{"id":23860,"date":"2024-01-01T16:30:43","date_gmt":"2024-01-01T16:30:43","guid":{"rendered":"https:\/\/www.johncoulthart.com\/feuilleton\/?p=23860"},"modified":"2024-01-01T14:24:58","modified_gmt":"2024-01-01T14:24:58","slug":"02024","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2024\/01\/01\/02024\/","title":{"rendered":"02024"},"content":{"rendered":"<p><a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/01\/clarke-big.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/01\/clarke.jpg\" alt=\"clarke.jpg\" \/><\/a><\/p>\n<p><em>The Devil\u2019s Wife and her Eldest (1924) by Harry Clarke.<\/em><\/p>\n<p>Happy new year. 02024? <a href=\"https:\/\/longnow.org\/about\/\" target=\"_blank\" rel=\"noopener\">Read this<\/a>.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/01\/djo-bourgeois.jpg\" alt=\"djo-bourgeois.jpg\" \/><\/p>\n<p><em>L&#8217;Inhumaine poster (1924) by Georges Djo-Bourgeois.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/01\/doesburg.jpg\" alt=\"doesburg.jpg\" \/><\/p>\n<p><em>Counter-Composition V (1924) by Theo van Doesburg.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/01\/grot.jpg\" alt=\"grot.jpg\" \/><\/p>\n<p><em>The Thief of Bagdad poster (1924) by Anton Grot.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/01\/kandinsky.jpg\" alt=\"kandinsky.jpg\" \/><\/p>\n<p><em>Linea Capricciosa (1924) by Wassily Kandinsky.<\/em><\/p>\n<p><!--more--><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/01\/klee.jpg\" alt=\"klee.jpg\" \/><\/p>\n<p><em>Carnival in the Mountains (1924) by Paul Klee.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/01\/kollwitz.jpg\" alt=\"kollwitz.jpg\" \/><\/p>\n<p><em>Self Portrait (1924) by Kathe Kollwitz.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/01\/masson.jpg\" alt=\"masson.jpg\" \/><\/p>\n<p><em>The Rope (1924) by Andr\u00e9 Masson.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/01\/seiho.jpg\" alt=\"seiho.jpg\" \/><\/p>\n<p><em>Tabby Cat (1924) by Takeuchi Seiho.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/01\/sutherland.jpg\" alt=\"sutherland.jpg\" \/><\/p>\n<p><em>The Sluice Gate (1924) by Graham Sutherland.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2024\/01\/tuke.jpg\" alt=\"tuke.jpg\" \/><\/p>\n<p><em>The Bather (1924) by Henry Scott Tuke.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Devil\u2019s Wife and her Eldest (1924) by Harry Clarke. Happy new year. 02024? Read this. L&#8217;Inhumaine poster (1924) by Georges Djo-Bourgeois. Counter-Composition V (1924) by Theo van Doesburg. The Thief of Bagdad poster (1924) by Anton Grot. Linea Capricciosa (1924) by Wassily Kandinsky.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[2,30,7,48,44],"tags":[3102,1619,13248,13251,99,6309,13249,5028,13250,9286,6225],"class_list":["post-23860","post","type-post","status-publish","format-standard","hentry","category-art","category-black-white","category-film","category-illustrators","category-painting","tag-andre-masson","tag-anton-grot","tag-georges-djo-bourgeois","tag-graham-sutherland","tag-harry-clarke","tag-henry-scott-tuke","tag-kathe-kollwitz","tag-paul-klee","tag-takeuchi-seiho","tag-theo-van-doesburg","tag-wassily-kandinsky"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/sq7rV-02024","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/23860","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=23860"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/23860\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=23860"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=23860"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=23860"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}