{"id":23521,"date":"2023-09-16T19:00:17","date_gmt":"2023-09-16T18:00:17","guid":{"rendered":"https:\/\/www.johncoulthart.com\/feuilleton\/?p=23521"},"modified":"2023-09-16T19:00:17","modified_gmt":"2023-09-16T18:00:17","slug":"weekend-links-691","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2023\/09\/16\/weekend-links-691\/","title":{"rendered":"Weekend links 691"},"content":{"rendered":"

\"kruger.jpg\"<\/a><\/p>\n

Arcus (2019) by Markus Matthias Kr\u00fcger<\/a>.<\/em><\/p>\n

\u2022 “Listeners can only make an educated guess as to what the experience of working with Slapp Happy might have done for Faust.” Fergal Kinney<\/a> on the 50th anniversary of Sort Of<\/em> by Slapp Happy, an eccentric intersection of Anglo-American rock and German experimentalism.<\/p>\n

\u2022 Now that the summer is over people are making mixes again. Take your pick this week between a mix for The Wire<\/em> by Shane Woolman<\/a> at Stihia festival, The Observatory<\/a> by Jay Keegan, or DreamScenes September 2023<\/a> at Ambientblog.<\/p>\n

\u2022 Quantum poetics: \u201cHow Borges and Heisenberg converged on the notion that language both enables and interferes with our grasp of reality.\u201d William Egginton<\/a> explains, with a little help from Funes the Memorious.<\/p>\n

\u201cI feel as if I am entering Jorge Luis Borges\u2019s Library of Babel, a universe of books and records, or maybe a labyrinth of paper and vinyl,\u201d a flabbergasted Szwed relates. \u201cThe temptation is to read and listen to every one of them in hopes of at least finding the meaning behind Harry Smith the reader and listener.\u201d He adds, with pointedly Borgesian anxiety, that \u201cmaybe my book is in there, already written.\u201d<\/p>\n

Ed Halter<\/a> reviewing Cosmic Scholar: The Life and Times of Harry Smith<\/a> by John Szwed<\/em><\/p><\/blockquote>\n

\u2022 At The Daily Heller: Photographs of lost buildings and American ruins<\/a>.<\/p>\n

\u2022 At Dennis Cooper’s: The unknowable presents…Secretly encoded<\/a>.<\/p>\n

\u2022 At The Paris Review: Six photos from WG Sebald\u2019s albums<\/a>.<\/p>\n

\u2022 Winners of the Astronomy Photographer of the Year 2023<\/a>.<\/p>\n

\u2022 The Art of Cover Art<\/a>: A Substack by Rachel Cabitt.<\/p>\n

\u2022 New music: Le jour et la nuit du r\u00e9el<\/em><\/a> by Colleen.<\/p>\n

\u2022 Familiar Reality<\/em><\/a> (1971) by Dr John | Reality Dub (Virtual Reality Mix)<\/em><\/a> (1993) by Material | Reality Net<\/em><\/a> (1994) by Richard H. Kirk<\/p>\n","protected":false},"excerpt":{"rendered":"

Arcus (2019) by Markus Matthias Kr\u00fcger. \u2022 “Listeners can only make an educated guess as to what the experience of working with Slapp Happy might have done for Faust.” Fergal Kinney on the 50th anniversary of Sort Of by Slapp Happy, an eccentric intersection of Anglo-American rock and German experimentalism. \u2022 Now that the summer … Continue reading “Weekend links 691”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,42,27,4,29,3,44,12,13],"tags":[7294,186,13068,2935,11254,2162,13065,13069,1483,13063,2595,13070,1254,13064,7868,13066,5779,13067],"class_list":["post-23521","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","category-borges","category-design","category-electronica","category-music","category-painting","category-photography","category-science","tag-colleen-musician","tag-dr-john-musician","tag-ed-halter","tag-faust-group","tag-fergal-kinney","tag-harry-smith","tag-jay-keegan","tag-john-szwed","tag-jorge-luis-borges","tag-markus-matthias-kruger","tag-material-group","tag-rachel-cabitt","tag-richard-h-kirk","tag-shane-woolman","tag-slapp-happy","tag-werner-heisenberg","tag-wg-sebald","tag-william-egginton"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-67n","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/23521","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=23521"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/23521\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=23521"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=23521"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=23521"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}