{"id":2652,"date":"2007-12-17T02:00:00","date_gmt":"2007-12-17T02:00:00","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=2652"},"modified":"2008-07-15T21:11:56","modified_gmt":"2008-07-15T20:11:56","slug":"kirsten-hassenfelds-paper-sculptures","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/12\/17\/kirsten-hassenfelds-paper-sculptures\/","title":{"rendered":"Kirsten Hassenfeld’s paper sculptures"},"content":{"rendered":"

\"hassenfeld1.jpg\"<\/a><\/p>\n

Dans la Lune (2007). <\/em><\/p>\n

\"hassenfeld2.jpg\"<\/a><\/p>\n

Dans la Lune (2007).<\/em><\/p>\n

“Il est dans la lune” can be translated as “He\u2019s got his head in the clouds,” or “He\u2019s on another planet.” Dans la Lune<\/em> is a perfect title because in my work I try to create an imaginary place that relates to our longings for a better, grander existence.<\/p><\/blockquote>\n

Kirsten Hassenfeld<\/a><\/p>\n

Gorgeous paper sculptures inspired by Faberg\u00e9 eggs<\/a> and that favourite fetish object of mine, Ernst Haeckel’s Art Forms in Nature<\/em><\/a>. These are from a show at the Rice University Art Gallery<\/a>, Texas. The Bellwether Gallery<\/a> has an overview of Hassenfeld’s work back to 2001. Via Kimberly Brooks<\/a>.<\/p>\n

Previously on { feuilleton }
\n\u2022 Darwin Day<\/a>
\n\u2022 The glass menagerie<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Dans la Lune (2007). Dans la Lune (2007). “Il est dans la lune” can be translated as “He\u2019s got his head in the clouds,” or “He\u2019s on another planet.” Dans la Lune is a perfect title because in my work I try to create an imaginary place that relates to our longings for a better, … Continue reading “Kirsten Hassenfeld’s paper sculptures”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,13,41],"tags":[1723],"class_list":["post-2652","post","type-post","status-publish","format-standard","hentry","category-art","category-science","category-sculpture","tag-ernst-haeckel"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-GM","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/2652","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=2652"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/2652\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=2652"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=2652"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=2652"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}