{"id":26682,"date":"2024-03-09T19:00:30","date_gmt":"2024-03-09T19:00:30","guid":{"rendered":"https:\/\/www.johncoulthart.com\/feuilleton\/?p=26682"},"modified":"2024-03-09T18:55:01","modified_gmt":"2024-03-09T18:55:01","slug":"weekend-links-716","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2024\/03\/09\/weekend-links-716\/","title":{"rendered":"Weekend links 716"},"content":{"rendered":"<p><a href=\"https:\/\/artuk.org\/discover\/artworks\/the-vision-of-endymion-205861\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/03\/poynter.jpg\" alt=\"poynter.jpg\" \/><\/a><\/p>\n<p><em>The Vision of Endymion (1902) by Edward John Poynter.<\/em><\/p>\n<p>\u2022 <a href=\"https:\/\/kleinletters.com\/Blog\/the-art-and-history-of-lettering-comics\/\" target=\"_blank\" rel=\"noopener\">The Art and History of Lettering Comics<\/a> by Todd Klein. Eight of the pages in <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2024\/02\/19\/moon-and-serpent-rising\/\">the forthcoming Moon &amp; Serpent book<\/a> have been lettered by Todd.<\/p>\n<p>\u2022 At Igloomag: <a href=\"https:\/\/igloomag.com\/features\/music-mondays-012\" target=\"_blank\" rel=\"noopener\">Chang Terhune<\/a> looks for music to help you sleep. No mention of an obvious (and superior) candidate, <a href=\"https:\/\/www.discogs.com\/master\/916756-Max-Richter-Sleep\" target=\"_blank\" rel=\"noopener\"><em>Sleep<\/em><\/a> by Max Richter.<\/p>\n<p>\u2022 New music: <a href=\"https:\/\/orenambarchi.bandcamp.com\/album\/ghosted-ii\" target=\"_blank\" rel=\"noopener\"><em>Ghosted II<\/em><\/a> by Oren Ambarchi, Johan Berthling and Andreas Werliin; and <a href=\"https:\/\/davidshea.bandcamp.com\/album\/the-ship\" target=\"_blank\" rel=\"noopener\"><em>The Ship<\/em><\/a> by David Shea.<\/p>\n<blockquote><p>But unlike macroscopic drugs like cannabis, LSD is so small and so powerful that its consumption almost always requires an inert housing\u2014the water, tablets, sugar cubes, bits of string, or pieces of paper that transport the drug from manufacturer to tripper. In the law, this vehicle is described as the \u201ccarrier medium,\u201d an object impregnated with drugs, one that can be sold, seized, presented as evidence, and dissolved into the hearts, minds, and guts of consumers.<\/p>\n<p>When you print images onto a paper carrier medium, you are adding another layer of mediation to an already loopy transmission. Hence, a meta medium, a liminal genre of print culture that dissolves the boundaries between a postage stamp, a ticket, a bubble gum card, and the communion host. This makes blotter a central if barely recognized artifact of psychedelic print culture, alongside rock posters and underground newspapers and comix, but with the extra ouroboric weirdness that it is designed to be ingested, to disappear. Blotter is the most ephemeral of all psychedelic ephemera. It is produced to be eaten, to blur the divide between object and subject, dissolving material signs and molecules into a phenomenological upsurge of sensory, poetic, and cognitive immediacy.<\/p>\n<p><em><a href=\"https:\/\/www.theparisreview.org\/blog\/2024\/03\/04\/the-institute-for-illegal-images\/\" target=\"_blank\" rel=\"noopener\">Erik Davis<\/a>, in an extract from Blotter: The Untold Story of an Acid Medium<\/em><\/p><\/blockquote>\n<p>\u2022 At Wormwoodiana: <a href=\"http:\/\/wormwoodiana.blogspot.com\/2024\/03\/the-london-adventure-or-art-of.html\" target=\"_blank\" rel=\"noopener\">John Howard<\/a> on <em>The London Adventure, or, The Art of Wandering<\/em> by Arthur Machen.