{"id":23685,"date":"2023-11-11T19:00:40","date_gmt":"2023-11-11T19:00:40","guid":{"rendered":"https:\/\/www.johncoulthart.com\/feuilleton\/?p=23685"},"modified":"2023-11-11T22:58:34","modified_gmt":"2023-11-11T22:58:34","slug":"weekend-links-699","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2023\/11\/11\/weekend-links-699\/","title":{"rendered":"Weekend links 699"},"content":{"rendered":"

\"gartside.jpg\"<\/a><\/p>\n

November Evening (1955) by Brian Gartside.<\/em><\/p>\n

\u2022 The next Jon Savage compilation for Caroline True Records will be Jon Savage’s Ambient 90s<\/em><\/a>, a dive into the side of rave culture that I always preferred, even while disputing the use of the “A” word. Anything with beats isn’t ambient by my definition, but I’ve been complaining about the nomenclature since 1991 to no avail. It’s on pre-order anyway.<\/p>\n

\u2022 “They produced in me an infinity of new images and feelings, that sometimes raised me to ecstasy, but more frequently sunk me into the lowest dejection.” Thus Frankenstein’s monster during his reading of three books that happen to be important texts for the Romantic imagination. Hunter Dukes looks at the syllabus of Frankenstein’s monster<\/a>.<\/p>\n

\u2022 “Figure on Led Zeppelin IV<\/em> cover identified as Victorian Wiltshire thatcher<\/a>\u201d. Last year I discovered the source for the lyrics and credits lettering designs<\/a> used on the same album’s inner sleeve. Not as newsworthy, obviously, but I thought it was a good piece of cultural detective work.<\/p>\n

\u2022 At Aquarium Drunkard: An interview with Morton Subotnick<\/a>, now 90 years old. “Pioneer” is an over-used label, especially in electronic music, but Subotnick really does warrant the description.<\/p>\n

\u2022 At Wormwoodiana: Mark Valentine on Unburied Bane<\/em><\/a>, an EP by The Heartwood Institute<\/a> based on a story by “the enigmatic N. Dennett”.<\/p>\n

\u2022 At Unquiet Things: Art and captions<\/a> that didn’t make the print version of The Art of Fantasy<\/em> by S. Elizabeth.<\/p>\n

\u2022 “Hidden demon revealed in the shadows of a Joshua Reynolds painting<\/a>.”<\/p>\n

\u2022 New music: Polygon<\/em><\/a> by Galya Bisengalieva, and Saor<\/em><\/a> by Claire M. Singer.<\/p>\n

\u2022 Steven Heller’s font of the month is Letraflex<\/a>.<\/p>\n

\u2022 At Dennis Cooper’s: Arthur Lipsett<\/a>\u2019s Day.<\/p>\n

\u2022 Martin Carthy’s favourite music<\/a>.<\/p>\n

\u2022 Little Demon<\/em><\/a> (1956) by Screamin’ Jay Hawkins | Ballad Of Maxwell Demon<\/em><\/a> (1998) by Shudder To Think | On Demon Wings<\/em><\/a> (2000) by Bohren And Der Club Of Gore<\/p>\n","protected":false},"excerpt":{"rendered":"

November Evening (1955) by Brian Gartside. \u2022 The next Jon Savage compilation for Caroline True Records will be Jon Savage’s Ambient 90s, a dive into the side of rave culture that I always preferred, even while disputing the use of the “A” word. Anything with beats isn’t ambient by my definition, but I’ve been complaining … Continue reading “Weekend links 699”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[2,42,4,29,21,7,22,3,44,12,10],"tags":[13164,13167,6656,11380,13168,13163,11998,246,13162,551,2903,13165,2266,4115,13161,1852,187,13166,1536,9515],"class_list":["post-23685","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-design","category-electronica","category-fantasy","category-film","category-horror","category-music","category-painting","category-photography","category-typography","tag-arthur-lipsett","tag-bohren-and-der-club-of-gore","tag-brian-gartside","tag-caroline-true-records","tag-claire-m-singer","tag-galya-bisengalieva","tag-hunter-dukes","tag-jon-savage","tag-joshua-reynolds","tag-led-zeppelin","tag-mark-valentine","tag-martin-carthy","tag-mary-shelley","tag-morton-subotnick","tag-n-dennett","tag-s-elizabeth","tag-screamin-jay-hawkins","tag-shudder-to-think","tag-steven-heller","tag-the-heartwood-institute"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-6a1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/23685","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=23685"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/23685\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=23685"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=23685"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=23685"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}