{"id":22837,"date":"2023-05-24T16:30:11","date_gmt":"2023-05-24T15:30:11","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=22837"},"modified":"2023-05-26T16:56:49","modified_gmt":"2023-05-26T15:56:49","slug":"phantastische-edelmann","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2023\/05\/24\/phantastische-edelmann\/","title":{"rendered":"Phantastische Edelmann"},"content":{"rendered":"<p><a href=\"https:\/\/www.youtube.com\/watch?v=VIXs3s-quWI\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2023\/05\/edelmann1.jpg\" alt=\"edelmann1.jpg\" \/><\/a><\/p>\n<p>There&#8217;s more to Heinz Edelmann than the designs he created for <em>Yellow Submarine<\/em>, as Edelmann himself often used to remind people. And there&#8217;s more to his work for animated film than the Beatles&#8217; exploits. <a href=\"https:\/\/www.youtube.com\/watch?v=VIXs3s-quWI\" target=\"_blank\" rel=\"noopener\"><em>Der Phantastische Film<\/em><\/a> is a short introductory sequence for a long-running German TV series which has been doing the rounds for a number of years. Brief it may be but a couple of the monstrous details resemble those that Edelmann put into <a href=\"https:\/\/www.flickr.com\/photos\/laurapopdesign\/4405168226\" target=\"_blank\" rel=\"noopener\">his covers for Tolkien&#8217;s books<\/a>.<\/p>\n<p><a href=\"https:\/\/player.bfi.org.uk\/free\/film\/watch-the-transformer-1968-online\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2023\/05\/edelmann2.jpg\" alt=\"edelmann2.jpg\" \/><\/a><\/p>\n<p>Edelmann had plans to capitalise on the success of <em>Yellow Submarine<\/em> with more films like this when he set up his own animation company, Trickfilm, but the only other example is <a href=\"https:\/\/player.bfi.org.uk\/free\/film\/watch-the-transformer-1968-online\" target=\"_blank\" rel=\"noopener\"><em>The Transformer<\/em><\/a>, a short about steam trains which he designed. (The direction was by Charlie Jenkins, with animation by Alison De Vere and Denis Rich.) Given the persistent popularity of <em>Yellow Submarine<\/em> I keep hoping someone might revive its style for something new. The first animated feature directed by Marcell Jankovics, <em>Johnny Corncob<\/em>, comes close but lacks the trippy Surrealism of the Beatles film. The Japanese can certainly do trippy Surrealism (see <a href=\"https:\/\/www.youtube.com\/watch?v=CNDJjAksDq4\" target=\"_blank\" rel=\"noopener\"><em>Mind Game<\/em><\/a> or <a href=\"https:\/\/www.youtube.com\/watch?v=yn7U1KIGeuQ\" target=\"_blank\" rel=\"noopener\"><em>Paprika<\/em><\/a>) but I&#8217;ve yet to see anything that approaches the Edelmann style. <em>Johnny Corncob<\/em>, incidentally, is now available on Region B blu-ray from <a href=\"https:\/\/eurekavideo.co.uk\/movie\/son-of-the-white-mare-feherlofia\/\" target=\"_blank\" rel=\"noopener\">Eureka<\/a>. It&#8217;s worth seeing but the main film in the set, <a href=\"https:\/\/www.youtube.com\/watch?v=nl1MZ3x0sNE\" target=\"_blank\" rel=\"noopener\"><em>Son of the White Mare<\/em><\/a>, is Jankovics&#8217;s masterpiece.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2023\/05\/edelmann3.jpg\" alt=\"edelmann3.jpg\" \/><\/p>\n<p>On a slightly related note, until today I hadn&#8217;t looked at ISFDB.org for Heinz Edelmann&#8217;s genre credits so I hadn&#8217;t seen this Lovecraft cover before. Hard to tell if this creature is supposed to be Cthulhu or Wilbur Whateley&#8217;s brother when <em>The Dunwich Horror<\/em> is one of the stories in the collection. Either way, it belongs in the Sea of Monsters. Insel Verlag published this one in 1968, a year before launching their special imprint devoted to fantastic literature, <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2018\/07\/20\/bibliothek-des-hauses-usher\/\">Bibliothek des Hauses Usher<\/a>.<\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2021\/07\/14\/return-to-pepperland\/\">Return to Pepperland<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2021\/03\/04\/the-groovy-look\/\">The groovy look<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/06\/27\/the-sea-of-monsters\/\">The Sea of Monsters<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/04\/17\/yellow-submarine-comic-books\/\">Yellow Submarine comic books<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/04\/19\/heinz-edelmann\/\">Heinz Edelmann<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>There&#8217;s more to Heinz Edelmann than the designs he created for Yellow Submarine, as Edelmann himself often used to remind people. And there&#8217;s more to his work for animated film than the Beatles&#8217; exploits. Der Phantastische Film is a short introductory sequence for a long-running German TV series which has been doing the rounds for &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2023\/05\/24\/phantastische-edelmann\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Phantastische Edelmann&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[52,2,42,4,7,22,48,26,17,20],"tags":[12854,12849,104,12851,585,1687,11994,178],"class_list":["post-22837","post","type-post","status-publish","format-standard","hentry","category-animation","category-art","category-books","category-design","category-film","category-horror","category-illustrators","category-lovecraft","category-psychedelia","category-science-fiction","tag-alison-de-vere","tag-charlie-jenkins","tag-cthulhu","tag-denis-rich","tag-heinz-edelmann","tag-hp-lovecraft","tag-marcell-jankovics","tag-the-beatles"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-5Wl","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/22837","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=22837"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/22837\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=22837"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=22837"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=22837"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}