![\"inshaw.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2023\/07\/inshaw.jpg\")
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She Did Not Turn (1974) by David Inshaw<\/a>.<\/em><\/p>\n \u2022 “Pauline Kael compared Bruce Lee to Fred Astaire; I think the comparison works better with Rudolf Nureyev. Astaire had a besuited, playful grace, while Nureyev was shirtless, dramatic, and muscular. Astaire moved with athletic modesty, while Lee\u2019s bravura dominated the screen.” Micah Nathan<\/a> on 50 years of Enter the Dragon<\/em>.<\/p>\n \u2022 New music: This Stolen Country Of Mine<\/em><\/a> by Alva Noto, and Denshi Ongaku No Bigaku (The Aesthetics of Japanese Electronic Music) Vol.1<\/em><\/a> by Cosmocities Records.<\/p>\n \u2022 At Cartoon Brew: A profile of Sally Cruikshank<\/a>. The spooky psychedelia of Face Like a Frog<\/em><\/a> has long been a favourite round here.<\/p>\n \u2022 “My Life in a Hop, Skip and a Jump!” Clive Hicks-Jenkins<\/a> answers a few questions about his art.<\/p>\n \u2022 At Public Domain Review: Hokusai\u2019s Illustrated Warrior Vanguard of Japan and China<\/em><\/a> (1836).<\/p>\n \u2022 More martial arts: Tom Wilmot<\/a> on Bruce Lee\u2019s greatest fight scenes at Golden Harvest.<\/p>\n \u2022 Submissions to the Astronomy Photographer of the Year Awards<\/a>.<\/p>\n \u2022 At Dennis Cooper’s: Lucrecia Martel<\/a> Day.<\/p>\n \u2022 RIP Jane Birkin<\/a>.<\/p>\n \u2022 Enter The Dragon<\/em><\/a> (1974) by The Upsetters | Dragon Power (A Tribute To Bruce Lee)<\/em><\/a> (1978) by JKD Band | Edit The Dragon<\/em><\/a> (1985) by Colourbox<\/p>\n","protected":false},"excerpt":{"rendered":" She Did Not Turn (1974) by David Inshaw. \u2022 “Pauline Kael compared Bruce Lee to Fred Astaire; I think the comparison works better with Rudolf Nureyev. Astaire had a besuited, playful grace, while Nureyev was shirtless, dramatic, and muscular. Astaire moved with athletic modesty, while Lee\u2019s bravura dominated the screen.” Micah Nathan on 50 years … Continue reading “Weekend links 683”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[52,2,29,7,48,3,44,12,13],"tags":[8899,12976,767,8342,12977,7952,758,12980,7702,12979,7741,2931,8781,12978],"class_list":["post-23281","post","type-post","status-publish","format-standard","hentry","category-animation","category-art","category-electronica","category-film","category-illustrators","category-music","category-painting","category-photography","category-science","tag-alva-noto","tag-bruce-lee","tag-clive-hicks-jenkins","tag-colourbox","tag-cosmocities-records","tag-david-inshaw","tag-jane-birkin","tag-jkd-band","tag-katsushika-hokusai","tag-lucrecia-martel","tag-micah-nathan","tag-sally-cruikshank","tag-the-upsetters","tag-tom-wilmot"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-63v","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/23281","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=23281"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/23281\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=23281"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=23281"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=23281"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}