<\/p>\n<p>\u2022 At Unquiet Things: Hidden Marvels on Your Bookshelf: <a href=\"https:\/\/unquietthings.com\/hidden-marvels-on-your-bookshelf-the-artistic-legacy-of-laurence-schwinger\/\" target=\"_blank\" rel=\"noopener\">The Artistic Legacy of Laurence Schwinger<\/a>.<\/p>\n<p>\u2022 &#8220;Some intelligent civilizations will be trapped on their worlds&#8221;. <a href=\"https:\/\/www.universetoday.com\/165903\/some-intelligent-civilizations-will-be-trapped-on-their-worlds\/\" target=\"_blank\" rel=\"noopener\">Evan Gough<\/a> explains.<\/p>\n<p>\u2022 At Vinyl Factory: <a href=\"https:\/\/thevinylfactory.com\/features\/in-pictures-latin-american-electronic\/\" target=\"_blank\" rel=\"noopener\">The Latin-American women of 20th-century electronic music<\/a>.<\/p>\n<p>\u2022 At Dennis Cooper&#8217;s: Steve Erickson presents <a href=\"https:\/\/denniscooperblog.com\/steve-erickson-presents-a-black-psychedelia-primer-2\/\">A Black Psychedelia Primer Day<\/a>.<\/p>\n<p>\u2022 At Public Domain Review: <a href=\"https:\/\/publicdomainreview.org\/collection\/animated-putty\/\" target=\"_blank\" rel=\"noopener\"><em>Animated Putty<\/em><\/a> by Walter R. Booth.<\/p>\n<p>\u2022 <a href=\"https:\/\/thequietus.com\/articles\/33927-vinita-joshi-rocket-girl-records-bakers-dozen-favourite-albums\" target=\"_blank\" rel=\"noopener\">Vinita Joshi&#8217;s favourite music<\/a>.<\/p>\n<p>\u2022 <a href=\"https:\/\/www.youtube.com\/watch?v=EQfnSu9u0kY\" target=\"_blank\" rel=\"noopener\"><em>Sleepy Theory<\/em><\/a> (1982) by Weekend | <a href=\"https:\/\/paulschutze.bandcamp.com\/track\/sleep-3\" target=\"_blank\" rel=\"noopener\"><em>Sleep 3<\/em><\/a> (1995) by Paul Sch\u00fctze | <a href=\"https:\/\/www.youtube.com\/watch?v=YHtA23tt26U\" target=\"_blank\" rel=\"noopener\"><em>Sleep Games<\/em><\/a> (2012) by Pye Corner Audio<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Vision of Endymion (1902) by Edward John Poynter. \u2022 The Art and History of Lettering Comics by Todd Klein. Eight of the pages in the forthcoming Moon &amp; Serpent book have been lettered by Todd. \u2022 At Igloomag: Chang Terhune looks for music to help you sleep. No mention of an obvious (and superior) &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2024\/03\/09\/weekend-links-716\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Weekend links 716&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[52,2,42,9,4,851,29,7,48,3,17,13,10],"tags":[13352,197,12470,13353,5876,1686,13355,13351,9676,13354,124,12244,10179,465,4222,9177,13350,13357,13356,2698],"class_list":["post-26682","post","type-post","status-publish","format-standard","hentry","category-animation","category-art","category-books","category-comics","category-design","category-drugs","category-electronica","category-film","category-illustrators","category-music","category-psychedelia","category-science","category-typography","tag-andreas-werliin","tag-arthur-machen","tag-chang-terhune","tag-david-shea","tag-edward-john-poynter","tag-erik-davis","tag-evan-gough","tag-johan-berthling","tag-john-howard","tag-laurence-schwinger","tag-lsd","tag-max-richter","tag-oren-ambarchi","tag-paul-schutze","tag-pye-corner-audio","tag-steve-erickson","tag-todd-klein","tag-vinita-joshi","tag-walter-r-booth","tag-weekend-group"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-6Wm","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/26682","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=26682"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/26682\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=26682"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=26682"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=26682"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}