![\"yoshida12.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2023\/07\/yoshida12.jpg\")
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Morning Mist in Taj Mahal (Taj Mahal series no. 5) (1932).<\/em><\/p>\n Views of countries other than Japan are uncommon in the world of ukiyo-e printmaking but such views do exist. The works of Hiroshi Yoshida<\/a> (1876\u20131950) include plenty of traditional Japanese subjects\u2013Mount Fuji, views of Tokyo, etc\u2013but his prints also reflect his travels to India, Egypt, Europe, the United States and elsewhere. As with Japanese prints, temples are a recurrent theme, together with views of the natural world, which in this case includes the Himalayas.<\/p>\n Morning at Darjeeling (1931).<\/em><\/p>\n Elephant (1931).<\/em><\/p>\n Victoria Memorial (1931).<\/em><\/p>\n High Gate in Ajmer (1931).<\/em><\/p>\n <\/p>\n Moonlight, Taj Mahal (Taj Mahal series no. 4) (1931).<\/em><\/p>\n Night in Taj Mahal<\/span> (Taj Mahal series no. 6) (1931).<\/em><\/p>\n Shalimar Garden, Lahore (1932).<\/em><\/p>\n Ajmer Gate, Jaipur (1931).<\/em><\/p>\n Khanchinjanga, Afternoon (1931).<\/em><\/p>\n Kailasa Temple, Ellora Highlands (1931).<\/em><\/p>\n A Cave Temple, Ellora (1932).<\/em><\/p>\n Previously on { feuilleton } Morning Mist in Taj Mahal (Taj Mahal series no. 5) (1932). Views of countries other than Japan are uncommon in the world of ukiyo-e printmaking but such views do exist. The works of Hiroshi Yoshida (1876\u20131950) include plenty of traditional Japanese subjects\u2013Mount Fuji, views of Tokyo, etc\u2013but his prints also reflect his travels to India, … Continue reading “Hiroshi Yoshida’s India”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,31],"tags":[12956],"class_list":["post-23238","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-religion","tag-hiroshi-yoshida"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-62O","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/23238","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=23238"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/23238\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=23238"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=23238"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=23238"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"yoshida01.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2023\/07\/yoshida01.jpg\")
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\n\u2022 The art of Hasui Kawase, 1883\u20131957<\/a>
\n\u2022 Nineteen views of Zen gardens<\/a>
\n\u2022 Ten views of the Itsukushima Shrine<\/a>
\n\u2022 Charles Bartlett\u2019s prints<\/a>
\n\u2022 Sixteen views of Meoto Iwa<\/a>
\n\u2022 Waves and clouds<\/a>
\n\u2022 Yoshitoshi\u2019s ghosts<\/a>
\n\u2022 Japanese moons<\/a>
\n\u2022 The Hell Courtesan<\/a>
\n\u2022 Nocturnes<\/a>
\n\u2022 Henri Rivi\u00e8re\u2019s Eiffel Tower<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"