{"id":26687,"date":"2024-03-11T16:30:47","date_gmt":"2024-03-11T16:30:47","guid":{"rendered":"https:\/\/www.johncoulthart.com\/feuilleton\/?p=26687"},"modified":"2024-03-11T16:24:02","modified_gmt":"2024-03-11T16:24:02","slug":"the-groovy-video-look","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2024\/03\/11\/the-groovy-video-look\/","title":{"rendered":"The groovy video look"},"content":{"rendered":"

\"strfkr1.jpg\"<\/a><\/p>\n

Under Water\/In Air.<\/em><\/p>\n

This recently-released video for Under Water\/In Air<\/em><\/a> by Starfucker (or STRFKR, as they often have to style themselves) is an animated production by Edward Carvalho-Monaghan<\/a>, an artist whose visuals may be seen to similar effect in an earlier animation for Starfucker’s Armatron<\/em><\/a>. Carvalho-Monaghan’s artwork has appeared on a number of the group’s record sleeves, including the latest album, Parallel Realms<\/em><\/a>, which combines a Surrealist dose of the visual style that I refer to as the groovy look<\/a> with the kind of impossible architecture popularised by MC Escher. Armatron<\/em>, meanwhile, features more architecture in what may be borrowings from Giorgio de Chirico.<\/p>\n

\"strfkr2.jpg\"<\/a><\/p>\n

Armatron.<\/em><\/p>\n

I lost interest in music videos years ago, I’d much rather listen to the music than have to experience it as a soundtrack to some director’s attempt to illustrate a song with visual novelty. But animated music videos are easier to take, in part because the pairing of animation with music goes back to the earliest days of the medium. The Starfucker videos have had me wondering how much video or animation might suit the “groovy” definition if you went looking for it. And by this I mean following the limits defined by my earlier post which is predominantly concerned with heavy outlines and flat, bold colours rather than quasi-psychedelic effects. I don’t have the time just now to start searching for other examples but The Beatles’ Yellow Submarine<\/em> is the Ur-text in this department, and the film’s influence may be found in both Carvalho-Monaghan animations.<\/p>\n

\"air.jpg\"<\/a><\/p>\n

Sing, Sang, Sung.<\/em><\/p>\n

One other music video that does come to mind is for Sing, Sang, Sung<\/em><\/a> by Air, directed by Mrzyk & Moriceau<\/a>. The colour palette is desaturated but the rest of the graphics are definitely in the groovy zone, with the video as a whole coming across like a Surrealist take on those endlessly scrolling, mutating computer games. When the black ball reaches its destination you’re tempted to watch it all again.<\/p>\n

(Under Water\/In Air<\/em> tip via Scotto Moore\u2019s This Newsletter Cannot Save You<\/a>.)<\/p>\n

Previously on { feuilleton }
\n\u2022 The groovy look<\/a>
\n\u2022 Tadanori Yokoo animations<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Under Water\/In Air. This recently-released video for Under Water\/In Air by Starfucker (or STRFKR, as they often have to style themselves) is an animated production by Edward Carvalho-Monaghan, an artist whose visuals may be seen to similar effect in an earlier animation for Starfucker’s Armatron. Carvalho-Monaghan’s artwork has appeared on a number of the group’s … Continue reading “The groovy video look”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[52,2,4,7,3,17,18],"tags":[3295,13360,693,216,13361,13358,13359,178,340],"class_list":["post-26687","post","type-post","status-publish","format-standard","hentry","category-animation","category-art","category-design","category-film","category-music","category-psychedelia","category-surrealism","tag-air-group","tag-edward-carvalho-monaghan","tag-giorgio-de-chirico","tag-mc-escher","tag-mrzyk-moriceau","tag-starfucker","tag-strfkr","tag-the-beatles","tag-yellow-submarine"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-6Wr","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/26687","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=26687"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/26687\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=26687"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=26687"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=26687"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}