{"id":23141,"date":"2023-07-03T16:30:36","date_gmt":"2023-07-03T15:30:36","guid":{"rendered":"https:\/\/www.johncoulthart.com\/feuilleton\/?p=23141"},"modified":"2023-07-03T16:30:36","modified_gmt":"2023-07-03T15:30:36","slug":"franz-von-bayross-inferno","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2023\/07\/03\/franz-von-bayross-inferno\/","title":{"rendered":"Franz von Bayros&#8217;s Inferno"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2023\/07\/bayros01.jpg\" alt=\"bayros01.jpg\" \/><\/p>\n<p>Viennese artist Franz von Bayros (1866\u20131924) is unusual among illustrators in that his <a href=\"https:\/\/commons.wikimedia.org\/wiki\/Category:Franz_von_Bayros\" target=\"_blank\" rel=\"noopener\">erotic art<\/a> tends to be easier to see today than his less scandalous commissions. Such is the case with his illustrations for Dante&#8217;s <em>Inferno<\/em>, some of which I&#8217;d seen before but never as many as in a book which arrived recently at <a href=\"https:\/\/archive.org\/details\/fvb-inferno\/mode\/2up\" target=\"_blank\" rel=\"noopener\">the Internet Archive<\/a>. This is a home-made presentation that uses the Longfellow translation of the <em>Inferno<\/em> for the text. Bayros can&#8217;t compete with the sombre spectacle of Gustave Dor\u00e9&#8217;s illustrations but he depicts some of the less dramatic moments that Dor\u00e9&#8217;s full-page engravings avoid, while also placing a number of his drawings in the same monumental frames he liked to use for his pornographic art.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2023\/07\/bayros02.jpg\" alt=\"bayros02.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2023\/07\/bayros03.jpg\" alt=\"bayros03.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2023\/07\/bayros04.jpg\" alt=\"bayros04.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2023\/07\/bayros05.jpg\" alt=\"bayros05.jpg\" \/><\/p>\n<p><!--more--><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2023\/07\/bayros06.jpg\" alt=\"bayros06.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2023\/07\/bayros07.jpg\" alt=\"bayros07.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2023\/07\/bayros08.jpg\" alt=\"bayros08.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2023\/07\/bayros09.jpg\" alt=\"bayros09.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2023\/07\/bayros10.jpg\" alt=\"bayros10.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2023\/07\/bayros11.jpg\" alt=\"bayros11.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2023\/07\/bayros12.jpg\" alt=\"bayros12.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2023\/07\/bayros13.jpg\" alt=\"bayros13.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2023\/07\/bayros14.jpg\" alt=\"bayros14.jpg\" \/><\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-illustrators-archive\/\">The illustrators archive<\/a><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/06\/04\/lachmans-inferno\/\">Lachman\u2019s Inferno<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/06\/03\/hell-a-film-by-rein-raamat\/\">Hell, a film by Rein Raamat<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/06\/02\/inferni\/\">Inferni<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/06\/01\/mirko-rackis-inferno\/\">Mirko Racki\u2019s Inferno<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/02\/10\/erotic-bookplates-by-franz-von-bayros\/\">Erotic bookplates by Franz von Bayros<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/07\/28\/harry-lachmans-inferno\/\">Harry Lachman\u2019s Inferno<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/08\/14\/maps-of-the-inferno\/\">Maps of the Inferno<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/08\/13\/a-tv-dante-by-tom-phillips-and-peter-greenaway\/\">A TV Dante by Tom Phillips and Peter Greenaway<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Viennese artist Franz von Bayros (1866\u20131924) is unusual among illustrators in that his erotic art tends to be easier to see today than his less scandalous commissions. Such is the case with his illustrations for Dante&#8217;s Inferno, some of which I&#8217;d seen before but never as many as in a book which arrived recently at &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2023\/07\/03\/franz-von-bayross-inferno\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Franz von Bayros&#8217;s Inferno&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[2,42,48],"tags":[7045,298,12934],"class_list":["post-23141","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-illustrators","tag-dante-author","tag-franz-von-bayros","tag-henry-wadsworth-longfellow"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-61f","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/23141","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=23141"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/23141\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=23141"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=23141"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=23141"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}