{"id":2606,"date":"2007-12-05T02:24:31","date_gmt":"2007-12-05T02:24:31","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=2606"},"modified":"2009-11-12T04:41:28","modified_gmt":"2009-11-12T03:41:28","slug":"pablo-ferro-on-youtube","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/12\/05\/pablo-ferro-on-youtube\/","title":{"rendered":"Pablo Ferro on YouTube"},"content":{"rendered":"

\"ferro1.jpg\"<\/a><\/p>\n

Dr. Strangelove titles (1964). <\/em><\/p>\n

There’s less of his work around than there should be, unfortunately. Saul Bass<\/a> is justly celebrated for his title sequences and poster designs yet Pablo Ferro<\/a>\u2014whose titles were equally innovative and memorable\u2014is rarely heard of even though you’ll have seen a lot of his work.<\/p>\n

\"ferro2.jpg\"<\/a><\/p>\n

Bullitt titles (1968). <\/em><\/p>\n

Ferro’s advertising films brought him to the attention of Stanley Kubrick for whom he created titles and trailers for Dr. Strangelove<\/em> and A Clockwork Orange<\/em> (1971). The hand-drawn quality of the Strangelove<\/em> titles was revisited for Stop Making Sense<\/em> (1984) and Men In Black<\/em> (1997), while the frenetic pace of the Clockwork<\/em> trailer still seems advanced over thirty years later. This collection lacks his titles for the original Thomas Crown Affair<\/em> (1968) but you can see a mix of Ferro’s split-screen work (which includes parts of the titles) here<\/a>.<\/p>\n

By Pablo Ferro:
\n\u2022 Dr. Strangelove trailer<\/a>
\n\u2022 Dr. Strangelove titles<\/a>
\n\u2022 Bullitt titles<\/a>
\n\u2022 A Clockwork Orange trailer<\/a>
\n\u2022 Stop Making Sense titles<\/a>
\n\u2022 To Die For titles<\/a>
\n\u2022 LA Confidential titles<\/a><\/p>\n

\u2022 This Is Pablo Ferro<\/a><\/p>\n

About Pablo Ferro:
\n\u2022 Pablo Ferro documentary clips: I<\/a> | II<\/a><\/p>\n

\u2022 Quick Cuts, Coarse Letters, Multiple Screens<\/a>\u2014an article by Steven Heller
\n\u2022 Free Ferro-derived fonts! Pablo Skinny<\/a> | Major Kong<\/a><\/p>\n

Previously on { feuilleton }
\n\u2022 Juice from A Clockwork Orange<\/a>
\n\u2022 Clockwork Orange bubblegum cards<\/a>
\n\u2022 Alex in the Chelsea Drug Store<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Dr. Strangelove titles (1964). There’s less of his work around than there should be, unfortunately. Saul Bass is justly celebrated for his title sequences and poster designs yet Pablo Ferro\u2014whose titles were equally innovative and memorable\u2014is rarely heard of even though you’ll have seen a lot of his work. Bullitt titles (1968). Ferro’s advertising films … Continue reading “Pablo Ferro on YouTube”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4,7,25],"tags":[170,436,3040,1536],"class_list":["post-2606","post","type-post","status-publish","format-standard","hentry","category-design","category-film","category-kubrick","tag-a-clockwork-orange","tag-saul-bass","tag-stanley-kubrick","tag-steven-heller"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-G2","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/2606","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=2606"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/2606\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=2606"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=2606"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=2606"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}