{"id":22151,"date":"2022-11-12T19:02:53","date_gmt":"2022-11-12T19:02:53","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=22151"},"modified":"2022-11-12T19:02:53","modified_gmt":"2022-11-12T19:02:53","slug":"weekend-links-647","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2022\/11\/12\/weekend-links-647\/","title":{"rendered":"Weekend links 647"},"content":{"rendered":"<p><a href=\"https:\/\/marswillsendnomore.wordpress.com\/2011\/04\/27\/kevin-oneill-does-mars-2\/\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2022\/11\/oneill.jpg\" alt=\"oneill.jpg\" \/><\/a><\/p>\n<p><em>A local dispute on the planet Mars. Art by Kevin O&#8217;Neill from The League of Extraordinary Gentlemen.<\/em><\/p>\n<p>\u2022 &#8220;&#8230;this image has puzzled enthusiasts of the scientific mystic\u2019s works, both for its obscure provenance and cryptic symbolism. With its pastiche of Renaissance visual style and medieval caption \u2014 \u201cA missionary of the Middle Ages tells that he had found the point where the sky and the Earth touch\u201d \u2014 the illustration was once thought to have originated centuries before Flammarion published his text.&#8221; <a href=\"https:\/\/publicdomainreview.org\/collection\/flammarion-engraving\" target=\"_blank\" rel=\"noopener\">Hunter Dukes<\/a> on the enduring mystery of the &#8220;Flammarion Engraving&#8221;.<\/p>\n<p>\u2022 &#8220;For Spare, radio, and the waves that carried the music he loved to listen to, were more than just a metaphor for the spirit world. They were an active mode of conveyance for occult energies and vibrations \u2013 the swirling, ectoplasmic tendrils from which odd figures emerge in some of his most dense and haunting work.&#8221; <a href=\"https:\/\/thequietus.com\/articles\/32307-austin-osman-spare-music\" target=\"_blank\" rel=\"noopener\">Mark Pilkington<\/a> explores Austin Osman Spare&#8217;s influence on the world of music.<\/p>\n<p>\u2022 At Spine: Design studio Milk &amp; Bone&#8217;s designer <a href=\"https:\/\/spinemagazine.co\/articles\/kurt-vonnegut-centenary-celebration\" target=\"_blank\" rel=\"noopener\">Alicia Raitt<\/a> re-imagines all 14 of Kurt Vonnegut\u2019s book covers to celebrate his 100th birthday.<\/p>\n<p>\u2022 Farewell to <a href=\"https:\/\/goshlondon.com\/the-gosh-blog\/rip-kevin-oneill-1953-2022\/\" target=\"_blank\" rel=\"noopener\">Kevin O&#8217;Neill<\/a> and <a href=\"https:\/\/www.theguardian.com\/music\/2022\/nov\/12\/nik-turner-hawkwind-co-founder-saxophonist\" target=\"_blank\" rel=\"noopener\">Nik Turner<\/a>, both of whom headed to the Western Lands this week.<\/p>\n<p>\u2022 <a href=\"https:\/\/www.theguardian.com\/film\/gallery\/2022\/nov\/10\/mean-moody-and-magnificent-film-noir-studio-portraits-in-pictures\" target=\"_blank\" rel=\"noopener\">Mean, moody and magnificent: film noir studio portraits \u2013 in pictures<\/a>.<\/p>\n<p>\u2022 Mix of the week: XLR8R Podcast 773 by <a href=\"https:\/\/www.mixcloud.com\/xlr8r\/xlr8r-podcast-773-rom%C3%A9o-poirier\/\" target=\"_blank\" rel=\"noopener\">Rom\u00e9o Poirier<\/a>.<\/p>\n<p>\u2022 New music: <a href=\"https:\/\/touch333.bandcamp.com\/album\/evergreen\" target=\"_blank\" rel=\"noopener\"><em>Evergreen<\/em><\/a> by Patrick Shiroishi.<\/p>\n<p>\u2022 <a href=\"https:\/\/www.youtube.com\/watch?v=GthBj_Dlxyo\" target=\"_blank\" rel=\"noopener\"><em>Brainstorm<\/em><\/a> (1972) by Hawkwind | <a href=\"https:\/\/www.youtube.com\/watch?v=WFaRK1rrl1w\" target=\"_blank\" rel=\"noopener\"><em>Hurricane Fighter Plane<\/em><\/a> (1985) by Inner City Unit | <a href=\"https:\/\/www.youtube.com\/watch?v=ctmn6zZmy0c\" target=\"_blank\" rel=\"noopener\"><em>Brainstorm<\/em><\/a> (1993) by Monster Magnet<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A local dispute on the planet Mars. Art by Kevin O&#8217;Neill from The League of Extraordinary Gentlemen. \u2022 &#8220;&#8230;this image has puzzled enthusiasts of the scientific mystic\u2019s works, both for its obscure provenance and cryptic symbolism. With its pastiche of Renaissance visual style and medieval caption \u2014 \u201cA missionary of the Middle Ages tells that &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2022\/11\/12\/weekend-links-647\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Weekend links 647&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: Weekend links 647","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,9,4,7,3,16,20],"tags":[12520,2469,5096,222,11998,12524,828,12521,955,12519,12525,821,12523,12522],"class_list":["post-22151","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-comics","category-design","category-film","category-music","category-occult","category-science-fiction","tag-alicia-raitt","tag-austin-osman-spare","tag-camille-flammarion","tag-hawkwind","tag-hunter-dukes","tag-inner-city-unit","tag-kevin-oneill","tag-kurt-vonnegut","tag-mark-pilkington","tag-milk-bone","tag-monster-magnet","tag-nik-turner","tag-patrick-shiroishi","tag-romeo-poirier"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-5Lh","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/22151","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=22151"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/22151\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=22151"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=22151"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=22151"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}