{"id":2476,"date":"2007-10-17T01:08:11","date_gmt":"2007-10-17T00:08:11","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=2476"},"modified":"2008-07-16T00:55:26","modified_gmt":"2008-07-15T23:55:26","slug":"russian-book-jackets-19171942","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/10\/17\/russian-book-jackets-19171942\/","title":{"rendered":"Russian book jackets, 1917\u20131942"},"content":{"rendered":"<p><a href=\"http:\/\/digitalgallery.nypl.org\/nypldigital\/dgkeysearchresult.cfm?parent_id=1030351\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2007\/10\/russian1.jpg\" alt=\"russian1.jpg\" \/><\/a><\/p>\n<p><em>Pushtorg (Fur-Trade) by Il&#8217;ia L&#8217;vovich Sel&#8217;vinskii (1931). Designer uncredited. <\/em><\/p>\n<p><a href=\"http:\/\/digitalgallery.nypl.org\/nypldigital\/dgkeysearchresult.cfm?parent_id=1030351\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2007\/10\/russian2.jpg\" alt=\"russian2.jpg\" \/><\/a><\/p>\n<p><em>Tri veka (Three Centuries) by Dmitrii Dmitrievich Blagoi (1933). Designer uncredited. <\/em><\/p>\n<p>Lots more <a href=\"http:\/\/digitalgallery.nypl.org\/nypldigital\/dgkeysearchresult.cfm?parent_id=1030351\" target=\"_blank\">here<\/a>. Via <a href=\"http:\/\/www.coudal.com\/\" target=\"_blank\">Coudal<\/a>.<\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-book-covers-archive\/\">The book covers archive<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pushtorg (Fur-Trade) by Il&#8217;ia L&#8217;vovich Sel&#8217;vinskii (1931). Designer uncredited. Tri veka (Three Centuries) by Dmitrii Dmitrievich Blagoi (1933). Designer uncredited. Lots more here. Via Coudal. Elsewhere on { feuilleton } \u2022 The book covers archive<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[42,4],"tags":[],"class_list":["post-2476","post","type-post","status-publish","format-standard","hentry","category-books","category-design"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-DW","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/2476","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=2476"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/2476\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=2476"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=2476"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=2476"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}