{"id":23476,"date":"2023-09-02T19:00:08","date_gmt":"2023-09-02T18:00:08","guid":{"rendered":"https:\/\/www.johncoulthart.com\/feuilleton\/?p=23476"},"modified":"2023-09-02T19:00:08","modified_gmt":"2023-09-02T18:00:08","slug":"weekend-links-689","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2023\/09\/02\/weekend-links-689\/","title":{"rendered":"Weekend links 689"},"content":{"rendered":"

\"cossard.jpg\"<\/a><\/p>\n

Salammb\u00f4 (1899) by Adolphe Cossard.<\/em><\/p>\n

\u2022 At Unquiet Things: “A mystery that no longer exists: Wrinkle in Time<\/em> cover artist revealed”. S. Elizabeth<\/a> explains. I did a little research of my own into this enigma without success. Good to know that it’s been resolved.<\/p>\n

\u2022 James Balmont’s latest guide to Japanese cinema is an examination of the transcendental oeuvre of Yasujiro Ozu<\/a>.<\/p>\n

\u2022 At Spoon & Tamago: Trains intersect with everyday life in nostalgic illustrations by Shinjiro Ogawa<\/a>.<\/p>\n

\u2022 DJ Food discovered a set of Zodiac posters by Bruce Krefting<\/a> from 1969.<\/p>\n

\u2022 At Wormwoodiana: John Howard on looking for misplaced Machens<\/a>.<\/p>\n

\u2022 At Vinyl Factory: Discovering Mort Garson with Hilary Wood<\/a>.<\/p>\n

\u2022 At Dennis Cooper’s: More Ozu in Yasujiro Ozu<\/a> Day.<\/p>\n

\u2022 New music: Multizonal Mindscramble<\/em><\/a> by Polypores.<\/p>\n

\u2022 Mix of the week is a mix for The Wire<\/em> by Aho Ssan<\/a>.<\/p>\n

\u2022 Ioneye in conversation with Bill Laswell<\/a>.<\/p>\n

\u2022 Train Song<\/em><\/a> (1969) by Pentangle | Love On A Real Train<\/em><\/a> (1984) by Tangerine Dream | Tokyosaka Train<\/em><\/a> (2002) by Funki Porcini<\/p>\n","protected":false},"excerpt":{"rendered":"

Salammb\u00f4 (1899) by Adolphe Cossard. \u2022 At Unquiet Things: “A mystery that no longer exists: Wrinkle in Time cover artist revealed”. S. Elizabeth explains. I did a little research of my own into this enigma without success. Good to know that it’s been resolved. \u2022 James Balmont’s latest guide to Japanese cinema is an examination … Continue reading “Weekend links 689”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,1029,29,7,3,16,20],"tags":[7246,12209,197,466,13042,3014,13043,10609,9676,7235,2953,8112,1852,13041,889,6391],"class_list":["post-23476","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-collage","category-electronica","category-film","category-music","category-occult","category-science-fiction","tag-adolphe-cossard","tag-aho-ssan","tag-arthur-machen","tag-bill-laswell","tag-bruce-krefting","tag-funki-porcini","tag-hilary-wood","tag-james-balmont","tag-john-howard","tag-mort-garson","tag-pentangle-group","tag-polypores","tag-s-elizabeth","tag-shinjiro-ogawa","tag-tangerine-dream","tag-yasujiro-ozu"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-66E","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/23476","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=23476"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/23476\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=23476"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=23476"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=23476"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}