{"id":23439,"date":"2023-08-19T19:00:03","date_gmt":"2023-08-19T18:00:03","guid":{"rendered":"https:\/\/www.johncoulthart.com\/feuilleton\/?p=23439"},"modified":"2023-08-19T19:00:03","modified_gmt":"2023-08-19T18:00:03","slug":"weekend-links-687","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2023\/08\/19\/weekend-links-687\/","title":{"rendered":"Weekend links 687"},"content":{"rendered":"

\"crane.jpg\"<\/a><\/p>\n

The Peacock Garden (1898) by Walter Crane.<\/em><\/p>\n

\u2022 “The trio [Remedios Varo, Leonora Carrington & Kati Horna] became known as the ‘three witches’ for their exploration of the supernatural and metaphysical\u2014which ranged…’from tarot readings to shamanic psychedelics to attempts to stop or slow time.'” Teresa Nowakowski<\/a> on Remedios Varo: Science Fictions<\/em>, an exhibition of Varo’s paintings at the Art Institute of Chicago<\/a> which includes the one that Thomas Pynchon singled out for description<\/a> in The Crying of Lot 49<\/em>.<\/p>\n

\u2022 Philip K. Dick giving a lecture on “orthogonal time”<\/a> to a small audience at the Festival International de la Science-Fiction, Metz, in 1977. Dick’s talks and interviews aren’t exactly scarce, but this one was of interest for me since I recently designed an edition of John Crowley’s Great Work of Time<\/em><\/a>, a novella which involves a similar concept. If you were at the Metz Festival in 1977 you could also see a live performance by Cluster<\/a>. Lucky you.<\/p>\n

\u2022 “Our minds remain open when the LSD wears off.” Steve Paulson<\/a> on psychedelic drugs and their usefulness as therapeutic tools.<\/p>\n

\u2022 At Cartoon Brew: Stephen Irwin’s animated films<\/a> “combine the influences of David Lynch, Struwwelpeter<\/em>, and the Brothers Grimm.”<\/p>\n

\u2022 Steven Heller looked at NB3<\/em>, the third book about Neville Brody’s graphic design<\/a>. Elsewhere, Heller’s font of the month is Scusi<\/a>.<\/p>\n

\u2022 The glowing, prismatic nervous system of a sea star wins the Scientific Image of the Year<\/a>.<\/p>\n

\u2022 At Unquiet Things: Forgotten worlds and wonderlands from The Art of Fantasy<\/em><\/a>.<\/p>\n

\u2022 “Don\u2019t waste my time with blood-free monster movies,” says Anne Billson<\/a>.<\/p>\n

\u2022 At Aquarium Drunkard: King Tubby And Soul Syndicate \u2014 Freedom Sounds In Dub<\/em><\/a>.<\/p>\n

\u2022 Mix of the week is DreamScenes \u2013 August 2023<\/a> at Ambientblog.<\/p>\n

\u2022 Time Machine<\/em><\/a> (1970) by Stray | Time Captives<\/em><\/a> (1973) by Kingdom Come | The Existence Of Time<\/em><\/a> (2012) by Monolake<\/p>\n","protected":false},"excerpt":{"rendered":"

The Peacock Garden (1898) by Walter Crane. \u2022 “The trio [Remedios Varo, Leonora Carrington & Kati Horna] became known as the ‘three witches’ for their exploration of the supernatural and metaphysical\u2014which ranged…’from tarot readings to shamanic psychedelics to attempts to stop or slow time.’” Teresa Nowakowski on Remedios Varo: Science Fictions, an exhibition of Varo’s … Continue reading “Weekend links 687”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[52,2,42,4,851,29,21,7,3,44,20,13,18],"tags":[4179,2275,12667,13033,13032,124,880,149,444,667,1431,13030,12855,1536,13031,13029,5991,549],"class_list":["post-23439","post","type-post","status-publish","format-standard","hentry","category-animation","category-art","category-books","category-design","category-drugs","category-electronica","category-fantasy","category-film","category-music","category-painting","category-science-fiction","category-science","category-surrealism","tag-anne-billson","tag-cluster-group","tag-john-crowley","tag-king-tubby-and-soul-syndicate","tag-kingdom-come","tag-lsd","tag-monolake","tag-neville-brody","tag-peacocks","tag-philip-k-dick","tag-remedios-varo","tag-stephen-irwin","tag-steve-paulson","tag-steven-heller","tag-stray-group","tag-teresa-nowakowski","tag-thomas-pynchon","tag-walter-crane"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-663","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/23439","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=23439"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/23439\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=23439"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=23439"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=23439"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}