{"id":2622,"date":"2007-12-10T02:04:16","date_gmt":"2007-12-10T02:04:16","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=2622"},"modified":"2008-07-19T17:00:55","modified_gmt":"2008-07-19T16:00:55","slug":"abelardo-morells-camera-obscura","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/12\/10\/abelardo-morells-camera-obscura\/","title":{"rendered":"Abelardo Morell&#8217;s camera obscura"},"content":{"rendered":"<p><a href=\"http:\/\/www.abelardomorell.net\/recent02.html\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2007\/12\/morell1.jpg\" alt=\"morell1.jpg\" \/><\/a><\/p>\n<p><em>Upright Camera Obscura Image of the Piazzeta San Marco<br \/>\nLooking Southeast in Office (2007). <\/em><\/p>\n<p>Two of <a href=\"http:\/\/www.abelardomorell.net\/\" target=\"_blank\">Abelardo Morell<\/a>&#8216;s photographs of Venetian rooms turned into camera obscuras. These look like slide projections but were made by covering the windows with black paper, leaving a pinhole which creates the view on the opposite wall. This always results in an upside down image unless corrected by an intervening lens.<\/p>\n<p>Some of the photos in this series are on exhibition at the <a href=\"http:\/\/www.une.edu\/artgallery\/morell.asp\" target=\"_blank\">University of New England Art Gallery<\/a> until January 27th, 2008.<\/p>\n<p><a href=\"http:\/\/www.abelardomorell.net\/recent05.html\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2007\/12\/morell2.jpg\" alt=\"morell2.jpg\" \/><\/a><\/p>\n<p><em>Camera Obscura Image of Santa Maria della Salute<br \/>\nwith Scaffolding in Palazzo Bedroom (2007).<\/em><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/02\/25\/vedute-di-roma\/\">Vedute di Roma<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2006\/12\/03\/abelardo-morell\/\">Abelardo Morell<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Upright Camera Obscura Image of the Piazzeta San Marco Looking Southeast in Office (2007). Two of Abelardo Morell&#8216;s photographs of Venetian rooms turned into camera obscuras. These look like slide projections but were made by covering the windows with black paper, leaving a pinhole which creates the view on the opposite wall. This always results &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/12\/10\/abelardo-morells-camera-obscura\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Abelardo Morell&#8217;s camera obscura&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,12],"tags":[8133],"class_list":["post-2622","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-photography","tag-abelardo-morell"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-Gi","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/2622","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=2622"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/2622\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=2622"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=2622"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=2622"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}