{"id":23543,"date":"2023-09-25T16:30:04","date_gmt":"2023-09-25T15:30:04","guid":{"rendered":"https:\/\/www.johncoulthart.com\/feuilleton\/?p=23543"},"modified":"2025-03-02T11:20:32","modified_gmt":"2025-03-02T11:20:32","slug":"les-maitres-de-laffiche","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2023\/09\/25\/les-maitres-de-laffiche\/","title":{"rendered":"Les Ma\u00eetres de l&#8217;Affiche"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2023\/09\/affiche09.jpg\" alt=\"affiche09.jpg\" \/><\/p>\n<p><em>Alphonse Mucha.<\/em><\/p>\n<p><em>Les Ma\u00eetres de l&#8217;Affiche<\/em> was a multi-volume guide to the state of poster art in the 1890s, published in five volumes from 1896 to 1900. Being a French publication, the contents are mostly by French artists but other nations are represented\u2014Britain, Germany, Italy, the United States\u2014although fewer contributions than you might expect given the quantity of pages to be filled. The chief attraction of these books is the attention they give to each design, all of which are printed in colour on a full page, and the time of publication which coincides with the birth of Art Nouveau. In addition to the great Alphonse Mucha there are designs by Eug\u00e8ne Grasset, Henri Privat-Livemont, Georges de Feure, Will Bradley, Louis Rhead and others. There&#8217;s also a lot of cabaret stuff from Montmartre which has never been to my taste (although I like the Steinlen posters) but those designs were the typical ones of the period.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2023\/09\/affiche12.jpg\" alt=\"affiche12.jpg\" \/><\/p>\n<p><em>Henri Privat-Livemont.<\/em><\/p>\n<p>The first four volumes in this set may be found at Gallica (<a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1521548s\/f1.item\" target=\"_blank\" rel=\"noopener\">Volume 1<\/a>, <a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1521550v\/f1.item\" target=\"_blank\" rel=\"noopener\">Volume 2<\/a>, <a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1521552p\/f1.item\" target=\"_blank\" rel=\"noopener\">Volume 3<\/a>, <a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1521546z\/f1.item\" target=\"_blank\" rel=\"noopener\">Volume 4<\/a>) but not the fifth volume\u2014isn&#8217;t a national library supposed to be more thorough than this?\u2014which may be seen at <a href=\"https:\/\/digitalcollections.nypl.org\/collections\/les-matres-de-laffiche-publication-mensuelle-contenant-la-reproduction-des-plus#\/?tab=navigation&amp;roots=4:61b03f90-64d7-0135-5b1b-4f9c22922a7b\" target=\"_blank\" rel=\"noopener\">NYPL<\/a>. For those who prefer paper reproductions, there&#8217;s a reprint in Dover Publications&#8217; Pictorial Archive series, <a href=\"https:\/\/www.doverpublications.com\/0486263096.html\" target=\"_blank\" rel=\"noopener\"><em>The Complete \u201cMasters of the Poster: All 256 Colour Plates from \u201cLes Ma\u00eetres de l&#8217;Affiche\u201d<\/em><\/a>.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2023\/09\/affiche01.jpg\" alt=\"affiche01.jpg\" \/><\/p>\n<p><em>Louis Rhead.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2023\/09\/affiche02.jpg\" alt=\"affiche02.jpg\" \/><\/p>\n<p><em>Will Bradley.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2023\/09\/affiche04.jpg\" alt=\"affiche04.jpg\" \/><\/p>\n<p><em>Joseph Sattler.<\/em><\/p>\n<p><!--more--><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2023\/09\/affiche03.jpg\" alt=\"affiche03.jpg\" \/><\/p>\n<p><em>The Beggarstaffs.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2023\/09\/affiche05.jpg\" alt=\"affiche05.jpg\" \/><\/p>\n<p><em>Giovanni Mataloni.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2023\/09\/affiche06.jpg\" alt=\"affiche06.jpg\" \/><\/p>\n<p><em>Carlos Schwabe.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2023\/09\/affiche07.jpg\" alt=\"affiche07.jpg\" \/><\/p>\n<p><em>Jules Cheret.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2023\/09\/affiche08.jpg\" alt=\"affiche08.jpg\" \/><\/p>\n<p><em>Adolphe Crespin.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2023\/09\/affiche10.jpg\" alt=\"affiche10.jpg\" \/><\/p>\n<p><em>Eug\u00e8ne Grasset.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2023\/09\/affiche11.jpg\" alt=\"affiche11.jpg\" \/><\/p>\n<p><em>Ethel Reed.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2023\/09\/affiche13.jpg\" alt=\"affiche13.jpg\" \/><\/p>\n<p><em>The Beggarstaffs.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2023\/09\/affiche14.jpg\" alt=\"affiche14.jpg\" \/><\/p>\n<p><em>Fred Hyland.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2023\/09\/affiche15.jpg\" alt=\"affiche15.jpg\" \/><\/p>\n<p><em>Maxfield Parrish.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2023\/09\/affiche16.jpg\" alt=\"affiche16.jpg\" \/><\/p>\n<p><em>Georges de Feure<\/em>.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2023\/09\/affiche17.jpg\" alt=\"affiche17.jpg\" \/><\/p>\n<p><em>Will Bradley.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2023\/09\/affiche18.jpg\" alt=\"affiche18.jpg\" \/><\/p>\n<p><em>Georges de Feure<\/em>.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2023\/09\/affiche19.jpg\" alt=\"affiche19.jpg\" \/><\/p>\n<p><em>Henri Meunier.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2023\/09\/affiche20.jpg\" alt=\"affiche20.jpg\" \/><\/p>\n<p><em>Giuseppe Boano.<\/em><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2023\/02\/22\/the-poster-an-illustrated-monthly-chronicle\/\">The Poster: An Illustrated Monthly Chronicle<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2021\/02\/25\/poster-art-in-vienna\/\">Poster Art in Vienna<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/09\/11\/american-art-posters-of-the-1890s\/\">American Art Posters of the 1890s<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/10\/06\/posters-a-critical-study-1913\/\">Posters: A Critical Study, 1913<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2011\/11\/19\/koloman-moser-posters\/\">Koloman Moser posters<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Alphonse Mucha. Les Ma\u00eetres de l&#8217;Affiche was a multi-volume guide to the state of poster art in the 1890s, published in five volumes from 1896 to 1900. Being a French publication, the contents are mostly by French artists but other nations are represented\u2014Britain, Germany, Italy, the United States\u2014although fewer contributions than you might expect given &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2023\/09\/25\/les-maitres-de-laffiche\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Les Ma\u00eetres de l&#8217;Affiche&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[58,2,42,4,43,46],"tags":[13085,905,3449,13086,1070,13087,2221,13083,13089,13088,2376,13084,78,2904,13082,965],"class_list":["post-23543","post","type-post","status-publish","format-standard","hentry","category-art-nouveau","category-art","category-books","category-design","category-magazines","category-theatre","tag-adolphe-crespin","tag-alphonse-mucha","tag-carlos-schwabe","tag-ethel-reed","tag-eugene-grasset","tag-fred-hyland","tag-georges-de-feure","tag-giovanni-mataloni","tag-giuseppe-boano","tag-henri-meunier","tag-joseph-sattler","tag-jules-cheret","tag-louis-rhead","tag-maxfield-parrish","tag-the-beggarstaffs","tag-will-bradley"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-67J","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/23543","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=23543"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/23543\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=23543"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=23543"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=23543"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}