{"id":22863,"date":"2023-05-31T16:32:07","date_gmt":"2023-05-31T15:32:07","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=22863"},"modified":"2024-01-19T19:53:58","modified_gmt":"2024-01-19T19:53:58","slug":"chirico-by-tanaami-and-aihara","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2023\/05\/31\/chirico-by-tanaami-and-aihara\/","title":{"rendered":"Chirico by Tanaami and Aihara"},"content":{"rendered":"

\"chirico.jpg\"<\/a><\/p>\n

If I’d have seen it earlier I would have included this animated film in my Echoes of de Chirico<\/a> post. Chirico<\/em><\/a> (2008) is a wordless 4-minute homage to the maestro of pittura metafisica<\/em> directed by Keiichi Tanaami with Nobuhiro Aihama. In addition to being a celebrated artist and designer, Keiichi Tanaami has been making short animations since the 1960s, usually with the assistance of other artists. This one puts familiar de Chirico motifs through a metamorphic Surrealist wringer in a manner that could easily have been extended into a much longer film. De Chirico has evidently been a preoccupation for Tanaami in recent years, providing a landscape he can appropriate<\/a> for his bad-trip take on psychedelic art.<\/p>\n

Elsewhere on { feuilleton }
\n\u2022 The Surrealism archive<\/a><\/p>\n

Previously on { feuilleton }
\n\u2022 Echoes of de Chirico<\/a>
\n\u2022 Sweet Friday, a film by Keiichi Tanaami<\/a>
\n\u2022 Keiichi Tanaami record covers<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

If I’d have seen it earlier I would have included this animated film in my Echoes of de Chirico post. Chirico (2008) is a wordless 4-minute homage to the maestro of pittura metafisica directed by Keiichi Tanaami with Nobuhiro Aihama. In addition to being a celebrated artist and designer, Keiichi Tanaami has been making short … Continue reading “Chirico by Tanaami and Aihara”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[52,2,7,44,18],"tags":[693,3798,12869],"class_list":["post-22863","post","type-post","status-publish","format-standard","hentry","category-animation","category-art","category-film","category-painting","category-surrealism","tag-giorgio-de-chirico","tag-keiichi-tanaami","tag-nobuhiro-aihama"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-5WL","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/22863","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=22863"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/22863\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=22863"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=22863"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=22863"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}