{"id":22403,"date":"2023-01-27T16:29:07","date_gmt":"2023-01-27T16:29:07","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=22403"},"modified":"2025-10-26T09:51:14","modified_gmt":"2025-10-26T09:51:14","slug":"svankmajers-decalogue","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2023\/01\/27\/svankmajers-decalogue\/","title":{"rendered":"\u0160vankmajer&#8217;s Decalogue"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2023\/01\/svankmajer3.jpg\" alt=\"svankmajer3.jpg\" \/><\/p>\n<p><em>Natural History (1973) by Jan \u0160vankmajer.<\/em><\/p>\n<p>A Jan \u0160vankmajer interview I was reading recently contained two references to something he called his &#8220;Decalogue&#8221; but no detail as to what this might be. The mystery was explained in a footnote: &#8220;Decalogue&#8221; is a collection of ten artistic principles that \u0160vankmajer wrote for a film magazine, <em>Vertigo<\/em>, in 2006. Given the low circulation of these kinds of journals I expected the piece to be unavailable but the magazine has a website which reproduces the full text <a href=\"https:\/\/web.archive.org\/web\/20230205150645\/https:\/\/www.closeupfilmcentre.com\/vertigo_magazine\/volume-3-issue-1-spring-2006\/decalogue\/\" target=\"_blank\" rel=\"noopener\">here<\/a>.<\/p>\n<p>Despite the title, these aren&#8217;t really Ten Commandments, they&#8217;re more statements of \u0160vankmajer&#8217;s artistic philosophy, and as such won&#8217;t be suitable for everyone, or for every purpose when they&#8217;re so heavily oriented towards animated film. All the same, I like to see things like this even if I don&#8217;t agree with them; sometimes finding a principle you disagree with is a way of confirming or reinforcing the value of its opposite. In other cases you may find a condensation of a vague impulse which becomes easier to recall when set into words. A good example of the latter is the well-known instruction from Eno &amp; Schmidt&#8217;s <em>Oblique Strategies<\/em> (which also has a quasi-religious tone:) &#8220;Honour your error as a hidden intention&#8221;. I seldom follow this one but I keep it in mind. As \u0160vankmajer says at the end of his piece, rules like these are also made to be broken.<\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2023\/01\/23\/the-magic-art-of-jan-svankmajer\/\">The Magic Art of Jan \u0160vankmajer<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2020\/06\/29\/svankmajers-cats\/\">\u0160vankmajer\u2019s cats<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2019\/06\/21\/jan-svankmajer-the-animator-of-prague\/\">Jan \u0160vankmajer: The Animator of Prague<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2016\/03\/01\/jan-svankmajer-director\/\">Jan \u0160vankmajer, Director<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/10\/03\/don-juan-a-film-by-jan-svankmajer\/\">Don Juan, a film by Jan \u0160vankmajer<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/10\/29\/the-pendulum-the-pit-and-hope\/\">The Pendulum, the Pit and Hope<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/08\/22\/two-sides-of-liska\/\">Two sides of Li\u0161ka<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Natural History (1973) by Jan \u0160vankmajer. A Jan \u0160vankmajer interview I was reading recently contained two references to something he called his &#8220;Decalogue&#8221; but no detail as to what this might be. The mystery was explained in a footnote: &#8220;Decalogue&#8221; is a collection of ten artistic principles that \u0160vankmajer wrote for a film magazine, Vertigo, &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2023\/01\/27\/svankmajers-decalogue\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;\u0160vankmajer&#8217;s Decalogue&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: Svankmajer's Decalogue","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[52,7,43],"tags":[375],"class_list":["post-22403","post","type-post","status-publish","format-standard","hentry","category-animation","category-film","category-magazines","tag-jan-svankmajer"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-5Pl","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/22403","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=22403"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/22403\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=22403"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=22403"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=22403"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}