{"id":26744,"date":"2024-03-30T19:00:22","date_gmt":"2024-03-30T19:00:22","guid":{"rendered":"https:\/\/www.johncoulthart.com\/feuilleton\/?p=26744"},"modified":"2024-03-30T18:45:38","modified_gmt":"2024-03-30T18:45:38","slug":"weekend-links-719","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2024\/03\/30\/weekend-links-719\/","title":{"rendered":"Weekend links 719"},"content":{"rendered":"

\"rimmington.jpg\"<\/a><\/p>\n

The Decoy (1948) by Edith Rimmington.<\/em><\/p>\n

\u2022 “Among other things, [Dal\u00ed’s] storyboards involved [Ingrid] Bergman turning into a statue that would then break up into ants.” Tim Jonze talks to film scholar John Russell Taylor about the storyboards for Alfred Hitchcock’s films<\/a>, including the ones for Spellbound<\/em> which Taylor found in a bric-a-brac sale.<\/p>\n

\u2022 “Of all the pop acts that proliferated in the early 80s, it was Soft Cell who retained punk\u2019s sharp, provocative edges.” Matthew Lindsay<\/a> on 40 years of Soft Cell\u2019s This Last Night In Sodom<\/em>.<\/p>\n

\u2022 Coming soon from White Rabbit books: Futuromania: Electronic Dreams, Desiring Machines and Tomorrow\u2019s Music Today<\/em><\/a> by Simon Reynolds.<\/p>\n

Anathema to many philosophical systems, or perhaps philosophy itself, Lovecraft\u2019s philosophical project fundamentally holds that contemplations of higher reality or the nature of things can never be fully realised. Ultimately, the search for knowledge does not constitute some telos<\/em>, some purpose, for humankind, but rather leads to the violent dissolution of the self. Higher reality is that which the limited human psyche can never fully comprehend.<\/p>\n

Sam Woodward<\/a> on the cosmic philosophy of HP Lovecraft<\/em><\/p><\/blockquote>\n

\u2022 At Public Domain Review: Grotesqueries at Gethsemane: Marcus Gheeraerts\u2019 Passio Verbigenae<\/em><\/a> (c.1580).<\/p>\n

\u2022 “Here is a remarkable form of popular heraldry.” Mark Valentine<\/a> on the mystique of old inn signs.<\/p>\n

\u2022 At Bandcamp: Brad Sanders on where to begin with Lustmord\u2019s cosmic ambient<\/a>.<\/p>\n

\u2022 New music: Eleven Fugues For Sodium Pentothal<\/em><\/a> by Adam Wiltzie.<\/p>\n

\u2022 At Aquarium Drunkard: Jason P. Woodbury talks to Roger Eno<\/a>.<\/p>\n

\u2022 Gomorrha<\/em><\/a> (1973) by Can | Sodom<\/em><\/a> (1978) by Can | Spellbound<\/em><\/a> (1981) by Siouxsie And The Banshees<\/p>\n","protected":false},"excerpt":{"rendered":"

The Decoy (1948) by Edith Rimmington. \u2022 “Among other things, [Dal\u00ed’s] storyboards involved [Ingrid] Bergman turning into a statue that would then break up into ants.” Tim Jonze talks to film scholar John Russell Taylor about the storyboards for Alfred Hitchcock’s films, including the ones for Spellbound which Taylor found in a bric-a-brac sale. \u2022 … Continue reading “Weekend links 719”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,29,7,22,26,3,44,31,18],"tags":[11281,416,13392,2271,13387,1687,13393,13389,1905,13391,2903,5495,7577,87,13390,1216,7269,3066,13388],"class_list":["post-26744","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-electronica","category-film","category-horror","category-lovecraft","category-music","category-painting","category-religion","category-surrealism","tag-adam-wiltzie","tag-alfred-hitchcock","tag-brad-sanders","tag-can-group","tag-edith-rimmington","tag-hp-lovecraft","tag-jason-p-woodbury","tag-john-russell-taylor","tag-lustmord","tag-marcus-gheeraerts","tag-mark-valentine","tag-matthew-lindsay","tag-roger-eno","tag-salvador-dali","tag-sam-woodward","tag-simon-reynolds","tag-siouxsie-and-the-banshees","tag-soft-cell","tag-tim-jonze"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-6Xm","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/26744","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=26744"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/26744\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=26744"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=26744"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=26744"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}