{"id":21871,"date":"2022-07-23T19:31:19","date_gmt":"2022-07-23T18:31:19","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=21871"},"modified":"2022-07-24T10:40:31","modified_gmt":"2022-07-24T09:40:31","slug":"weekend-links-631","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2022\/07\/23\/weekend-links-631\/","title":{"rendered":"Weekend links 631"},"content":{"rendered":"<p><a href=\"https:\/\/publicdomainreview.org\/collection\/visualising-bubbles\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2022\/07\/desgoffe.jpg\" alt=\"desgoffe.jpg\" \/><\/a><\/p>\n<p><em>Soap Bubble (1882) by Alexandre-Blaise Desgoffe. <a href=\"https:\/\/publicdomainreview.org\/collection\/visualising-bubbles\" target=\"_blank\" rel=\"noopener\">Via<\/a>.<\/em><\/p>\n<p>\u2022 &#8220;&#8230;there is not now, has never been, and will never be a single Platonic form of the paragraph to which all others must conform.&#8221; <a href=\"https:\/\/hedgehogreview.com\/web-features\/thr\/posts\/past-lives-of-the-paragraph\" target=\"_blank\" rel=\"noopener\">Richard Hughes Gibson<\/a> on the history of the paragraph.<\/p>\n<p>\u2022 At Spoon &amp; Tamago:\u00a0imaginary covers by international illustrators for <a href=\"https:\/\/www.spoon-tamago.com\/2022\/07\/23\/tokyoiter-diverse-visions-of-tokyo\/\" target=\"_blank\" rel=\"noopener\">The Tokyoiter<\/a>, a <em>New Yorker<\/em>-style magazine about the Japanese capital.<\/p>\n<p>\u2022 New music: <em><a href=\"https:\/\/stephenmallinder.bandcamp.com\/album\/tick-tick-tick\" target=\"_blank\" rel=\"noopener\">tick tick tick<\/a><\/em> by Stephen Mallinder, and <a href=\"https:\/\/slyzaleksandra.bandcamp.com\/album\/a-vibrant-touch\" target=\"_blank\" rel=\"noopener\"><em>A Vibrant<\/em> Touch<\/a> by Aleksandra Slyz.<\/p>\n<blockquote><p>The <em>Kat<\/em> had a cult following among the modernists. For Joyce, Fitzgerald, Stein, and Picasso, all of whose work fed on playful energies similar to those unleashed in the strip, he had a double appeal, in being commercially nonviable and carrying the reek of authenticity in seeming to belong to mass culture. By the thirties, strips like <em>Blondie<\/em> were appearing daily in roughly a thousand newspapers; <em>Krazy<\/em> appeared in only thirty-five. The <em>Kat<\/em> was one of those niche-but-not-really phenomena, a darling of critics and artists alike, even after it stopped appearing in newspapers.<\/p>\n<p><em><a href=\"https:\/\/www.theparisreview.org\/blog\/2022\/07\/20\/e-e-cummings-and-krazy-kat\/\" target=\"_blank\" rel=\"noopener\">Amber Medland<\/a> on George Herriman, EE Cummings and Krazy Kat<\/em><\/p><\/blockquote>\n<p>\u2022 <a href=\"https:\/\/35mm.online\/en\" target=\"_blank\" rel=\"noopener\">35mm.online<\/a>: Polish feature films, documentaries and animations, all free to view.<\/p>\n<p>\u2022 At Dennis Cooper&#8217;s: Spotlight on&#8230;<a href=\"https:\/\/denniscooperblog.com\/spotlight-on-georges-bataille-erotism-death-and-sensuality-1957\/\" target=\"_blank\" rel=\"noopener\">Georges Bataille Erotism: <em>Death and Sensuality<\/em><\/a>.<\/p>\n<p>\u2022 Inside the <a href=\"https:\/\/openhouse-magazine.com\/xavier-corbero\/\" target=\"_blank\" rel=\"noopener\">Espai Corber\u00f3<\/a>, the home\/gallery of the late Xavier Corber\u00f3.<\/p>\n<p>\u2022 <a href=\"http:\/\/strangeattractor.co.uk\/shoppe\/strange-attractor-journal-five\/\" target=\"_blank\" rel=\"noopener\"><em>Strange Attractor Journal Five<\/em><\/a>.<\/p>\n<p>\u2022 RIP <a href=\"https:\/\/www.theguardian.com\/artanddesign\/gallery\/2022\/jul\/18\/claes-oldenburg-sculptures-pictures\" target=\"_blank\" rel=\"noopener\">Claes Oldenburg<\/a>.<\/p>\n<p>\u2022 <a href=\"https:\/\/www.youtube.com\/watch?v=wHa-ENetFzU\" target=\"_blank\" rel=\"noopener\"><em>Krazy Kat<\/em><\/a> (1928) by Frankie Trumbauer &amp; His Orchestra | <a href=\"https:\/\/www.youtube.com\/watch?v=oUUhkOXGSog\" target=\"_blank\" rel=\"noopener\"><em>Krazy Kat<\/em><\/a> (1949) by Artie Shaw | <a href=\"https:\/\/www.youtube.com\/watch?v=d4pT4d3SD7Q\" target=\"_blank\" rel=\"noopener\"><em>Krazy Kat<\/em><\/a> (1975) by Teddy Lasry<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Soap Bubble (1882) by Alexandre-Blaise Desgoffe. Via. \u2022 &#8220;&#8230;there is not now, has never been, and will never be a single Platonic form of the paragraph to which all others must conform.&#8221; Richard Hughes Gibson on the history of the paragraph. \u2022 At Spoon &amp; Tamago:\u00a0imaginary covers by international illustrators for The Tokyoiter, a New &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2022\/07\/23\/weekend-links-631\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Weekend links 631&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: Weekend links 631","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[52,8,2,42,9,29,7,48,43,3,41],"tags":[12349,12346,12350,2488,12354,3109,12351,12355,694,2581,12352,12347,3069,2229,12348,12353],"class_list":["post-21871","post","type-post","status-publish","format-standard","hentry","category-animation","category-architecture","category-art","category-books","category-comics","category-electronica","category-film","category-illustrators","category-magazines","category-music","category-sculpture","tag-aleksandra-slyz","tag-alexandre-blaise-desgoffe","tag-amber-medland","tag-artie-shaw","tag-claes-oldenburg","tag-dennis-cooper","tag-ee-cummings","tag-frankie-trumbauer-his-orchestra","tag-george-herriman","tag-georges-bataille","tag-krazy-kat","tag-richard-hughes-gibson","tag-stephen-mallinder","tag-teddy-lasry","tag-the-tokyoiter","tag-xavier-corbero"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-5GL","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/21871","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=21871"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/21871\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=21871"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=21871"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=21871"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}