{"id":2309,"date":"2007-08-30T01:01:16","date_gmt":"2007-08-30T00:01:16","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=2309"},"modified":"2010-05-02T21:16:42","modified_gmt":"2010-05-02T20:16:42","slug":"lussuria-invidia-superbia","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/08\/30\/lussuria-invidia-superbia\/","title":{"rendered":"Lussuria, Invidia, Superbia"},"content":{"rendered":"<p><a href=\"http:\/\/www.flickr.com\/photos\/italiangerry\/418941232\/in\/set-72157594562058166\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2007\/08\/lussuria.jpg\" alt=\"lussuria.jpg\" \/><\/a><\/p>\n<p>Or <em>Lust<\/em> (1919), <em>Envy<\/em> (1919) and <em>Pride<\/em> (1918). Very Beardsley-esque posters by Carlo Nicco for a series of Italian films  from the silent era starring Francesca Bertini. Doubtless the prolific Ms. Bertini&#8217;s demonstrations of the Seven Deadly Sins inspired similar promotional artwork for the other films in the series but these are the only ones visible from <a href=\"http:\/\/www.flickr.com\/photos\/italiangerry\/sets\/72157594562058166\/\" target=\"_blank\">this Flickr collection<\/a> of Italian cinema memorabilia. As with <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/04\/20\/alla-nazimovas-salome\/\" target=\"_blank\">Alla Nazimova&#8217;s <em>Salom\u00e9<\/em><\/a> (and Gabriel D&#8217;Annunzio&#8217;s excessive <em>Salammb\u00f4<\/em>-esque epic, <em><a href=\"http:\/\/www.imdb.com\/title\/tt0003740\/\" target=\"_blank\">Cabiria<\/a><\/em>), this confirms again that <em>fin de si\u00e8cle<\/em> Decadence lived on in the early days of cinema, having been banished (for a time) from the worlds of art and literature.<\/p>\n<p>Via <a href=\"http:\/\/thombeau.blogspot.com\/\" target=\"_blank\">Fabulon<\/a>. (Thanks Thom!)<\/p>\n<p><!--more--><\/p>\n<p><a href=\"http:\/\/www.flickr.com\/photos\/italiangerry\/418940093\/in\/set-72157594562058166\/\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2007\/08\/invidia.jpg\" alt=\"invidia.jpg\" \/><\/a><\/p>\n<p><a href=\"http:\/\/www.flickr.com\/photos\/italiangerry\/456570134\/\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2007\/08\/superbia.jpg\" alt=\"superbia.jpg\" \/><\/a><\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-illustrators-archive\/\">The illustrators archive<\/a><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/04\/20\/alla-nazimovas-salome\/\">Alla Nazimova&#8217;s Salom\u00e9<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/03\/11\/the-art-of-giulio-aristide-sartorio-1860-1932\/\">The art of Giulio Aristide Sartorio, 1860\u20131932<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/01\/07\/metropolis-posters\/\">Metropolis posters<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Or Lust (1919), Envy (1919) and Pride (1918). Very Beardsley-esque posters by Carlo Nicco for a series of Italian films from the silent era starring Francesca Bertini. Doubtless the prolific Ms. Bertini&#8217;s demonstrations of the Seven Deadly Sins inspired similar promotional artwork for the other films in the series but these are the only ones &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/08\/30\/lussuria-invidia-superbia\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Lussuria, Invidia, Superbia&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[2,50,30,7,48],"tags":[785,127,136,2432,123],"class_list":["post-2309","post","type-post","status-publish","format-standard","hentry","category-art","category-beardsley","category-black-white","category-film","category-illustrators","tag-alla-nazimova","tag-carlo-nicco","tag-fin-de-siecle","tag-giulio-aristide-sartorio","tag-salome"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-Bf","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/2309","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=2309"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/2309\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=2309"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=2309"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=2309"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}