{"id":22674,"date":"2023-04-15T19:00:25","date_gmt":"2023-04-15T18:00:25","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=22674"},"modified":"2026-02-02T13:12:21","modified_gmt":"2026-02-02T13:12:21","slug":"weekend-links-669","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2023\/04\/15\/weekend-links-669\/","title":{"rendered":"Weekend links 669"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2023\/04\/claveloux.jpg\" alt=\"claveloux.jpg\" \/><\/p>\n<p><em>Love (1973), a poster by Nicole Claveloux.<\/em><\/p>\n<p>\u2022 &#8220;Warner Brothers had been keen on a Rolling Stones movie. Jagger was keen on being a movie star. But Donald Cammell\u2019s script was no Beatles\u2019 jolly japes musical comedy&#8230;&#8221; <a href=\"https:\/\/www.3ammagazine.com\/3am\/minute-9-performance\/\" target=\"_blank\" rel=\"noopener\">Des Barry<\/a> examines the ninth minute of Cammell &amp; Roeg&#8217;s <em>Performance<\/em>.<\/p>\n<p>\u2022 &#8220;&#8230;part of what made his 1970s work so original was the degree to which his band cross-pollinated guitar with synthesizer.&#8221; Aquarium Drunkard explores the esoteric jazz-rock of <a href=\"https:\/\/aquariumdrunkard.com\/2023\/04\/07\/the-water-bearers-jar-the-esoteric-jazz-rock-of-steve-hillage\/\" target=\"_blank\" rel=\"noopener\">Steve Hillage<\/a>.<\/p>\n<p>\u2022 Magma, the cosmic jazz-rock group from France, have been around for 50 years without making a music video. <a href=\"https:\/\/www.youtube.com\/watch?v=UmgJkEajQUo\" target=\"_blank\" rel=\"noopener\"><em>Hak\u00ebhn De\u00efs<\/em><\/a> is their first.<\/p>\n<blockquote><p>There was half-Tarkovsky embedded in <em>async<\/em>, \u201cSolari\u201d and \u201cStakra\u201d and \u201cWalker\u201d, a hand outstretched to those great poems of living and light that we call films. \u201cI had a strange dream last night,\u201d Andrey Tarkovsky wrote in one of the diary entries collected in <em>Instant Light<\/em>, \u201cI was looking up at the sky and it was very, very light and soft; and high, high above me it seemed to be slowly boiling, like light that had materialised like the fibres of a sunlit fabric, like silken living stitches in a piece of Japanese embroidery.\u201d<\/p>\n<p><em><a href=\"https:\/\/www.thewire.co.uk\/in-writing\/essays\/life-life-david-toop-remembers-ryuichi-sakamoto\" target=\"_blank\" rel=\"noopener\">David Toop<\/a> remembers Ryuichi Sakamoto<\/em><\/p><\/blockquote>\n<p>\u2022 &#8220;<a href=\"https:\/\/floor796.com\/\" target=\"_blank\" rel=\"noopener\">Floor796<\/a> is an ever-expanding animation scene showing the life of the 796th floor of the huge space station&#8230;&#8221;<\/p>\n<p>\u2022 The Electrifying Dreamworld of <em>The Green Hand<\/em>: <a href=\"https:\/\/www.theparisreview.org\/blog\/2017\/11\/15\/electrifying-dreamworld-green-hand\/\" target=\"_blank\" rel=\"noopener\">Dan Clowes<\/a> on the comic-art of Nicole Claveloux.<\/p>\n<p>\u2022 At Bandcamp: <a href=\"https:\/\/daily.bandcamp.com\/lists\/the-post-punk-pop-subversion-of-david-cunningham\" target=\"_blank\" rel=\"noopener\">Andy Thomas<\/a> on the post-punk pop subversion of David Cunningham.<\/p>\n<p>\u2022 At Unquiet Things: <a href=\"https:\/\/unquietthings.com\/an-enigmatic-baroness-and-her-collection-of-skulls\/\" target=\"_blank\" rel=\"noopener\">An enigmatic baroness and her collection of skulls<\/a>.<\/p>\n<p>\u2022 New music: <a href=\"https:\/\/romancedeanhurley.bandcamp.com\/album\/river-of-dreams\" target=\"_blank\" rel=\"noopener\"><em>River Of Dreams<\/em><\/a> by Romance &amp; Dean Hurley.<\/p>\n<p>\u2022 Steven Heller&#8217;s font of the month is <a href=\"https:\/\/ilovetypography.com\/2023\/04\/11\/steven-hellers-font-of-the-month-ray-gun\/\" target=\"_blank\" rel=\"noopener\">Ray Gun<\/a>.<\/p>\n<p>\u2022 Mix of the week: <a href=\"https:\/\/www.ambientblog.net\/blog\/2023-04\/dreamscenes-april-2023\/\" target=\"_blank\" rel=\"noopener\">DreamScenes \u2013 April 2023<\/a>.<\/p>\n<p>\u2022 RIP <a href=\"https:\/\/www.tcj.com\/al-jaffee-1921-2023\/\" target=\"_blank\" rel=\"noopener\">Al Jaffee<\/a>.<\/p>\n<p>\u2022 <a href=\"https:\/\/www.youtube.com\/watch?v=mh-urC-u6ZI\" target=\"_blank\" rel=\"noopener\"><em>Skulls Of Broken Hill<\/em><\/a> (1996) by Bill Laswell | <a href=\"https:\/\/www.youtube.com\/watch?v=UiCIW04PF3I\" target=\"_blank\" rel=\"noopener\"><em>The Bees Made Honey In The Lion&#8217;s Skull<\/em><\/a> (2008) by Earth | <a href=\"https:\/\/www.youtube.com\/watch?v=B5lr-Lz_RHU\" target=\"_blank\" rel=\"noopener\"><em>Black Skulls<\/em><\/a> (2018) by J\u00f3hann J\u00f3hannsson<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Love (1973), a poster by Nicole Claveloux. \u2022 &#8220;Warner Brothers had been keen on a Rolling Stones movie. Jagger was keen on being a movie star. But Donald Cammell\u2019s script was no Beatles\u2019 jolly japes musical comedy&#8230;&#8221; Des Barry examines the ninth minute of Cammell &amp; Roeg&#8217;s Performance. \u2022 &#8220;&#8230;part of what made his 1970s &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2023\/04\/15\/weekend-links-669\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Weekend links 669&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: Weekend links 669","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,9,4,29,7,3,17,41,15,10],"tags":[8563,214,11243,466,12775,6176,412,10098,12774,371,3316,7864,1473,306,1534,12776,1412,4006,1536],"class_list":["post-22674","post","type-post","status-publish","format-standard","hentry","category-art","category-comics","category-design","category-electronica","category-film","category-music","category-psychedelia","category-sculpture","category-technology","category-typography","tag-al-jaffee","tag-andrei-tarkovsky","tag-andy-thomas","tag-bill-laswell","tag-dan-clowes","tag-david-cunningham","tag-david-toop","tag-dean-hurley","tag-des-barry","tag-donald-cammell","tag-earth-group","tag-johann-johannsson","tag-magma","tag-nicolas-roeg","tag-nicole-claveloux","tag-romance-musician","tag-ryuichi-sakamoto","tag-steve-hillage","tag-steven-heller"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-5TI","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/22674","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=22674"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/22674\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=22674"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=22674"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=22674"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}