{"id":26774,"date":"2024-04-06T19:00:11","date_gmt":"2024-04-06T18:00:11","guid":{"rendered":"https:\/\/www.johncoulthart.com\/feuilleton\/?p=26774"},"modified":"2024-04-06T16:21:38","modified_gmt":"2024-04-06T15:21:38","slug":"weekend-links-720","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2024\/04\/06\/weekend-links-720\/","title":{"rendered":"Weekend links 720"},"content":{"rendered":"<p><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Gustave_Moreau_-_Le_Po%C3%A8te_et_la_Sir%C3%A8ne,_1893.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/04\/moreau.jpg\" alt=\"moreau.jpg\" \/><\/a><\/p>\n<p><em>The Poet and the Siren (1893) by Gustave Moreau.<\/em><\/p>\n<p>\u2022 &#8220;Some books become talismans. Because they are strange, wildly different to the common run of literature; because they are scarce, and only a few precious copies are known to exist; because, perhaps, they liberate by transgressing the moral limits of the day; because their authors are lonely, elusive visionaries; because, sometimes, there is an inexplicable glamour about the book, so that its readers seem to be lured into a preternatural reverie. This book possesses all those attributes.&#8221; <a href=\"http:\/\/www.bookofjade.com\/criticism\/Introduction-%27The-Book-of-Jade%27-%28Durtro%29\" target=\"_blank\" rel=\"noopener\">Mark Valentine<\/a> in an introduction he wrote for a 1997 reprint of <em>The Book of Jade<\/em> (1901) by David Park Barnitz. The book&#8217;s author was an American writer who died at the age of 23 after publishing this single volume, a collection of poetry inspired by his favourite Decadent writers. Praise from HP Lovecraft, Clark Ashton Smith and Thomas Ligotti has since helped maintain the book&#8217;s reputation. <em>The Book of Jade<\/em> turned up recently at <a href=\"https:\/\/standardebooks.org\/ebooks\/david-park-barnitz\/the-book-of-jade\" target=\"_blank\" rel=\"noopener\">Standard Ebooks<\/a>, the home of free, high-quality, public-domain texts. Also the home of an increasingly eclectic list of publications.<\/p>\n<p>\u2022 At n+1: <a href=\"https:\/\/www.nplusonemag.com\/online-only\/book-review\/the-dam-and-the-bomb\/\" target=\"_blank\" rel=\"noopener\">The Dam and the Bomb by Walker Mimms<\/a>, a fascinating essay about the entangling of Cormac McCarthy&#8217;s personal history with his novels which makes a few connections I didn&#8217;t expect to see. Also a reminder that I&#8217;ve yet to read McCarthy&#8217;s last two books. Soon&#8230;<\/p>\n<p>\u2022 The latest installation from teamLab is <a href=\"https:\/\/www.youtube.com\/watch?v=fuO12wYR3T8\"><em>Resonating Life which Continues to Stand<\/em><\/a>, an avenue of illuminated eggs on the Hong Kong waterfront.<\/p>\n<p>\u2022 At <em>The Wire<\/em>: <a href=\"https:\/\/www.thewire.co.uk\/in-writing\/interviews\/symphony-of-sirens-an-interview-with-aura-satz-david-toop-elaine-mitchener-evelyn-glennie-\" target=\"_blank\" rel=\"noopener\">Symphony of sirens: an interview with Aura Satz, David Toop, Elaine Mitchener, Evelyn Glennie and Raven Chacon<\/a>.<\/p>\n<p>\u2022 At Unquiet Things: <em>The Art of Darkness<\/em> presents The Sleeper May Awaken: <a href=\"https:\/\/unquietthings.com\/the-art-of-darkness-presents-the-sleeper-may-awaken-stephen-mackeys-unrestful-realms\/\" target=\"_blank\" rel=\"noopener\">Stephen Mackey<\/a>\u2019s Unrestful Realms.<\/p>\n<p>\u2022 RIP <a href=\"https:\/\/www.artforum.com\/news\/marian-zazeela-dies-19402024-551818\/\" target=\"_blank\" rel=\"noopener\">Marian Zazeela<\/a>. There&#8217;s a page <a href=\"https:\/\/blogthehum.com\/2016\/02\/24\/marian-zazeela-poster-designs-for-the-dream-house-la-monte-young-pandit-pran-nath-and-terry-riley-etc\/\" target=\"_blank\" rel=\"noopener\">here<\/a> with a selection of her beautiful calligraphic poster designs.