![](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/01\/tovar.jpg\")
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Menace (1974) by Ivan Tovar.<\/em><\/p>\n \u2022 “I find myself going back to Early Water<\/em> more and more in recent years. It should be better known.” B. Sirota<\/a> reviewing the one-off musical collaboration between Michael Hoenig and Manuel G\u00f6ttsching. (Previously<\/a>.) It should indeed be better known.<\/p>\n \u2022 At Unquiet Things: “Come for the cosmic awe, stay for the skeletons in spacesuits”; S. Elizabeth talks to Adam Rowe about the science-fiction art of the 1970s<\/a>.<\/p>\n \u2022 “The architectural style wars have started all over again.” Owen Hatherley<\/a> on the unending debate between traditionalists and modernists.<\/p>\n \u2022 At Public Domain Review: Clear Shadows<\/em><\/a> (1867), a book of Japanese silhouette portraits by Ochiai Yoshiiku.<\/p>\n \u2022 New music: Flux Gourmet Original Motion Picture Soundtrack<\/em><\/a> by Various Artists, and Volta<\/em><\/a> by Loula Yorke.<\/p>\n \u2022 Meta machine mantras: Steve Barker<\/a> on the birth of the Buddha Machine.<\/p>\n \u2022 Cosmohedron<\/em><\/a>, a short animated film by Duncan Hatch.<\/p>\n \u2022 Mix of the week: isolatedmix 125<\/a> by Sa Pa.<\/p>\n \u2022 Chelsea Wolfe\u2019s favourite music<\/a>.<\/p>\n \u2022 At Dennis Cooper’s: Mirrorers<\/a>.<\/p>\n \u2022 A Silhouette Of A Man And A Wasp<\/em><\/a> (1995) by Add N To (X) | A Silhouette Approaches<\/em><\/a> (2005) by Robin Guthrie & Harold Budd | Silhouette<\/em><\/a> (2015) by Julia Holter<\/p>\n","protected":false},"excerpt":{"rendered":" Menace (1974) by Ivan Tovar. \u2022 “I find myself going back to Early Water more and more in recent years. It should be better known.” B. Sirota reviewing the one-off musical collaboration between Michael Hoenig and Manuel G\u00f6ttsching. (Previously.) It should indeed be better known. \u2022 At Unquiet Things: “Come for the cosmic awe, stay … Continue reading “Weekend links 710”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[52,8,2,42,29,7,48,3,44,31,20,41],"tags":[12551,4915,13279,13282,13281,802,13278,3372,13280,4682,10036,13284,1866,4957,4516,1852,10192,6140],"class_list":["post-24003","post","type-post","status-publish","format-standard","hentry","category-animation","category-architecture","category-art","category-books","category-electronica","category-film","category-illustrators","category-music","category-painting","category-religion","category-science-fiction","category-sculpture","tag-adam-rowe","tag-add-n-to-x","tag-b-sirota","tag-chelsea-wolfe","tag-duncan-hatch","tag-harold-budd","tag-ivan-tovar","tag-julia-holter","tag-loula-yorke","tag-manuel-gottsching","tag-michael-hoenig","tag-ochiai-yoshiiku","tag-owen-hatherley","tag-peter-strickland","tag-robin-guthrie","tag-s-elizabeth","tag-sa-pa","tag-steve-barker"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-6f9","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/24003","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=24003"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/24003\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=24003"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=24003"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=24003"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}