{"id":22075,"date":"2022-10-15T19:01:34","date_gmt":"2022-10-15T18:01:34","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=22075"},"modified":"2022-10-15T19:01:34","modified_gmt":"2022-10-15T18:01:34","slug":"weekend-links-643","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2022\/10\/15\/weekend-links-643\/","title":{"rendered":"Weekend links 643"},"content":{"rendered":"<p><a href=\"https:\/\/www.monopol-magazin.de\/juergen-wittdorf-kvost?slide=0\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2022\/10\/wittdorf.jpg\" alt=\"wittdorf.jpg\" \/><\/a><\/p>\n<p><em>Freundschaftsfoto (1964) by <a href=\"https:\/\/www.monopol-magazin.de\/juergen-wittdorf-kvost?slide=0\" target=\"_blank\" rel=\"noopener\">J\u00fcrgen Wittdorf<\/a>.<\/em><\/p>\n<p>\u2022 &#8220;It\u2019s truly astonishing how Laswell collided with vastly divergent musicians and genres while somehow still representing complementary musical spheres.&#8221; Yes, indeed. Mixes of the week: <a href=\"https:\/\/aquariumdrunkard.com\/2022\/10\/13\/bill-laswell-research-institute-vol-i-ii\/\" target=\"_blank\" rel=\"noopener\">Bill Laswell Research Institute: Vol I &amp; II<\/a>, two 90-minute collections at Aquarium Drunkard dedicated to the career of the indefatigable musician\/producer\/catalyst.<\/p>\n<p>\u2022 &#8220;These pieces are created using custom developed software and laser specialised machines resulting in highly detailed laser cut works on layered paper with some works comprising over a thousand individual parts.&#8221; Works in paper at <a href=\"https:\/\/www.ibbini.com\/works-in-paper\" target=\"_blank\" rel=\"noopener\">Studio Ibbini<\/a>.<\/p>\n<p>\u2022 &#8220;The visual history of polyhedra is littered with false starts, poignant failures, and allegories unable to convey the weight of their subject matter.&#8221; <a href=\"https:\/\/publicdomainreview.org\/essay\/polyhedral-perspective\" target=\"_blank\" rel=\"noopener\">Noam Andrews<\/a> explores the history of rendering polyhedral objects in art.<\/p>\n<p>\u2022 &#8220;When it came to homosexuality, the east was as bourgeois as the west.&#8221; Homoerotic art from the communist era by <a href=\"https:\/\/www.theguardian.com\/world\/2022\/oct\/11\/jurgen-wittdorf-berlin-gallery-revives-homoerotic-art-communist-era\" target=\"_blank\" rel=\"noopener\">J\u00fcrgen Wittdorf<\/a> (1932\u20132018) receives a reappraisal.<\/p>\n<p>\u2022 More MR James: <a href=\"https:\/\/standardebooks.org\/ebooks\/m-r-james\/short-fiction\" target=\"_blank\" rel=\"noopener\">All of James&#8217; ghost stories in a single volume<\/a> at Standard Ebooks, the home of free, high-quality, public-domain texts.<\/p>\n<p>\u2022 More mixes: A mix for <em>The Wire<\/em> by <a href=\"https:\/\/www.thewire.co.uk\/audio\/tracks\/wire-mix-niknak\" target=\"_blank\" rel=\"noopener\">NikNak<\/a>, and XLR8R Podcast 769 by <a href=\"https:\/\/xlr8r.com\/podcasts\/podcast-769-the-sun-ra-arkestra\/\" target=\"_blank\" rel=\"noopener\">The Sun Ra Arkestra<\/a>.<\/p>\n<p>\u2022 At Spoon &amp; Tamago: <a href=\"https:\/\/www.spoon-tamago.com\/2022\/10\/10\/150-years-of-trains-in-japan\/\" target=\"_blank\" rel=\"noopener\">Tracing the history of railways in Japan through art<\/a>.<\/p>\n<p>\u2022 At Dennis Cooper&#8217;s: <a href=\"https:\/\/denniscooperblog.com\/marie-menken-day-3\/\" target=\"_blank\" rel=\"noopener\">Marie Menken<\/a> Day.<\/p>\n<p>\u2022 <a href=\"https:\/\/thequietus.com\/articles\/32197-angeline-morrison-favourite-albums\" target=\"_blank\" rel=\"noopener\">Angeline Morrison<\/a>&#8216;s favourite albums.<\/p>\n<p>\u2022 <a href=\"https:\/\/www.youtube.com\/watch?v=oahMKdEQEx4\" target=\"_blank\" rel=\"noopener\"><em>Ghost Train<\/em><\/a> (1961) by Virgil Holmes | <a href=\"https:\/\/www.youtube.com\/watch?v=RpDnBrwZgVw\" target=\"_blank\" rel=\"noopener\"><em>Ghost Train<\/em><\/a> (1961) by Electro-Tones | <a href=\"https:\/\/www.youtube.com\/watch?v=ZcbRJ3RLhoM\" target=\"_blank\" rel=\"noopener\"><em>Ghost Train<\/em><\/a> (1962) by The Partners<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Freundschaftsfoto (1964) by J\u00fcrgen Wittdorf. \u2022 &#8220;It\u2019s truly astonishing how Laswell collided with vastly divergent musicians and genres while somehow still representing complementary musical spheres.&#8221; Yes, indeed. Mixes of the week: Bill Laswell Research Institute: Vol I &amp; II, two 90-minute collections at Aquarium Drunkard dedicated to the career of the indefatigable musician\/producer\/catalyst. \u2022 &#8220;These &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2022\/10\/15\/weekend-links-643\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Weekend links 643&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: Weekend links 643","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[49,2,42,4,7,5,22,3,44,41,15],"tags":[9856,466,3109,12485,12479,928,773,12482,12481,12480,12486,12483,12484],"class_list":["post-22075","post","type-post","status-publish","format-standard","hentry","category-abstract-cinema","category-art","category-books","category-design","category-film","category-gay","category-horror","category-music","category-painting","category-sculpture","category-technology","tag-angeline-morrison","tag-bill-laswell","tag-dennis-cooper","tag-electro-tones","tag-jurgen-wittdorf","tag-marie-menken","tag-mr-james","tag-niknak","tag-noam-andrews","tag-studio-ibbini","tag-the-partners","tag-the-sun-ra-arkestra","tag-virgil-holmes"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-5K3","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/22075","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=22075"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/22075\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=22075"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=22075"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=22075"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}