{"id":22225,"date":"2022-11-30T16:33:16","date_gmt":"2022-11-30T16:33:16","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=22225"},"modified":"2022-11-30T16:33:16","modified_gmt":"2022-11-30T16:33:16","slug":"the-art-teacher-from-drohobycz-bruno-schulz-by-the-quay-brothers","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2022\/11\/30\/the-art-teacher-from-drohobycz-bruno-schulz-by-the-quay-brothers\/","title":{"rendered":"The Art Teacher from Drohobycz: Bruno Schulz by the Quay Brothers"},"content":{"rendered":"

\"schulz1.jpg\"<\/a><\/p>\n

How’s this for a coincidence? While re-reading Bruno Schulz’s Sanatorium Under the Sign of the Hourglass<\/em> I thought I’d see whether anything new by the Quay Brothers had been posted to YouTube. I should evidently keep a closer watch on the channel maintained by the Polish Cultural Institute who posted this latest short by the Quays<\/a> just over a week ago, an 18-minute biographical introduction to the very same Bruno Schulz. Any time is a good time to be informed about the works of the author\/artist but it was 80 years ago this month that Schulz was shot dead in the street by a Gestapo officer, an act of casual brutality that throws an indelible shadow over the stories collected in The Cinnamon Shops<\/em> (aka The Street of Crocodiles<\/em>) and Sanatorium Under the Sign of the Hourglass<\/em>.<\/p>\n

\"schulz2.jpg\"<\/a><\/p>\n

The Quays’ video sketches the details of Schulz’s life as well as the events that led to his death in 1942. The town of Drohobycz where he lived and worked was formerly a part of the Galicia region of Poland, but since the upheavals of the Second World War has been situated in Western Ukraine. This is the place we find transformed in Schulz’s fiction, in a cycle of narratives that aren’t so much stories as reports from a dreamworld of shifting perspectives and fluid metamorphosis, where even the boundary between life and death is made tenuous and debatable. Wojciech Has did a superb job of conveying the mutable quality of Schulz’s fiction in The Hourglass Sanatorium<\/em> (1973), and the Quay Brothers are currently adapting the same material<\/a>, a small fragment of which may be seen in this memorial.<\/p>\n

Elsewhere on { feuilleton }
\n\u2022 The Quay Brothers archive<\/a><\/p>\n

Previously on { feuilleton }
\n\u2022 The Hourglass Sanatorium by Wojciech Has<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

How’s this for a coincidence? While re-reading Bruno Schulz’s Sanatorium Under the Sign of the Hourglass I thought I’d see whether anything new by the Quay Brothers had been posted to YouTube. I should evidently keep a closer watch on the channel maintained by the Polish Cultural Institute who posted this latest short by the … Continue reading “The Art Teacher from Drohobycz: Bruno Schulz by the Quay Brothers”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: The Art Teacher from Drohobycz: Bruno Schulz by the Quay Brothers","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[42,21,7],"tags":[399,220,219],"class_list":["post-22225","post","type-post","status-publish","format-standard","hentry","category-books","category-fantasy","category-film","tag-brothers-quay","tag-bruno-schulz","tag-wojciech-has"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-5Mt","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/22225","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=22225"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/22225\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=22225"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=22225"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=22225"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}