{"id":26628,"date":"2024-02-24T19:00:17","date_gmt":"2024-02-24T19:00:17","guid":{"rendered":"https:\/\/www.johncoulthart.com\/feuilleton\/?p=26628"},"modified":"2024-02-24T18:36:34","modified_gmt":"2024-02-24T18:36:34","slug":"weekend-links-714","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2024\/02\/24\/weekend-links-714\/","title":{"rendered":"Weekend links 714"},"content":{"rendered":"

\"agar.jpg\"<\/a><\/p>\n

An Exceptional Occurrence (1950) by Eileen Agar.<\/em><\/p>\n

\u2022 New music: The Endless Echo<\/em><\/a> by Pye Corner Audio, coming soon from Ghost Box. PCA continue to fly the flag for the original Ghost Box mission of bringing various forms of weirdness to electronic music. The new album “draws inspiration from scientific and science-fictional notions about the nature of time and the idea that it may be entirely unreal”. Over at Bandcamp there’s Here<\/em><\/a> by Stefano Guzzetti and Ian Hawgood.<\/p>\n

\u2022 “Powell and Pressburger emerge from this film, more than ever, as sui generis: inventors of their own kind of film, gentleman amateurs of cinema in some ways…” Peter Bradshaw<\/a> reviewing Martin Scorsese’s Made in England: The Films of Powell and Pressburger<\/em><\/a>.<\/p>\n

\u2022 Velocity<\/em><\/a> and Creation<\/em><\/a>, a pair of short films by Vadim Sherbakov made with magnets, glitter and inks. The scores are too bombastic but I like the visuals.<\/p>\n

Art is for increasing life. That, I believe, after all the other purposes receive their due, is really what it\u2019s for\u2014why we revere it, why we give our hearts to it. What do I mean by increasing life? How can we live more, given that we can\u2019t live longer? Through attention and intensity. Being fully present to the world, and feeling without reservation: the two things that making art requires and that experiencing it involves.<\/p>\n

William Deresiewicz<\/a> on thirteen ways of looking at art<\/em><\/p><\/blockquote>\n

\u2022 Modern Illustration<\/a> is a project by illustrator Zara Picken, featuring print artefacts from her extensive personal collection.<\/p>\n

\u2022 Mix of the week: Aquarium Drunkard presents Pulp Jazz: Twenty-First Century Groove Music<\/a>. Great stuff.<\/p>\n

\u2022 At Public Domain Review: Tales of the Catfish God: Earthquakes in Japanese Woodblock Prints<\/a>.<\/p>\n

\u2022 At The Quietus: Jonathan Meades interviews Saint Leonard. And vice versa<\/a>.<\/p>\n

\u2022 At Dennis Cooper’s: Michelangelo Antonioni<\/a> Day.<\/p>\n

\u2022 The Strange World of…Bill Laswell<\/a>.<\/p>\n

\u2022 Creation<\/em><\/a> (1971) by Arthur Brown’s Kingdom Come | Cr\u00e9ation Du Monde<\/em><\/a> (1971) by Vangelis | Creation<\/em><\/a> (1977) by Tangerine Dream<\/p>\n","protected":false},"excerpt":{"rendered":"

An Exceptional Occurrence (1950) by Eileen Agar. \u2022 New music: The Endless Echo by Pye Corner Audio, coming soon from Ghost Box. PCA continue to fly the flag for the original Ghost Box mission of bringing various forms of weirdness to electronic music. The new album “draws inspiration from scientific and science-fictional notions about the … Continue reading “Weekend links 714”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,29,7,48,3,44,20],"tags":[13336,466,11625,355,172,13331,4059,409,354,4519,4443,4222,13335,13330,889,13332,3953,13333,13334],"class_list":["post-26628","post","type-post","status-publish","format-standard","hentry","category-art","category-electronica","category-film","category-illustrators","category-music","category-painting","category-science-fiction","tag-arthur-browns-kingdom-come","tag-bill-laswell","tag-eileen-agar","tag-emeric-pressburger","tag-ghost-box","tag-ian-hawgood","tag-jonathan-meades","tag-martin-scorsese","tag-michael-powell","tag-michelangelo-antonioni","tag-peter-bradshaw","tag-pye-corner-audio","tag-saint-leonard","tag-stefano-guzzetti","tag-tangerine-dream","tag-vadim-sherbakov","tag-vangelis","tag-william-deresiewicz","tag-zara-picken"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-6Vu","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/26628","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=26628"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/26628\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=26628"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=26628"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=26628"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}