{"id":2486,"date":"2007-10-20T01:59:29","date_gmt":"2007-10-20T00:59:29","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=2486"},"modified":"2008-07-20T23:28:27","modified_gmt":"2008-07-20T22:28:27","slug":"the-art-of-michiko-hoshino","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/10\/20\/the-art-of-michiko-hoshino\/","title":{"rendered":"The art of Michiko Hoshino"},"content":{"rendered":"<p><a href=\"http:\/\/www.g-cp.co.jp\/artists\/HOSHINO_Michiko.html\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2007\/10\/hoshino2.jpg\" alt=\"hoshino2.jpg\" \/><\/a><\/p>\n<p><em>Library Recollection II (1993).<\/em><\/p>\n<p>Artist Michiko Hoshino (born 1934) has produced a number of lithograph portfolios based on the work of Jorge Luis Borges. More inspirations than illustrations, which is no bad thing, with disembodied clock faces and\u2014unsurprisingly\u2014books among the melting textures.<\/p>\n<p><a href=\"http:\/\/www.walshgallery.com\/artists\/michiko_hoshino\/hoshino-inventory.html\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2007\/10\/hoshino1.jpg\" alt=\"hoshino1.jpg\" \/><\/a><\/p>\n<p><em>Garden of Borges\u2014Labyrinth (2001).<\/em><\/p>\n<p>\u2022 <a href=\"http:\/\/www.g-cp.co.jp\/artists\/HOSHINO_Michiko.html\" target=\"_blank\">A Japanese gallery page<\/a><br \/>\n\u2022 <a href=\"http:\/\/www.walshgallery.com\/artists\/michiko_hoshino\/hoshino-inventory.html\" target=\"_blank\">An American gallery page<\/a><\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-etching-and-engraving-archive\/\">The etching and engraving archive<\/a><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/10\/03\/penguin-labyrinths-and-the-thiefs-journal\/\">Penguin Labyrinths and the Thief&#8217;s Journal<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Library Recollection II (1993). Artist Michiko Hoshino (born 1934) has produced a number of lithograph portfolios based on the work of Jorge Luis Borges. More inspirations than illustrations, which is no bad thing, with disembodied clock faces and\u2014unsurprisingly\u2014books among the melting textures. Garden of Borges\u2014Labyrinth (2001). \u2022 A Japanese gallery page \u2022 An American gallery &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/10\/20\/the-art-of-michiko-hoshino\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;The art of Michiko Hoshino&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[2,30,42,27],"tags":[1483,4523],"class_list":["post-2486","post","type-post","status-publish","format-standard","hentry","category-art","category-black-white","category-books","category-borges","tag-jorge-luis-borges","tag-labyrinths"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-E6","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/2486","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=2486"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/2486\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=2486"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=2486"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=2486"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}