\"><em>Black Dossier<\/em><\/a>, the latest volume in their unfolding history of the League of Extraordinary Gentlemen.<\/p>\n<p>Good to see that the stamp designs above include the <a href=\"http:\/\/farm2.static.flickr.com\/1438\/1458661447_4a8f176153_o.jpg\" target=\"_blank\">Pan paperback covers<\/a> from 1963. (The other examples are the first editions from Jonathan Cape, the 2006 Penguin reprints and what appear to be a set of Seventies reissues.) A friend of mine at school had a collection of the Pan books and they remain my favourite Bond book designs, not least because they were some of the first book covers to strike me as being well-designed rather than well-illustrated. What the Flickr link doesn&#8217;t show is the die-cut holes in the <em>Thunderball<\/em> jacket which made the cover seem as though it was pierced by bullets, the kind of expensive production detail you rarely see on anything other than a bestseller.<\/p>\n<p>And while we&#8217;re on the subject of Bond design, Daniel Kleinman&#8217;s superb <a href=\"http:\/\/youtube.com\/watch?v=tj2MBLsAVbY\" target=\"_blank\"><em>Casino Royale<\/em> title sequence<\/a> is on YouTube.<\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-book-covers-archive\/\">The book covers archive<\/a><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2006\/12\/28\/please-mr-postman\/\">Please Mr. Postman<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Proving once again the centrality of James Bond to contemporary British identity, the Royal Mail releases these stamps on January 8th, 2008, the 100th anniversary of Ian Fleming&#8217;s birth. If a sexist state assassin seems an awkward choice of cultural ambassador, Alan Moore and Kevin O&#8217;Neill present a more iconoclastic view of the super spy &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/12\/29\/james-bond-postage-stamps\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;James Bond postage stamps&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[42,9,4,38],"tags":[103,2753,432,431,828],"class_list":["post-2681","post","type-post","status-publish","format-standard","hentry","category-books","category-comics","category-design","category-pulp","tag-alan-moore","tag-daniel-kleinman","tag-ian-fleming","tag-james-bond","tag-kevin-oneill"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-Hf","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/2681","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=2681"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/2681\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=2681"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=2681"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=2681"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}