{"id":22094,"date":"2022-10-22T19:08:06","date_gmt":"2022-10-22T18:08:06","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=22094"},"modified":"2022-10-22T19:08:06","modified_gmt":"2022-10-22T18:08:06","slug":"weekend-links-644","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2022\/10\/22\/weekend-links-644\/","title":{"rendered":"Weekend links 644"},"content":{"rendered":"<p><a href=\"https:\/\/binniecatalogue.com\/artwork\/yoshitoshis-ghosts\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2022\/10\/binnie.jpg\" alt=\"binnie.jpg\" \/><\/a><\/p>\n<p><em>Yoshitoshi&#8217;s Ghosts (2004) by <a href=\"https:\/\/binniecatalogue.com\/\" target=\"_blank\" rel=\"noopener\">Paul Binnie<\/a>.<\/em><\/p>\n<p>\u2022 &#8220;The later <em>Grand Etteilla<\/em> series, printed well into the nineteenth century, and the present-day proliferation of Tarot decks, following ephemeral fads and fashions, all trace their origins to this beautiful and beguiling creation from the enigmatic Egyptophile at 48 Rue de L\u2019Oseille.&#8221; Kevin Dann on the <a href=\"https:\/\/publicdomainreview.org\/collection\/etteilla-thot\" target=\"_blank\" rel=\"noopener\"><em>Livre de Thot<\/em> Tarot <\/a> (ca. 1789) by Jean-Baptiste Alliette, better known as &#8220;Etteilla&#8221;.<\/p>\n<p>\u2022 &#8220;Death is not a subject he has ever shied away from, in his fiction or conversation. Indeed, he has measured other writers by how seriously they address it.&#8221; Richard B. Woodward on his friend, <a href=\"https:\/\/www.theguardian.com\/books\/2022\/oct\/22\/cormac-mccarthy-life-in-writing-books-the-passenger\" target=\"_blank\" rel=\"noopener\">Cormac McCarthy<\/a>, and McCarthy&#8217;s new novels. There&#8217;s an exclusive extract from <em>The Passenger<\/em> <a href=\"https:\/\/www.theguardian.com\/books\/2022\/oct\/22\/the-passenger-by-cormac-mccarthy-exclusive-extract\" target=\"_blank\" rel=\"noopener\">here<\/a>.<\/p>\n<p>\u2022 &#8220;&#8230;addicts, psychopaths, lovelorn outsiders, cult leaders, lesbian and gay icons&#8230;you name it, the vampire has become it.&#8221; <a href=\"https:\/\/www.theguardian.com\/books\/2022\/oct\/22\/cinema-unquenchable-thirst-for-vampires-dracula-nosferatu-lost-boys\" target=\"_blank\" rel=\"noopener\">Christopher Frayling<\/a> on the perennial popularity of the vampire, and a new book collection of vampire film posters.<\/p>\n<p>\u2022 <a href=\"https:\/\/www.theguardian.com\/stage\/2022\/oct\/17\/robert-wilson-theatre-ubu-roi\" target=\"_blank\" rel=\"noopener\">Robert Wilson<\/a>&#8216;s new production of <em>Ubu Roi<\/em> by Alfred Jarry is &#8220;a sinister, multilingual pantomime bathed in red light and looped in noise&#8230;fittingly violent, absurd, ominous and infantile&#8221;.<\/p>\n<p>\u2022 &#8220;What kind of music goes with a show that originates in deep space?&#8221; Aquarium Drunkard on <a href=\"https:\/\/aquariumdrunkard.com\/2022\/10\/20\/sonny-sharrocks-ghost-planet\/\" target=\"_blank\" rel=\"noopener\">Sonny Sharrock<\/a>\u2019s final recordings, the soundtrack music for <em>Space Ghost Coast To Coast<\/em>.<\/p>\n<p>\u2022 At Wormwoodiana: <a href=\"http:\/\/wormwoodiana.blogspot.com\/2022\/10\/the-rise-and-fall-of-second-hand.html\" target=\"_blank\" rel=\"noopener\">Mark Valentine<\/a> takes a fresh look at the health of secondhand bookshops in Britain.<\/p>\n<p>\u2022 Tokyo nightlife photographed by <a href=\"https:\/\/mymodernmet.com\/tokyo-nightlife-photography-hosokawa-ryohei\/?fbclid=IwAR0a1FjV1OvhrBLk3727RMkewR7BnGjOxFwoymz0vlBGda6jKbOaI4BcoCU\" target=\"_blank\" rel=\"noopener\">Hosokawa Ryohei<\/a>.<\/p>\n<p>\u2022 New music: <a href=\"https:\/\/lawrenceenglish.bandcamp.com\/album\/approach\" target=\"_blank\" rel=\"noopener\"><em>Approach<\/em><\/a> by Lawrence English.<\/p>\n<p>\u2022 <a href=\"https:\/\/www.youtube.com\/watch?v=1r08Ca8fk5Y\" target=\"_blank\" rel=\"noopener\"><em>The Passenger<\/em><\/a> (1977) by Iggy Pop | <a href=\"https:\/\/www.youtube.com\/watch?v=101H5exh1nw\" target=\"_blank\" rel=\"noopener\"><em>The Passenger<\/em><\/a> (1987) by Siouxsie And The Banshees | <a href=\"https:\/\/www.youtube.com\/watch?v=OLAhmW_g8GA\" target=\"_blank\" rel=\"noopener\"><em>The Passenger<\/em><\/a> (1997) by Lunachicks<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Yoshitoshi&#8217;s Ghosts (2004) by Paul Binnie. \u2022 &#8220;The later Grand Etteilla series, printed well into the nineteenth century, and the present-day proliferation of Tarot decks, following ephemeral fads and fashions, all trace their origins to this beautiful and beguiling creation from the enigmatic Egyptophile at 48 Rue de L\u2019Oseille.&#8221; Kevin Dann on the Livre de &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2022\/10\/22\/weekend-links-644\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Weekend links 644&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: Weekend links 644","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[2,42,47,4,29,7,22,3,16,12,19,46],"tags":[3183,2739,96,12490,12491,992,12489,12056,8696,12492,2903,12038,6575,3133,7269,3768],"class_list":["post-22094","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-cormac","category-design","category-electronica","category-film","category-horror","category-music","category-occult","category-photography","category-television","category-theatre","tag-alfred-jarry","tag-christopher-frayling","tag-cormac-mccarthy","tag-etteilla","tag-hosokawa-ryohei","tag-iggy-pop","tag-jean-baptiste-alliette","tag-kevin-dann","tag-lawrence-english","tag-lunachicks","tag-mark-valentine","tag-paul-binnie","tag-richard-b-woodward","tag-robert-wilson","tag-siouxsie-and-the-banshees","tag-sonny-sharrock"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-5Km","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/22094","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=22094"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/22094\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=22094"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=22094"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=22094"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}