{"id":23578,"date":"2023-10-07T19:00:54","date_gmt":"2023-10-07T18:00:54","guid":{"rendered":"https:\/\/www.johncoulthart.com\/feuilleton\/?p=23578"},"modified":"2023-10-07T18:25:02","modified_gmt":"2023-10-07T17:25:02","slug":"weekend-links-694","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2023\/10\/07\/weekend-links-694\/","title":{"rendered":"Weekend links 694"},"content":{"rendered":"<p><a href=\"https:\/\/artuk.org\/discover\/artworks\/reading-the-tarot-at-southend-on-sea-144074\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2023\/10\/sutton.jpg\" alt=\"sutton.jpg\" \/><\/a><\/p>\n<p><em>Reading the Tarot at Southend-on-Sea (c.1968) by <a href=\"http:\/\/www.lindasutton.com\/\" target=\"_blank\" rel=\"noopener\">Linda Sutton<\/a>.<\/em><\/p>\n<p>\u2022 &#8220;<a href=\"https:\/\/creationrebel.bandcamp.com\/album\/starship-africa\"><em>Starship Africa<\/em><\/a>, released in 1980, was a densely textured audio collage emulating the sensation of intergalactic space travel, though it freaked out some in the scene. According to [Adrian] Sherwood, DJ David Rodigan told him: &#8216;What do you think you\u2019re doing to reggae music?'&#8221; <a href=\"https:\/\/www.theguardian.com\/music\/2023\/oct\/03\/uk-dub-legends-creation-rebel-return-after-40-years-hostile-environment\" target=\"_blank\" rel=\"noopener\">David Katz<\/a> on the return of Creation Rebel.<\/p>\n<p>\u2022 Coming soon from Strange Attractor: <a href=\"http:\/\/strangeattractor.co.uk\/shoppe\/subcontinental-synthesis\/\" target=\"_blank\" rel=\"noopener\"><em>Subcontinental Synthesis<\/em><\/a>, a history of India\u2019s first electronic music studio, edited by Emptyset&#8217;s Paul Purgas. There&#8217;s also a related compilation album, <a href=\"https:\/\/state51.bandcamp.com\/album\/the-nid-tapes-electronic-music-from-india-1969-1972\" target=\"_blank\" rel=\"noopener\"><em>The NID Tapes: Electronic Music from India 1969\u20131972<\/em><\/a>.<\/p>\n<p>\u2022 New music: <a href=\"https:\/\/www.youtube.com\/watch?v=OQK95AtGi0U\"><em>The Lamentations Of Jeremiah<\/em><\/a> by Vince Clarke, and <a href=\"https:\/\/www.youtube.com\/watch?v=ObTDiOe5WMQ\" target=\"_blank\" rel=\"noopener\"><em>Tidescape<\/em><\/a> by Roger Eno.<\/p>\n<blockquote><p>But even when it\u2019s a signal, even when it\u2019s a microbe, we\u2019ll likely never know if it\u2019s aliens. Not just because of the vast distances involved or because of the wild possibilities presented by chemistry and biology, but because science seldom works that way. Discoveries almost never arrive as we think they will, as lightning bolt eurekas. They are slow, gradual, communal. Alien life may not be something we ever \u2018find\u2019, but instead inch towards, ever closer, like a curve approaching its asymptote. For all our desire to know who\u2019s out there, that may have to be enough.<\/p>\n<p><em><a href=\"https:\/\/aeon.co\/essays\/alien-life-might-not-be-something-science-can-ever-discover\" target=\"_blank\" rel=\"noopener\">Jaime Green<\/a> on the scientific method and the search for extraterrestrial life<\/em><\/p><\/blockquote>\n<p>\u2022 At Public Domain Review: <a href=\"https:\/\/publicdomainreview.org\/collection\/shadows\" target=\"_blank\" rel=\"noopener\">Charles H. Bennett\u2019s <em>Shadows<\/em><\/a> (ca. 1856).<\/p>\n<p>\u2022 Steven Heller&#8217;s font of the month is <a href=\"https:\/\/ilovetypography.com\/2023\/10\/05\/steven-hellers-font-of-the-month-jaf-herb\/\" target=\"_blank\" rel=\"noopener\">JAF Herb<\/a>.<\/p>\n<p>\u2022 <a href=\"https:\/\/www.instructables.com\/Spawn-of-Cthulhu-Mask\/\" target=\"_blank\" rel=\"noopener\">Make a Spawn of Cthulhu mask<\/a>.<\/p>\n<p>\u2022 <a href=\"https:\/\/thequietus.com\/articles\/33457-theon-cross-favourite-albums-bakers-dozen-luminate-kings-place\" target=\"_blank\" rel=\"noopener\">Theon Cross&#8217;s favourite music<\/a>.<\/p>\n<p>\u2022 <a href=\"https:\/\/www.youtube.com\/watch?v=gHpjrcZIBZg\" target=\"_blank\" rel=\"noopener\"><em>Herb<\/em><\/a> (1980) by Sly And The Revolutionaries With Jah Thomas | <a href=\"https:\/\/kenishii.bandcamp.com\/track\/pause-in-herbs\" target=\"_blank\" rel=\"noopener\"><em>Pause In Herbs<\/em><\/a> (1995) by Ken Ishii | <a href=\"https:\/\/billlaswell.net\/track\/herb-is-burnin\" target=\"_blank\" rel=\"noopener\"><em>Herb Is Burnin&#8217;<\/em><\/a> (2010) by Method Of Defiance<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Reading the Tarot at Southend-on-Sea (c.1968) by Linda Sutton. \u2022 &#8220;Starship Africa, released in 1980, was a densely textured audio collage emulating the sensation of intergalactic space travel, though it freaked out some in the scene. According to [Adrian] Sherwood, DJ David Rodigan told him: &#8216;What do you think you\u2019re doing to reggae music?&#8217;&#8221; David &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2023\/10\/07\/weekend-links-694\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Weekend links 694&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,4,29,22,3,16,44,13,10],"tags":[1593,13109,12994,104,13106,13108,9498,13105,13112,4131,7577,13111,13110,13107],"class_list":["post-23578","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-design","category-electronica","category-horror","category-music","category-occult","category-painting","category-science","category-typography","tag-adrian-sherwood","tag-charles-h-bennett","tag-creation-rebel","tag-cthulhu","tag-david-katz","tag-jaime-green","tag-ken-ishii","tag-linda-sutton","tag-method-of-defiance","tag-paul-purgas","tag-roger-eno","tag-sly-and-the-revolutionaries-with-jah-thomas","tag-theon-cross","tag-vince-clarke"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-68i","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/23578","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=23578"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/23578\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=23578"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=23578"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=23578"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}