{"id":21660,"date":"2022-06-11T19:29:03","date_gmt":"2022-06-11T18:29:03","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=21660"},"modified":"2025-09-24T21:13:26","modified_gmt":"2025-09-24T20:13:26","slug":"weekend-links-625","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2022\/06\/11\/weekend-links-625\/","title":{"rendered":"Weekend links 625"},"content":{"rendered":"

\"styrsky.jpg\"<\/a><\/p>\n

Hand (1940) by Jind\u0159ich \u0160tyrsk\u00fd.<\/em><\/p>\n

\u2022 “I love very much Symbolist painters like Odilon Redon, Ferdinand Knopf or L\u00e9on Spilliaert. Or Nordic European painters such as Munch or Gallen-Kallela. I like the way they often mix nature and mythology. Some Surrealist painters are very inspiring too: De Chirico, Tanguy, Toyen, Styrsky, or Dorothea Tanning, for instance.” Lucile Had\u017eihalilovi\u0107<\/a> talking to Mark Cousins about her new film, Earwig<\/em>, and her approach to cinema.<\/p>\n

\u2022 “It was no accident that Mishima chose to experiment with science fiction. It was a genre he had long admired. He adored Arthur C. Clarke, and lavished praise on Godzilla<\/em>…” Alexander Lee<\/a> on Yukio Mishima’s sole venture into science fiction, Beautiful Star<\/em>.<\/p>\n

\u2022 Old music: Roforofo Fight<\/em><\/a> by Fela Kuti, a great favourite round here, is receiving a 50th anniversary reissue.<\/p>\n

Readers of Berlin\u2019s Third Sex<\/em> were confronted with a whole f\u00eate galante of misfits, deviants, and sexual mutineers cavorting on the legal edgelands of society. There\u2019s the \u201cgathering of obviously homosexual princes, counts and barons\u201d discussing Wagner, the women-only ball where a \u201cdark-eyed Carmen sets a jockey aflame\u201d, the drag act burlesquing Isadora Duncan, a caf\u00e9 in the city\u2019s north where Jewish lesbians play chess, gaggles of gay labourers meeting up to gossip before tending to their needlework, the Russian baron distributing alms to hustlers in the Tiergarten, a canal-side tavern where soldiers from the nearby barracks find gay men only too willing to pick up their tab, and the encrypted classified ads with which the lonesome and horny sought to make the vast metropolis just a little smaller.<\/p>\n

James Conway<\/a> on the pioneering sexology of Magnus Hirschfeld<\/em><\/p><\/blockquote>\n

\u2022 At Aquarium Drunkard: The Miles Davis Septet<\/a> playing live at Chateau Neuf, Oslo, in 1971.<\/p>\n

\u2022 Industrial Symphony No. 1<\/em><\/a> by David Lynch & Angelo Badalamenti featuring Julee Cruise.<\/p>\n

\u2022 Mix of the week: Ghosts & Goblins 1 by The Ephemeral Man<\/a>.<\/p>\n

\u2022 New music: The Homeland Of Electricity<\/em><\/a> by Scanner.<\/p>\n

\u2022 Steven Heller’s font of the month is Pufff<\/a>.<\/p>\n

\u2022 Galerie Dennis Cooper presents Ilse Bing<\/a>.<\/p>\n

\u2022 RIP Paula Rego<\/a> and Julee Cruise<\/a>.<\/p>\n

\u2022 Teacher Of Electricity<\/em><\/a> (1970) by Old Gold | Electricity<\/a><\/em> (1980) by Orchestral Manoeuvres In The Dark | Night Electricity Theme<\/em><\/a> (2017) by Dean Hurley<\/p>\n","protected":false},"excerpt":{"rendered":"

Hand (1940) by Jind\u0159ich \u0160tyrsk\u00fd. \u2022 “I love very much Symbolist painters like Odilon Redon, Ferdinand Knopf or L\u00e9on Spilliaert. Or Nordic European painters such as Munch or Gallen-Kallela. I like the way they often mix nature and mythology. Some Surrealist painters are very inspiring too: De Chirico, Tanguy, Toyen, Styrsky, or Dorothea Tanning, for … Continue reading “Weekend links 625”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"New blog post: Weekend links 625","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,29,7,5,3,12,20,18,45,10],"tags":[12278,2029,265,10098,3109,1569,12279,7922,3050,2004,8178,9107,12277,1515,12281,12282,12280,8497,1536,5321,625],"class_list":["post-21660","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-electronica","category-film","category-gay","category-music","category-photography","category-science-fiction","category-surrealism","category-symbolists","category-typography","tag-alexander-lee","tag-angelo-badalamenti","tag-david-lynch","tag-dean-hurley","tag-dennis-cooper","tag-fela-kuti","tag-ilse-bing","tag-james-conway","tag-jindrich-styrsky","tag-julee-cruise","tag-lucile-hadzihalilovic","tag-magnus-hirschfeld","tag-mark-cousins","tag-miles-davis","tag-old-gold-group","tag-orchestral-manoeuvres-in-the-dark","tag-paula-rego","tag-scanner-musician","tag-steven-heller","tag-the-ephemeral-man","tag-yukio-mishima"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-5Dm","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/21660","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=21660"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/21660\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=21660"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=21660"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=21660"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}