{"id":26639,"date":"2024-02-28T16:30:58","date_gmt":"2024-02-28T16:30:58","guid":{"rendered":"https:\/\/www.johncoulthart.com\/feuilleton\/?p=26639"},"modified":"2024-02-28T16:05:34","modified_gmt":"2024-02-28T16:05:34","slug":"tokyo-night-and-light","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2024\/02\/28\/tokyo-night-and-light\/","title":{"rendered":"Tokyo Night and Light"},"content":{"rendered":"<p><a href=\"https:\/\/www.youtube.com\/watch?v=G97KRzz224U\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/02\/tokyo1.jpg\" alt=\"tokyo1.jpg\" \/><\/a><\/p>\n<p>The twin towers of Kenzo Tange&#8217;s Tokyo Metropolitan Government Building No. 1 are a good example of how you can create a stylish office building that isn&#8217;t another featureless glass box or one of the eyesores currently spoiling the London skyline. I like Tange&#8217;s building, and I really like projection mapping so once again I&#8217;m jealous of the inhabitants of Tokyo who can see the two things combined in <a href=\"https:\/\/tokyoprojectionmappingproject.jp\/en\/event\/20240225\/\" target=\"_blank\" rel=\"noopener\"><em>Tokyo Night and Light<\/em><\/a>, an exhibition which will be running from now until April. At weekends the towers of Building No. 1 become the canvas for <em>Tokyo Concerto<\/em>, an orchestral concert which accompanies projections that range through the city&#8217;s history; on weekdays the building is lit by <em>Evolution\/Lunar Cycle<\/em>, which takes advantage of the printed-circuit appearance of Tange&#8217;s facades.<\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=Mv3VKviusXU\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/02\/tokyo2.jpg\" alt=\"tokyo2.jpg\" \/><\/a><\/p>\n<p>YouTube has been accumulating videos of all of this. The best one I&#8217;ve seen so far is <a href=\"https:\/\/www.youtube.com\/watch?v=Mv3VKviusXU\" target=\"_blank\" rel=\"noopener\">this 4K look at the E<em>volution\/Lunar Cycle<\/em> sequence<\/a>. The first concerto performance took place on a wet weekend so the coverage isn&#8217;t as good (<a href=\"https:\/\/www.youtube.com\/watch?v=G97KRzz224U\" target=\"_blank\" rel=\"noopener\">here<\/a>, for example) but this will no doubt improve over the coming weeks. (Via <a href=\"https:\/\/www.spoon-tamago.com\/tokyo-projection-mapping\/\" target=\"_blank\" rel=\"noopener\">Spoon &amp; Tamago<\/a>.)<\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2022\/11\/14\/the-teamlab-experience\/\" target=\"_blank\" rel=\"noopener\">The teamLab experience<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/06\/25\/o-omicron\/\">O (Omicron)<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/05\/17\/kraftwork\/\">KraftWork<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/11\/17\/lumiere-at-durham\/\">Lumiere at Durham<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/07\/15\/tetragram-for-enlargement\/\">Tetragram for Enlargement<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The twin towers of Kenzo Tange&#8217;s Tokyo Metropolitan Government Building No. 1 are a good example of how you can create a stylish office building that isn&#8217;t another featureless glass box or one of the eyesores currently spoiling the London skyline. I like Tange&#8217;s building, and I really like projection mapping so once again I&#8217;m &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2024\/02\/28\/tokyo-night-and-light\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Tokyo Night and Light&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2],"tags":[13337],"class_list":["post-26639","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","tag-kenzo-tange"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-6VF","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/26639","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=26639"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/26639\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=26639"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=26639"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=26639"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}