{"id":22899,"date":"2023-06-10T19:00:39","date_gmt":"2023-06-10T18:00:39","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=22899"},"modified":"2023-06-10T22:59:45","modified_gmt":"2023-06-10T21:59:45","slug":"weekend-links-677","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2023\/06\/10\/weekend-links-677\/","title":{"rendered":"Weekend links 677"},"content":{"rendered":"<p><a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2023\/06\/cv-brody-big.jpg\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2023\/06\/cv-brody.jpg\" alt=\"cv-brody.jpg\" \/><\/a><\/p>\n<p><em>Design by Neville Brody, 1980.<\/em><\/p>\n<p>\u2022 My work soundtrack for the past couple of weeks has been non-stop Cabaret Voltaire so this is pertinent. Neville Brody designed many of the group&#8217;s record sleeves in the 1980s as well as this poster and another one that I&#8217;ve only seen as a small picture in the first Brody book. He was also responsible for the CV logo which I never managed to find in badge form.<\/p>\n<p>\u2022 &#8220;Anger\u2019s preferred mode of artistry in his last decades was self-mythologising, and while he would return to filmmaking late in life, it was less as hierophant than totem\u2014the worn keepsake of a once powerful magick.&#8221; <a href=\"https:\/\/www.thewire.co.uk\/in-writing\/essays\/anger-rising-ryan-meehan-remembers-kenneth-anger\" target=\"_blank\" rel=\"noopener\">Ryan Meehan<\/a> remembers Kenneth Anger.<\/p>\n<p>\u2022 New music: <a href=\"https:\/\/voixrecords.bandcamp.com\/album\/waves\" target=\"_blank\" rel=\"noopener\"><em>Waves<\/em><\/a> by Ben Chasny and Rick Tomlinson, <a href=\"https:\/\/uccharlo.bandcamp.com\/album\/topos\" target=\"_blank\" rel=\"noopener\"><em>Topos<\/em><\/a> by UCC Harlo, and <a href=\"https:\/\/w-i-t-c-h.bandcamp.com\/album\/zango\" target=\"_blank\" rel=\"noopener\"><em>Zango<\/em><\/a> by WITCH.<\/p>\n<blockquote><p>Kafka\u2019s perpetual redescription of his plight suggests that throughout his writing life he was less interested in finding a solution or even arriving at a single, definitive formulation of the problem than he was in exploring the implications and complications of his situation from new, unexpected angles and crafting an ever-expanding lexicon of figures for its inescapability.<\/p>\n<p><em><a href=\"https:\/\/aeon.co\/essays\/on-the-space-between-waking-and-dreaming-in-kafkas-diaries\" target=\"_blank\" rel=\"noopener\">Ross Benjamin<\/a>, the translator of Franz Kafka&#8217;s diaries, on the neurotic concerns that Kafka turned into art<\/em><\/p><\/blockquote>\n<p>\u2022 &#8220;Why are men seemingly always naked in ancient Greek art?&#8221; <a href=\"https:\/\/aeon.co\/essays\/why-are-men-seemingly-always-naked-in-ancient-greek-art\" target=\"_blank\" rel=\"noopener\">Sarah Murray<\/a> investigates.<\/p>\n<p>\u2022 <a href=\"https:\/\/app.galabid.com\/artistsforbibi\/items\" target=\"_blank\" rel=\"noopener\">Artists for Bibi<\/a>: an auction in aid of Arthur Machen&#8217;s great-great-granddaughter.<\/p>\n<p>\u2022 At Public Domain Review: <a href=\"https:\/\/publicdomainreview.org\/collection\/utsuro-bune\">Unidentified Floating Object: Edo Images of <em>Utsuro-bune<\/em><\/a>.<\/p>\n<p>\u2022 Steven Heller&#8217;s font of the month is <a href=\"https:\/\/ilovetypography.com\/2023\/06\/06\/steven-hellers-font-of-the-month-acorn\/\" target=\"_blank\" rel=\"noopener\">Acorn<\/a>.<\/p>\n<p>\u2022 Old music: <a href=\"https:\/\/www.youtube.com\/watch?v=JiBWcAGD7CM\" target=\"_blank\" rel=\"noopener\"><em>Moon Journey<\/em><\/a> by Mort Garson.<\/p>\n<p>\u2022 RIP <a href=\"https:\/\/www.theguardian.com\/music\/2023\/jun\/06\/tony-mcphee-singer-and-guitarist-rock-band-the-groundhogs-dies-aged-79\" target=\"_blank\" rel=\"noopener\">Tony McPhee<\/a>.<\/p>\n<p>\u2022 <a href=\"https:\/\/www.youtube.com\/watch?v=vmcE6aKb7Ns\" target=\"_blank\" rel=\"noopener\"><em>Kafka<\/em><\/a> (1964) by The Rowdies | <a href=\"https:\/\/www.youtube.com\/watch?v=4qfwFkJxymI\" target=\"_blank\" rel=\"noopener\"><em>Kafka<\/em><\/a> (1982) by Masami Tsuchiya | <a href=\"https:\/\/www.youtube.com\/watch?v=goYNZhZ7Qj4\" target=\"_blank\" rel=\"noopener\"><em>Kafka (Main Title)<\/em><\/a> (1992) by Cliff Martinez<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Design by Neville Brody, 1980. \u2022 My work soundtrack for the past couple of weeks has been non-stop Cabaret Voltaire so this is pertinent. Neville Brody designed many of the group&#8217;s record sleeves in the 1980s as well as this poster and another one that I&#8217;ve only seen as a small picture in the first &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2023\/06\/10\/weekend-links-677\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Weekend links 677&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,4,29,7,5,3,16,10],"tags":[197,4132,150,2975,1013,401,2152,7235,149,12888,12891,12887,12892,1536,12894,12893,12889,12890],"class_list":["post-22899","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-design","category-electronica","category-film","category-gay","category-music","category-occult","category-typography","tag-arthur-machen","tag-ben-chasny","tag-cabaret-voltaire","tag-cliff-martinez","tag-franz-kafka","tag-kenneth-anger","tag-masami-tsuchiya","tag-mort-garson","tag-neville-brody","tag-rick-tomlinson","tag-ross-benjamin","tag-ryan-meehan","tag-sarah-murray","tag-steven-heller","tag-the-rowdies","tag-tony-mcphee","tag-ucc-harlo","tag-witch-group"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-5Xl","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/22899","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=22899"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/22899\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=22899"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=22899"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=22899"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}