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It’s that Hollow Earth again.<\/em><\/p>\n Post no. 5000 breaks the format of earlier stock-taking posts by doing without a Roman numeral for its title. MMMMM isn’t technically wrong but the Romans used a V with a horizontal line over it to signify 5000, a symbol that I imagine the temperamental coding of this site would refuse. No matter.<\/p>\n Post no. 4000 (January 8, 2016) arrived almost a year after I’d stopped writing every day, and had consequently seen visits decline as a result. (You can’t really talk about “readership” here when most visits will be from people looking for pictures of some sort.) The WordPress stats show that visitor numbers had been falling even before I stopped the daily posting routine, no doubt as a result of the uptake in social media. What’s interesting about the present moment is that the visitor numbers have been rising again at a time when disenchantment with social media is growing. I don’t think these two things are connected\u2014I’m bound to see more visitors if I’m writing more often, as I have been since mid-2020\u2014but it’s a curious thing sticking with an endeavour like this while vast internet edifices rise and fall around you. Since stepping away from social media myself I value the autonomy of this place all the more. Another development since 2016 is the rise of Substack, and a return (although it never really went away) to long-form writing. Most Substack contributors that I’ve seen are producing essays but a few have been creating collections of miscellaneous items that away from the site would be regarded as old-fashioned blog posts.<\/p>\n One thing that hasn’t changed here is the popularity of the Gay Artists Archive<\/a>, still the most popular destination by a wide margin. The other very popular page is the Illustrators Archive<\/a>; both pages serve a function which isn’t supplied elsewhere in quite the same way. People seem to value having someone filter a specific cultural area for them even if (as in my case) they’re only following their own tastes.<\/p>\n Graffiti by Thoma Vuille.<\/em><\/p>\n Okay, stock has been taken. Thanks, as always, for reading. Monsieur Chat<\/a>, the tutelary deity of this place, says “En avant et vers le haut!”<\/p>\n","protected":false},"excerpt":{"rendered":" It’s that Hollow Earth again. Post no. 5000 breaks the format of earlier stock-taking posts by doing without a Roman numeral for its title. MMMMM isn’t technically wrong but the Romans used a V with a horizontal line over it to signify 5000, a symbol that I imagine the temperamental coding of this site would … Continue reading “Five thousand”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: Five thousand","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[11,37],"tags":[],"class_list":["post-22518","post","type-post","status-publish","format-standard","hentry","category-miscellaneous","category-wordpress"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-5Rc","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/22518","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=22518"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/22518\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=22518"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=22518"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=22518"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"monsieurchat.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2023\/03\/monsieurchat.jpg\")
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