<\/p>\n<p>\u2022 At Spoon &amp; Tamago: <a href=\"https:\/\/www.spoon-tamago.com\/tomona-matsukawa\/\" target=\"_blank\" rel=\"noopener\">Tomona Matsukawa<\/a>\u2019s realistic paintings reconstruct fragments of everyday life.<\/p>\n<p>\u2022 At Public Domain Review: <a href=\"https:\/\/publicdomainreview.org\/essay\/windows-onto-history\" target=\"_blank\" rel=\"noopener\">Thom Sliwowski<\/a> on The Defenestrations of Prague (1419\u20131997).<\/p>\n<p>\u2022 <a href=\"https:\/\/www.youtube.com\/watch?v=A2L3t_zucJI\" target=\"_blank\" rel=\"noopener\"><em>Trinity<\/em><\/a> (2024), a short film by Thomas Blanchard. There&#8217;s a lot more at <a href=\"https:\/\/m.youtube.com\/@thomasblanchard9135\" target=\"_blank\" rel=\"noopener\">his YouTube channel<\/a>.<\/p>\n<p>\u2022 At Dennis Cooper&#8217;s: <a href=\"https:\/\/denniscooperblog.com\/lotte-reinigers-day\/\" target=\"_blank\" rel=\"noopener\">Lotte Reiniger<\/a>\u2019s Day.<\/p>\n<p>\u2022 <em><a href=\"https:\/\/michaelstearns.bandcamp.com\/track\/sirens\" target=\"_blank\" rel=\"noopener\">Sirens<\/a><\/em> (1984) by Michael Stearns | <a href=\"https:\/\/allsaintscompilations.bandcamp.com\/track\/sirens\" target=\"_blank\" rel=\"noopener\"><em>Sirens<\/em><\/a> (1988) by Daniel Lanois &amp; Brian Eno | <a href=\"https:\/\/www.youtube.com\/watch?v=sNmxr59sgkk\" target=\"_blank\" rel=\"noopener\"><em>Siren Song<\/em><\/a> (2009) by Bat For Lashes<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Poet and the Siren (1893) by Gustave Moreau. \u2022 &#8220;Some books become talismans. Because they are strange, wildly different to the common run of literature; because they are scarce, and only a few precious copies are known to exist; because, perhaps, they liberate by transgressing the moral limits of the day; because their authors &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2024\/04\/06\/weekend-links-720\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Weekend links 720&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[49,52,2,42,47,4,21,7,3,44,41,45],"tags":[13398,11941,145,1279,96,6181,13397,412,13399,13400,347,1687,940,13402,2903,13406,13401,12454,7158,9961,13404,13405,3233,13403,11699],"class_list":["post-26774","post","type-post","status-publish","format-standard","hentry","category-abstract-cinema","category-animation","category-art","category-books","category-cormac","category-design","category-fantasy","category-film","category-music","category-painting","category-sculpture","category-symbolists","tag-aura-satz","tag-bat-for-lashes","tag-brian-eno","tag-clark-ashton-smith","tag-cormac-mccarthy","tag-daniel-lanois","tag-david-park-barnitz","tag-david-toop","tag-elaine-mitchener","tag-evelyn-glennie","tag-gustave-moreau","tag-hp-lovecraft","tag-lotte-reiniger","tag-marian-zazeela","tag-mark-valentine","tag-michael-stearns","tag-raven-chacon","tag-standard-ebooks","tag-stephen-mackey","tag-teamlab","tag-thom-sliwowski","tag-thomas-blanchard","tag-thomas-ligotti","tag-tomona-matsukawa","tag-walker-mimms"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-6XQ","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/26774","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=26774"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/26774\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=26774"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=26774"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=26774"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}