{"id":2612,"date":"2007-12-07T01:17:36","date_gmt":"2007-12-07T01:17:36","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=2612"},"modified":"2008-07-19T18:05:17","modified_gmt":"2008-07-19T17:05:17","slug":"the-art-of-almacan","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/12\/07\/the-art-of-almacan\/","title":{"rendered":"The art of Almacan"},"content":{"rendered":"<p><a href=\"http:\/\/www.h6.dion.ne.jp\/%7Em.mirage\/\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2007\/12\/almacan.jpg\" alt=\"almacan.jpg\" \/><\/a><\/p>\n<p><em>Metamorphosis (2006).<\/em><\/p>\n<p>One of a series of &#8220;surrealistic digital portraits&#8221; by <a href=\"http:\/\/www.h6.dion.ne.jp\/%7Em.mirage\/\" target=\"_blank\">Almacan<\/a> aka Kazuhiko Nakamura.<\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/04\/13\/the-sculpture-of-christopher-conte\/\">The sculpture of Christopher Conte<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/03\/16\/pierre-matters-cyborg-sculpture\/\">Pierre Matter&#8217;s cyborg sculpture<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2006\/12\/15\/insect-lab\/\">Insect Lab<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Metamorphosis (2006). One of a series of &#8220;surrealistic digital portraits&#8221; by Almacan aka Kazuhiko Nakamura. Previously on { feuilleton } \u2022 The sculpture of Christopher Conte \u2022 Pierre Matter&#8217;s cyborg sculpture \u2022 Insect Lab<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,20,18],"tags":[],"class_list":["post-2612","post","type-post","status-publish","format-standard","hentry","category-art","category-science-fiction","category-surrealism"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-G8","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/2612","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=2612"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/2612\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=2612"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=2612"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=2612"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}