{"id":22921,"date":"2023-06-17T19:00:14","date_gmt":"2023-06-17T18:00:14","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=22921"},"modified":"2023-06-17T19:00:14","modified_gmt":"2023-06-17T18:00:14","slug":"weekend-links-678","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2023\/06\/17\/weekend-links-678\/","title":{"rendered":"Weekend links 678"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2023\/06\/hablik.jpg\" alt=\"hablik.jpg\" \/><\/p>\n<p><em>Interior of a Cathedral (1921) by <a href=\"https:\/\/unquietthings.com\/crystal-castles-and-harmonious-heavens-wenzel-habliks-glittering-utopias\/\" target=\"_blank\" rel=\"noopener\">Wenzel Hablik<\/a>. <\/em><\/p>\n<p>\u2022 The inevitable Cormac McCarthy features: &#8220;Cormac McCarthy took us beneath the surface,&#8221; says <a href=\"https:\/\/nautil.us\/cormac-mccarthy-took-us-beneath-the-surface-311275\/\" target=\"_blank\" rel=\"noopener\">Kevin Berger<\/a> at <em>Nautilus<\/em> magazine, publishers of McCarthy&#8217;s essay about the origins of language. At <a href=\"https:\/\/www.theparisreview.org\/blog\/2023\/06\/16\/on-cormac-mccarthy\/\" target=\"_blank\" rel=\"noopener\"><em>The Paris Review<\/em><\/a>, three writers reminisce about reading McCarthy&#8217;s fiction.<\/p>\n<p>\u2022 At Bajo el Signo de Libra: <a href=\"https:\/\/bajoelsignodelibra.blogspot.com\/2023\/06\/bhupen-khakhar-1934-2003.html\" target=\"_blank\" rel=\"noopener\">Bhupen Khakhar (1934\u20132003)<\/a>. &#8220;Su obra examina las implicaciones pol\u00edticas y socioculturales de la homosexualidad en la India.&#8221;<\/p>\n<p>\u2022 <a href=\"https:\/\/denniscooperblog.com\/mine-for-yours-my-favorite-fiction-poetry-non-fiction-film-art-and-internet-of-2023-so-far\/\" target=\"_blank\" rel=\"noopener\">Dennis Cooper<\/a>\u2019s favourite fiction, poetry, non-fiction, film, art, and internet of 2023 so far. Thanks again for the link here!<\/p>\n<p>\u2022 New music: <a href=\"https:\/\/soundsoftheuniverse.com\/sjr\/product\/telepathic-heights\"><em>Telepathic Heights<\/em><\/a> by Hawksmoor, and <a href=\"https:\/\/transversales.bandcamp.com\/album\/golden-apples-of-the-sun-3\" target=\"_blank\" rel=\"noopener\"><em>Golden Apples of the Sun<\/em><\/a> by Suzanne Ciani &amp; Jonathan Fitoussi.<\/p>\n<p>\u2022 Mixes of the week:\u00a0<a href=\"https:\/\/www.ambientblog.net\/blog\/2023-06\/dreamscenes\/\" target=\"_blank\" rel=\"noopener\">DreamScenes \u2013 June 2023<\/a>, and <a href=\"https:\/\/www.astrangelyisolatedplace.com\/blog\/2023\/6\/12\/isolatedmix-121-oslated-showcase-mixed-by-s-pill\" target=\"_blank\" rel=\"noopener\">isolatedmix 121<\/a>: Oslated &amp; Huinali Showcase mixed by S-Pill.<\/p>\n<p>\u2022 At Unquiet Things: <a href=\"https:\/\/unquietthings.com\/crystal-castles-and-harmonious-heavens-wenzel-habliks-glittering-utopias\/\" target=\"_blank\" rel=\"noopener\">Crystal Castles and Harmonious Heavens: Wenzel Hablik\u2019s Glittering Utopias<\/a>.<\/p>\n<p>\u2022 At Public Domain Review: <a href=\"https:\/\/publicdomainreview.org\/essay\/wonder-and-pleasure-in-the-oude-doolhof-of-amsterdam\" target=\"_blank\" rel=\"noopener\">Wonder and Pleasure in the Oude Doolhof of Amsterdam<\/a>.<\/p>\n<p>\u2022 At Spoon &amp; Tamago: <a href=\"https:\/\/www.spoon-tamago.com\/tokyo-hidden-shrines\/\" target=\"_blank\" rel=\"noopener\">Exploring Tokyo\u2019s Hidden Shrines<\/a>.<\/p>\n<p>\u2022 At Aquarium Drunkard: <a href=\"https:\/\/aquariumdrunkard.com\/2023\/06\/14\/bush-tetras-the-aquarium-drunkard-interview\/\" target=\"_blank\" rel=\"noopener\">Bush Tetras<\/a> interviewed.<\/p>\n<p>\u2022 <a href=\"https:\/\/thequietus.com\/articles\/33044-ben-chasny-six-organs-bakers-dozen-favourite-music\" target=\"_blank\" rel=\"noopener\">Ben Chasny&#8217;s favourite albums<\/a>.<\/p>\n<p>\u2022 RIP <a href=\"https:\/\/www.criterion.com\/current\/posts\/8177-the-force-and-range-of-glenda-jackson\" target=\"_blank\" rel=\"noopener\">Glenda Jackson<\/a>.<\/p>\n<p>\u2022 <a href=\"https:\/\/www.youtube.com\/watch?v=RfDpnjwTXCs\" target=\"_blank\" rel=\"noopener\"><em>Utopiat No. 1<\/em><\/a> (1973) by Utopia | <em><a href=\"https:\/\/www.youtube.com\/watch?v=QUB7e3BtnvU\" target=\"_blank\" rel=\"noopener\">Utopia<\/a><\/em> (2000) by Goldfrapp | <em><a href=\"https:\/\/crammed-discs.bandcamp.com\/track\/utopia\" target=\"_blank\" rel=\"noopener\">Utopia<\/a><\/em> (2013) by Brown Reininger Bodson<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Interior of a Cathedral (1921) by Wenzel Hablik. \u2022 The inevitable Cormac McCarthy features: &#8220;Cormac McCarthy took us beneath the surface,&#8221; says Kevin Berger at Nautilus magazine, publishers of McCarthy&#8217;s essay about the origins of language. At The Paris Review, three writers reminisce about reading McCarthy&#8217;s fiction. \u2022 At Bajo el Signo de Libra: Bhupen &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2023\/06\/17\/weekend-links-678\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Weekend links 678&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,42,47,29,7,5,3,44,31],"tags":[4132,12902,12901,4187,96,3109,1174,5154,12897,12042,12896,12898,3593,9943,12899],"class_list":["post-22921","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","category-cormac","category-electronica","category-film","category-gay","category-music","category-painting","category-religion","tag-ben-chasny","tag-bhupen-khakhar","tag-brown-reininger-bodson","tag-bush-tetras","tag-cormac-mccarthy","tag-dennis-cooper","tag-glenda-jackson","tag-goldfrapp","tag-hawksmoor-musician","tag-jonathan-fitoussi","tag-kevin-berger","tag-s-pill","tag-suzanne-ciani","tag-utopia-group","tag-wenzel-hablik"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-5XH","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/22921","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=22921"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/22921\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=22921"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=22921"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=22921"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}