{"id":23616,"date":"2023-10-21T19:00:38","date_gmt":"2023-10-21T18:00:38","guid":{"rendered":"https:\/\/www.johncoulthart.com\/feuilleton\/?p=23616"},"modified":"2023-10-22T11:37:41","modified_gmt":"2023-10-22T10:37:41","slug":"weekend-links-696","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2023\/10\/21\/weekend-links-696\/","title":{"rendered":"Weekend links 696"},"content":{"rendered":"

\"hornel.jpg\"<\/a><\/p>\n

The Brownie of Blednoch (1889) by Edward Atkinson Hornel<\/a>.<\/em><\/p>\n

\u2022 “None of the theatrics of most films are available in Bresson, because in some ways Bresson\u2019s characters, along with Dreyer\u2019s and Cassavetes\u2019s are the most inscrutable in motion pictures\u2014maybe since their creators are the best believers in suggestion.” Greg Gerke<\/a> explores the later films of Robert Bresson.<\/p>\n

\u2022 Iizuna Fair<\/em><\/a> is a short animated film by Sumito Sakakibara that will be viewable at Vimeo for the next few months.<\/p>\n

\u2022 Occult scholar Mitch Horowitz<\/a> returns to the Aquarium Drunkard podcast for a wide-ranging discussion.<\/p>\n

Marty [Scorsese] went to the Edinburgh Film Festival in 1974 to collect an award for Alice Doesn\u2019t Live Here Anymore<\/em>. They asked him who he wanted to present it to him, and he said Michael Powell. They had no idea who he was. No one did, but I found an American doing publicity for Kubrick\u2019s 2001<\/em> who knew where he was. He introduced Michael to Marty at a lunch where Marty bombarded Michael with questions about how he did this and how he did that. Michael writes in his autobiography that the blood started to run in his veins again, it had been so long that he and Emeric had been living in oblivion.<\/p>\n

Marty brought Michael to America, where we had already started working on Raging Bull<\/em>. Marty had been educating me about Powell and Pressburger\u2019s films, sending me home with VHSs. I had fallen in love with them, and then he said that Michael Powell was coming for dinner one night and asked if I would like to meet him. That\u2019s how we met and eventually became involved, all thanks to Marty.<\/p>\n

Thelma Schoonmaker<\/a> remembering her husband, Michael Powell, and discussing the ongoing restoration of his films. Good to hear that plans are afoot to resurrect Gone to Earth<\/em><\/p><\/blockquote>\n

\u2022 Whole Earth Index<\/a> is a near-complete archive of the Whole Earth Catalog<\/em> and its related publications.<\/p>\n

\u2022 At the Daily Heller: David Byrd<\/a>, the East Coast\u2019s psychedelic poster man.<\/p>\n

\u2022 See the winners of the Nikon 2023 Photomicrography Competition<\/a>.<\/p>\n

\u2022 New music: Golden Feelings<\/em><\/a> by Better Weather.<\/p>\n

\u2022 Mikrostruktury<\/em><\/a> (1963) by Wlodzimierz Kotonski | La Chasse Aux Microbes<\/em><\/a> (1977) by Michael Bundt | Microscopic<\/em><\/a> (1995) by Gas<\/p>\n","protected":false},"excerpt":{"rendered":"

The Brownie of Blednoch (1889) by Edward Atkinson Hornel. \u2022 “None of the theatrics of most films are available in Bresson, because in some ways Bresson\u2019s characters, along with Dreyer\u2019s and Cassavetes\u2019s are the most inscrutable in motion pictures\u2014maybe since their creators are the best believers in suggestion.” Greg Gerke explores the later films of … Continue reading “Weekend links 696”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[52,2,42,4,29,7,3,16,12,17,13],"tags":[13124,13126,13130,355,13129,13120,409,13128,354,12041,9516,13121,13122,13123,13127],"class_list":["post-23616","post","type-post","status-publish","format-standard","hentry","category-animation","category-art","category-books","category-design","category-electronica","category-film","category-music","category-occult","category-photography","category-psychedelia","category-science","tag-better-weather","tag-david-byrd","tag-edward-atkinson-hornel","tag-emeric-pressburger","tag-gas-musician","tag-greg-gerke","tag-martin-scorsese","tag-michael-bundt","tag-michael-powell","tag-mitch-horowitz","tag-robert-bresson","tag-sumito-sakakibara","tag-thelma-schoonmaker","tag-whole-earth-catalog","tag-wlodzimierz-kotonski"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-68U","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/23616","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=23616"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/23616\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=23616"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=23616"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=23616"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}