{"id":22310,"date":"2022-12-24T19:10:31","date_gmt":"2022-12-24T19:10:31","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=22310"},"modified":"2022-12-24T19:10:31","modified_gmt":"2022-12-24T19:10:31","slug":"weekend-links-653","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2022\/12\/24\/weekend-links-653\/","title":{"rendered":"Weekend links 653"},"content":{"rendered":"<p><a href=\"https:\/\/www.flickr.com\/photos\/spookytreasures\/24532973432\/in\/album-72157663298968659\/\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2022\/12\/clarke.jpg\" alt=\"clarke.jpg\" \/><\/a><\/p>\n<p><em>The Snow Queen (1916) by Harry Clarke.<\/em><\/p>\n<p>\u2022 &#8220;&#8230;blogging remains my favourite format precisely because the writing so rarely feels like labour.\u00a0Liberated from the need to pitch an idea or wield credentials, blogging\u2014for a professional writer\u2014frees you up to address topics outside your perceived expertise. It feels like a leisure activity because it&#8217;s <em>leisurely<\/em>\u2014a ramble across fields of culture and knowledge, during which you sneak short cuts and trespass into areas you are not meant to go. A post doesn&#8217;t have to have a destination, a point. You can bundle or concatenate several different topics, push into adjacency things that don&#8217;t obviously or naturally belong together\u2014like oddments inside a Cornell box. You can start somewhere and end up somewhere completely different, without any obligation to tie things up neatly.&#8221; <a href=\"http:\/\/blissout.blogspot.com\/2022\/12\/a-blogging-renaissance.html\" target=\"_blank\" rel=\"noopener\">Simon Reynolds<\/a> reflecting on 20 years of the blogging thing, and neatly summarising the attractions of the medium. For some of us, anyway&#8230;<\/p>\n<p>\u2022 At Smithsonian Magazine: &#8220;Structural colour was first documented in the 17th century, in peacock feathers, but it is only since the invention of the electron microscope, in the 1930s, that we have known how it works.&#8221; <a href=\"https:\/\/www.smithsonianmag.com\/innovation\/this-british-zoologist-wants-to-reinvent-color-180981349\/\" target=\"_blank\" rel=\"noopener\">Tomas Weber<\/a> on Andrew Parker&#8217;s nanotechnology developments which are creating some of the brightest hues in the world.<\/p>\n<p>\u2022 &#8220;Bring back the Cailleach, beloved Scottish goddess of winter, shaking out the snow on the land. Bring back Mother Holda, with her wild geese and her snowflakes landing on the tongue like a gift from the sky&#8230;&#8221; <a href=\"https:\/\/dowsingfordivinity.com\/2022\/12\/03\/anarchic-yule\/\" target=\"_blank\" rel=\"noopener\">Yvonne Aburrow<\/a> would like to see the festival of Yule returned to its anarchic origins.<\/p>\n<p>\u2022 <a href=\"https:\/\/www.youtube.com\/watch?v=z9tECKZ60zk\" target=\"_blank\" rel=\"noopener\"><em>Merry Christmas Mr Lawrence<\/em><\/a>, an extract from a recent audience-less concert by Ryuichi Sakamoto which he says is liable to be his last.<\/p>\n<p>\u2022 At Unquiet Things: <a href=\"https:\/\/unquietthings.com\/wish-you-were-here-not-see-in-the-art-of-darkness\/\" target=\"_blank\" rel=\"noopener\">S. Elizabeth<\/a> posts some of the pictures that couldn&#8217;t be fitted into <em>The Art of Darkness<\/em>.<\/p>\n<p>\u2022 Mix of the week: <a href=\"https:\/\/www.mixcloud.com\/lowlight\/a-tribute-to-manuel-gottsching\/\" target=\"_blank\" rel=\"noopener\">A Tribute to Manuel G\u00f6ttsching<\/a> by Low Light Mixes.<\/p>\n<p>\u2022 It&#8217;s the end of December so it must be time for <a href=\"https:\/\/www.lrb.co.uk\/the-paper\/v45\/n01\/alan-bennett\/diary\" target=\"_blank\" rel=\"noopener\">Alan Bennett&#8217;s diary<\/a>.<\/p>\n<p>\u2022 RIP <a href=\"https:\/\/www.theguardian.com\/film\/2022\/dec\/22\/mike-hodges-obituary\" target=\"_blank\" rel=\"noopener\">Mike Hodges<\/a>.<\/p>\n<p>\u2022 <em>Vale<\/em> <a href=\"https:\/\/mailchi.mp\/0f35aeefd0cf\/newsletter128?e=19d6877da0\" target=\"_blank\" rel=\"noopener\">Berfrois<\/a>.<\/p>\n<p>\u2022 <em><a href=\"https:\/\/www.youtube.com\/watch?v=0uMSsYVNIPU\" target=\"_blank\" rel=\"noopener\">Snow<\/a><\/em> (1985) by Takashi Toyoda | <a href=\"https:\/\/www.youtube.com\/watch?v=XYhFB0c05ak\" target=\"_blank\" rel=\"noopener\"><em>Snowfall<\/em><\/a> (2000) by Haruomi Hosono | <a href=\"https:\/\/www.youtube.com\/watch?v=6AX-7GZlHcw\" target=\"_blank\" rel=\"noopener\"><em>Snowfall<\/em><\/a> (2005) by Robin Guthrie &amp; Harold Budd<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Snow Queen (1916) by Harry Clarke. \u2022 &#8220;&#8230;blogging remains my favourite format precisely because the writing so rarely feels like labour.\u00a0Liberated from the need to pitch an idea or wield credentials, blogging\u2014for a professional writer\u2014frees you up to address topics outside your perceived expertise. It feels like a leisure activity because it&#8217;s leisurely\u2014a ramble &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2022\/12\/24\/weekend-links-653\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Weekend links 653&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: Weekend links 653","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,7,3,14,31,13],"tags":[1012,12583,802,99,8218,4682,5159,4516,1412,1852,1216,12581,12582,12580],"class_list":["post-22310","post","type-post","status-publish","format-standard","hentry","category-art","category-film","category-music","category-politics","category-religion","category-science","tag-alan-bennett","tag-andrew-parker","tag-harold-budd","tag-harry-clarke","tag-haruomi-hosono","tag-manuel-gottsching","tag-mike-hodges","tag-robin-guthrie","tag-ryuichi-sakamoto","tag-s-elizabeth","tag-simon-reynolds","tag-takashi-toyoda","tag-tomas-weber","tag-yvonne-aburrow"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-5NQ","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/22310","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=22310"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/22310\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=22310"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=22310"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=22310"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}