{"id":26557,"date":"2024-01-31T16:30:06","date_gmt":"2024-01-31T16:30:06","guid":{"rendered":"https:\/\/www.johncoulthart.com\/feuilleton\/?p=26557"},"modified":"2025-09-20T18:45:35","modified_gmt":"2025-09-20T17:45:35","slug":"the-exquisite-corpse-will-drink-the-new-wine","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2024\/01\/31\/the-exquisite-corpse-will-drink-the-new-wine\/","title":{"rendered":"The exquisite corpse will drink the new wine"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/01\/ec01.jpg\" alt=\"ec01.jpg\" \/><\/p>\n<p><em>From One Dough (1996) by Martin Stejskal, Jan \u0160vankmajer, Eva \u0160vankmajerov\u00e1.<\/em><\/p>\n<p>From <em>A Dictionary of Surrealism<\/em> by Jos\u00e9 Pierre (Eyre Methuen, 1974):<\/p>\n<blockquote><p><strong>Exquisite corpse.<\/strong> The most famous of the surrealist games takes its name from the opening sentence that materialized: <em>&#8220;Le cadavre\u2014exquis\u2014boira\u2014le vin\u2014nouveau&#8221;<\/em> (1925) (The exquisite corpse\u2014will drink\u2014the new wine). It was produced by five players writing in turn subject, adjective, verb, object, complement, each folding over the paper so that the next player could not see what had been already written. The violent whiff of strangeness and the droll effects obtained by these verbal collages reappeared in the drawn &#8220;exquisite corpses&#8221; in which Surrealist poets and painters often combined. Despite the fact that each contribution\u2014especially in the case of painters\u2014is relatively identifiable, the total effect (mostly in the form of a &#8220;personage&#8221;) results from the combined elements. In this, the &#8220;exquisite corpse&#8221; can claim to have scored a victory for collective invention over individual invention and over the &#8220;signature&#8221;.<\/p><\/blockquote>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/01\/ec09.jpg\" alt=\"ec09.jpg\" \/><\/p>\n<p><em>Nude (1926\u201327) by Yves Tanguy, Joan Mir\u00f3, Max Morise, Man Ray.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/01\/ec04.jpg\" alt=\"ec04.jpg\" \/><\/p>\n<p><em>Exquisite Corpse (1927) by Andr\u00e9 Masson, Max Ernst, Max Morise.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/01\/ec06.jpg\" alt=\"ec06.jpg\" \/><\/p>\n<p><em>Exquisite Corpse (1928) by Man Ray, Andr\u00e9 Breton, Yves Tanguy, and Max Morise.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/01\/ec07.jpg\" alt=\"ec07.jpg\" \/><\/p>\n<p><em>Exquisite Corpse (1928) by Man Ray, Max Morise, Andr\u00e9 Breton, Yves Tanguy.<\/em><\/p>\n<p><!--more--><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/01\/ec03.jpg\" alt=\"ec03.jpg\" \/><\/p>\n<p><em>Exquisite Corpse (1928) by Man Ray, Yves Tanguy, Joan Mir\u00f3, Max Morise.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/01\/ec08.jpg\" alt=\"ec08.jpg\" \/><\/p>\n<p><em>Exquisite Corpse (1932) by Salvador Dal\u00ed, Gala Dal\u00ed, Valentine Hugo, Andr\u00e9 Breton.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/01\/ec05.jpg\" alt=\"ec05.jpg\" \/><\/p>\n<p><em>Exquisite Corpse (no date) by George Hugnet, Yves Tanguy, Germaine Hugnet, Jeanette Tanguy.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/01\/ec10.jpg\" alt=\"ec10.jpg\" \/><\/p>\n<p><em>Landscape (1933) by Valentine Hugo, Andr\u00e9 Breton, Tristan Tzara, Greta Knutson.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/01\/ec11.jpg\" alt=\"ec11.jpg\" \/><\/p>\n<p><em>Figure (1934) by Andr\u00e9 Breton, Jacques H\u00e9rold, Yves Tanguy, Victor Brauner.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/01\/ec12.jpg\" alt=\"ec12.jpg\" \/><\/p>\n<p><em>Exquisite Corpse (1935) by Esteban Franc\u00e9s, Remedios Varo, Oscar Dom\u00ednguez, Marcel Jean.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/01\/ec02.jpg\" alt=\"ec02.jpg\" \/><\/p>\n<p><em>Exquisite Corpse (1938) by Andr\u00e9 Breton, Yves Tanguy, Jacqueline Lamba.<\/em><\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/themed-archive-pages\/the-surrealism-archive\/\">The Surrealism archive<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>From One Dough (1996) by Martin Stejskal, Jan \u0160vankmajer, Eva \u0160vankmajerov\u00e1. From A Dictionary of Surrealism by Jos\u00e9 Pierre (Eyre Methuen, 1974): Exquisite corpse. The most famous of the surrealist games takes its name from the opening sentence that materialized: &#8220;Le cadavre\u2014exquis\u2014boira\u2014le vin\u2014nouveau&#8221; (1925) (The exquisite corpse\u2014will drink\u2014the new wine). It was produced by five &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2024\/01\/31\/the-exquisite-corpse-will-drink-the-new-wine\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;The exquisite corpse will drink the new wine&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,1029,18],"tags":[350,3102,13293,1464,13288,13289,13290,13292,13295,13244,375,13291,9969,10718,241,13294,13296,112,13287,10713,1431,87,6228,2575,3129,348],"class_list":["post-26557","post","type-post","status-publish","format-standard","hentry","category-art","category-collage","category-surrealism","tag-andre-breton","tag-andre-masson","tag-esteban-frances","tag-eva-svankmajerova","tag-gala-dali","tag-george-hugnet","tag-germaine-hugnet","tag-greta-knutson","tag-jacqueline-lamba","tag-jacques-herold","tag-jan-svankmajer","tag-jeanette-tanguy","tag-joan-miro","tag-jose-pierre","tag-man-ray","tag-marcel-jean","tag-martin-stejskal","tag-max-ernst","tag-max-morise","tag-oscar-dominguez","tag-remedios-varo","tag-salvador-dali","tag-tristan-tzara","tag-valentine-hugo","tag-victor-brauner","tag-yves-tanguy"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-6Ul","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/26557","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=26557"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/26557\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=26557"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=26557"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=26557"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}