{"id":2343,"date":"2007-09-13T01:06:39","date_gmt":"2007-09-13T00:06:39","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=2343"},"modified":"2013-02-11T00:48:57","modified_gmt":"2013-02-11T00:48:57","slug":"the-recurrent-pose-7","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/09\/13\/the-recurrent-pose-7\/","title":{"rendered":"The recurrent pose 7"},"content":{"rendered":"<p><a href=\"http:\/\/www.brentdundore.com\/f_a\/adonis\/\" target=\"_blank\"><img decoding=\"async\" alt=\"dundore.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2007\/09\/dundore.jpg\" \/><\/a><\/p>\n<p>The <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2006\/02\/16\/evolution-of-an-icon\/\">Flandrin pose<\/a> returns in a photograph for the <em>Adonis<\/em> series by <a href=\"http:\/\/www.brentdundore.com\/f_a\/adonis\/\" target=\"_blank\">Brent Dundore<\/a>. Flandrin was striving for a Classical simplicity in his original painting and the quasi-Classical seat in this picture seems to be doing the same. This might easily become a line drawing like those produced by John Flaxman, a contemporary of Flandrin&#8217;s whose work was inspired by Classical sources.<\/p>\n<p><img decoding=\"async\" alt=\"flaxman.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2007\/09\/flaxman.jpg\" \/><\/p>\n<p><em>\u201cAthena in the form of Penelope&#8217;s sister tells the queen of the return of her son Telemachus\u201d from illustrations for The Odyssey by John Flaxman (1810). <\/em><\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-recurrent-pose-archive\/\">The recurrent pose archive<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Flandrin pose returns in a photograph for the Adonis series by Brent Dundore. Flandrin was striving for a Classical simplicity in his original painting and the quasi-Classical seat in this picture seems to be doing the same. This might easily become a line drawing like those produced by John Flaxman, a contemporary of Flandrin&#8217;s &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/09\/13\/the-recurrent-pose-7\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;The recurrent pose 7&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,30,36,5,12],"tags":[],"class_list":["post-2343","post","type-post","status-publish","format-standard","hentry","category-art","category-black-white","category-eye-candy","category-gay","category-photography"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-BN","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/2343","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=2343"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/2343\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=2343"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=2343"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=2343"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}