{"id":2532,"date":"2007-11-04T01:34:29","date_gmt":"2007-11-04T01:34:29","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=2532"},"modified":"2023-01-28T15:14:54","modified_gmt":"2023-01-28T15:14:54","slug":"exterface","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/11\/04\/exterface\/","title":{"rendered":"Exterface"},"content":{"rendered":"

\"exterface1.jpg\"<\/a><\/p>\n

Situla\u2014Fassbinder Homage.<\/em><\/p>\n

Two samples from a Querelle<\/em>-themed series based on Fassbinder’s film of Genet’s erotic fantasy. Exterface<\/a> is Julien and St\u00e9phane in Paris whose luscious, saturated tableaux make them seem a contemporary equivalent of James Bidgood<\/a>, while the picture below may have been referring to the poster Andy Warhol produced for Querelle<\/em>.<\/p>\n

Via MiamiGlen<\/a>.<\/p>\n

\"exterface2.jpg\"<\/a><\/p>\n

Previously on { feuilleton }
\n\u2022 Penguin Labyrinths and the Thief’s Journal<\/a>
\n\u2022 James Bidgood<\/a>
\n\u2022 Un Chant d’Amour by Jean Genet<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Situla\u2014Fassbinder Homage. Two samples from a Querelle-themed series based on Fassbinder’s film of Genet’s erotic fantasy. Exterface is Julien and St\u00e9phane in Paris whose luscious, saturated tableaux make them seem a contemporary equivalent of James Bidgood, while the picture below may have been referring to the poster Andy Warhol produced for Querelle. Via MiamiGlen. Previously … Continue reading “Exterface”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,36,7,5,12],"tags":[1543,425,489,751,4523],"class_list":["post-2532","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-eye-candy","category-film","category-gay","category-photography","tag-andy-warhol","tag-exterface","tag-james-bidgood","tag-jean-genet","tag-labyrinths"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-EQ","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/2532","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=2532"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/2532\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=2532"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=2532"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=2532"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}